Detroit Techno
   HOME
*



picture info

Detroit Techno
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, and Robert Hood. The Belleville Three The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the " Belleville Three".Hanf, Mathias Kilian. ''Detroit Techno: Transfer of the Soul through the Machine'' VDM Verlag Dr. Müller, 2010. The three, who were high school friends from Belleville, Michigan, created electronic music tracks in their basement(s). Derrick May once described Detroit techno music as being a "complete mistake ... like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company." While attending Washtenaw Community College, Atkins ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Electro (music)
Electro (or electro- funk)Rap meets Techno, with a short history of Electro
Globaldarkness.com. Retrieved on July 18, 2011.
is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

The Belleville Three At The Detroit Masonic Temple 2017 2
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Parliament (band)
Parliament was an American funk band formed in the late 1960s by George Clinton as part of his Parliament-Funkadelic collective. More commercial and less rock-oriented than its sister act Funkadelic, Parliament drew on science-fiction and outlandish theatrics in their work. The band scored a number of Top 10 hits, including the million-selling 1976 single "Give Up the Funk (Tear the Roof off the Sucker)," and Top 40 albums such as ''Mothership Connection'' (1975). History Parliament was originally The Parliaments, a doo-wop vocal group based at a Plainfield, New Jersey barbershop. The group was formed in the late 1950s and included George Clinton, Ray Davis, Fuzzy Haskins, Calvin Simon, and Grady Thomas. Clinton was the group leader and manager. The group scored a hit single in 1967 with " (I Wanna) Testify" (co-written by Clinton) on Revilot Records. To capitalize on this chart success, Clinton formed a touring band, featuring teenage barbershop employee Billy Nelson on bass ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Bootsy Collins
William Earl "Bootsy" Collins (born October 26, 1951) is an American bass guitarist and singer. Rising to prominence with James Brown in the early 1970s, and later with Parliament-Funkadelic, Collins established himself as one of the leading names and innovators in funk with his driving basslines and humorous vocals. He later formed his own P-Funk side project known as Bootsy's Rubber Band. He was a frequent collaborator with other musicians from a variety of genres, including dance music (Deee-Lite's "Groove Is in the Heart"), electronic big beat ( Fatboy Slim's " Weapon of Choice"), and alternative metal (Praxis), among others. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with 15 other members of Parliament-Funkadelic. In 2020, ''Rolling Stone'' magazine ranked Collins number 4 in its list of the 50 greatest bassists of all time. Early life Collins was born in Cincinnati, Ohio, on October 26, 1951. He said that his mother nicknamed him "Bootsy". "I ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Yellow Magic Orchestra
Yellow Magic Orchestra (YMO for short) is a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals) and Ryuichi Sakamoto (keyboards, vocals). The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, arcade games, funk music, and the disco productions ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Bootsy
William Earl "Bootsy" Collins (born October 26, 1951) is an American bass guitarist and singer. Rising to prominence with James Brown in the early 1970s, and later with Parliament-Funkadelic, Collins established himself as one of the leading names and innovators in funk with his driving basslines and humorous vocals. He later formed his own P-Funk side project known as Bootsy's Rubber Band. He was a frequent collaborator with other musicians from a variety of genres, including dance music (Deee-Lite's "Groove Is in the Heart"), electronic big beat (Fatboy Slim's " Weapon of Choice"), and alternative metal (Praxis), among others. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with 15 other members of Parliament-Funkadelic. In 2020, ''Rolling Stone'' magazine ranked Collins number 4 in its list of the 50 greatest bassists of all time. Early life Collins was born in Cincinnati, Ohio, on October 26, 1951. He said that his mother nicknamed him "Bootsy". "I aske ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

No UFO's
"No UFO's" is a 1985 techno song by Juan Atkins under the alias of Model 500. It was released on Atkins own label Metroplex. The song was the first track released after the split of Atkins' previous group Cybotron. The music followed similar themes of the previous group with science fiction and alienation but featured less of a song structure than Cybotron's music leading the track to be often identified as one of the earliest techno songs. On its release, the track was sold in Chicago where it grew to the popularity that was larger than that in Detroit. When music labels from England investigated the dance music in Chicago, they eventually mapped it back to Detroit leading to Atkins and his related musicians to agreeing to release a compilation baring the song "Techno Music" by Atkins on '' Techno! The New Dance Sound of Detroit''. The song was re-released in 2017 with remixes from contemporary artists such as Moodymann. Production Background Prior to recording "No UFO's", Jua ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Cybotron (American Band)
Cybotron was an American electro music group formed in 1980 by Juan Atkins and Richard "3070" Davis in Detroit. Guitarist John "Jon 5" Housely joined soon afterward. Cybotron had a number of singles now considered classics of the electro genre, particularly " Clear" and the group's debut, "Alleys of Your Mind," as well as "Cosmic Cars" and "R-9". Influences The group was inspired by midwestern funk, especially the music of George Clinton, along with German synthesizer pioneers, Kraftwerk, Japanese technopop pioneers, Yellow Magic Orchestra, English electropop, Italo disco and futurist literary influences such as Alvin Toffler's books ''Future Shock'' and '' The Third Wave''. The name "Cybotron," is a portmanteau of cyborg and cyclotron. Relation to techno Although generally considered electro, Cybotron was also part of the early evolution of techno music. Cybotron was the first musical outlet of techno co-originator Juan Atkins, and the group's unique combination of musical ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Richard Davis (techno Artist)
Richard Davis (born 1952) is an American composer and producer of techno music from Detroit. A veteran of the Vietnam War, he and Juan Atkins met while students at Washtenaw Community College Washtenaw Community College (WCC) is a public community college in Ann Arbor Charter Township, Michigan.Cybotron in the early 1980s. Davis also released music of his own under the alias 3070. As Cybotron and 3070, Davis had a heavy hand in the foundation of Detroit's nascent techno music scene in the 1980s.Derrick Ma ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Washtenaw Community College
Washtenaw Community College (WCC) is a public community college in Ann Arbor Charter Township, Michigan.Zoning Map
"
Archive
. Retrieved on December 7, 2012.
Founded in 1965, WCC enrolls more than 20,000 students from over 100 countries to study each year and grants certificates and degrees to over 2,600 students annually.


Academics

The college offers approximately 137 credit programs in business, health, advanced manufacturing and skilled trades, public service, humanities, social science, mat ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]