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Dembow
Dembow is a Dominican musical genre that can be traced to a riddim that originated in Jamaican dancehall. When Shabba Ranks released "Dem Bow" in 1990, it did not take long for the dembow genre to form. Riddims were built from the song and the sound became a popular part of reggaeton. From there it took off in Dominican Republic creating the sound UNDERWORLD ("Bajo Mundo" in Spanish). It hit the streets of New York and from there it made its way to all of Latin America. The Dominican Dembow sound keeps evolving and has been fusioned with Trap music since 2016 and it's also fused with Bachata and Merengue from the Dominican Republic. Dembow artists are called "Dembowseros" Characteristics The main element of dembow music is its rhythm, which is somewhat reminiscent of reggaeton and dancehall music, but with a more constant rhythm and faster beats per minute than reggaeton. Rhythm and melodies in dembow tend to be simple and repetitive. See also *Reggaeton *Latin trap L ...
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Reggaeton
Reggaeton (, ), also known as reggaetón and reguetón (), is a music style that originated in Panama during the late 1980s. It was later popularized in Puerto Rico. It has evolved from dancehall and has been influenced by American hip hop, Latin American, and Caribbean music. Vocals include rapping and singing, typically in Spanish. Reggaeton is regarded as one of the most popular music genres in the Spanish-speaking Caribbean, including Puerto Rico, Panama, Dominican Republic, Cuba, Colombia, and Venezuela. Over the 2010s, the genre has seen increased popularity across Latin America, as well as acceptance within mainstream Western music. Etymology The word ''reggaeton'' (formed from the word ''reggae'' plus the augmentative suffix ) was first used in 1988 when El General's representative Michael Ellis gave it that name to describe it as "''reggae grande''" (big reggae). The spellings ''reggaeton'' and ''reggaetón'' are common, although prescriptivist sources such ...
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Reggaeton
Reggaeton (, ), also known as reggaetón and reguetón (), is a music style that originated in Panama during the late 1980s. It was later popularized in Puerto Rico. It has evolved from dancehall and has been influenced by American hip hop, Latin American, and Caribbean music. Vocals include rapping and singing, typically in Spanish. Reggaeton is regarded as one of the most popular music genres in the Spanish-speaking Caribbean, including Puerto Rico, Panama, Dominican Republic, Cuba, Colombia, and Venezuela. Over the 2010s, the genre has seen increased popularity across Latin America, as well as acceptance within mainstream Western music. Etymology The word ''reggaeton'' (formed from the word ''reggae'' plus the augmentative suffix ) was first used in 1988 when El General's representative Michael Ellis gave it that name to describe it as "''reggae grande''" (big reggae). The spellings ''reggaeton'' and ''reggaetón'' are common, although prescriptivist sources such ...
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Dem Bow
"Dem Bow" is a song performed by Jamaican reggae artist Shabba Ranks, produced by Bobby Digital. This song uses the "Ku-Klung-Klung"/"Poco Man Jam" riddim (based on the title of the 1990 Gregory Peck and Red Dragon song) created by Jamaican producers Steely & Clevie in the late 1980s. The lyrics are anti-imperialist (the title is Jamaican patois for "they bow," with Ranks disparaging people who do so) and also anti-oral sex, as Ranks compares those who perform sodomy to those who submit to colonialism. Elements of the song's riddim have been incorporated into over 80% of all reggaeton productions. Evidently, "Dem Bow" has shaped and informed transnational flows and shifts within the genre over time. Reggaeton articulates a particular “audible thread” that weaves together various flows (and waves) of music, people, and ideologies. In examining this musical evolution, aspects of race, class, and culture are inextricably linked to sociocultural elements surrounding the genre. ...
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Shabba Ranks
Shabba Ranks (born Rexton Rawlston Fernando Gordon; 17 January 1966) is a Jamaican dancehall musician. In the late 1980s and early 1990s, he was one of the most popular Jamaican musicians in the world. Throughout his prominence in his home country as a dancehall artist, he gained popularity in North America with his studio album, ''Just Reality'', in 1990. He released two studio albums, '' As Raw as Ever'' and ''X-tra Naked'', which both won a Grammy Award as Best Reggae Album in 1992 and 1993, respectively. He is notoriously popular for " Mr. Loverman" and "Ting-A-Ling", which were globally acclaimed and deemed his signature songs. Early life and family Shabba Ranks was born in Sturge Town, Saint Ann, Jamaica, and raised in Seaview Gardens, Kingston. He and his wife, Michelle, have two sons Rexton Jr and Jahwon. He currently resides in the New York City area. His father, Ivan Gordon, was a mason who died in 1990. His mother, Constance "Mama Christie" Christie, remained ...
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Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian ...
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Reggae Genres
There are several subgenres of reggae music including various predecessors to the form. Pre-reggae styles Mento Reggae grew out of earlier musical styles such as mento, ska and rocksteady. Mento is a Jamaican folk music based on traditions brought to Jamaica by West African slaves which blended with later influences such as the quadrille.Shaping Freedom, Finding Unity - The Power Of Music Displayed In Early Mento
, '' Jamaica Gleaner'', 11 August 2013. Retrieved 11 August 2013
Mento Purely Home-Grown
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Jamaican Music
The music of Jamaica includes Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles. Reggae is especially popular through the international fame of Bob Marley. Jamaican music's influence on music styles in other countries includes the practice of toasting, which was brought to New York City and evolved into rapping. British genres such as Lovers rock, jungle music and grime are also influenced by Jamaican music. Mento Mento is a style of Jamaican music that predates and has greatly influenced ska and reggae music. Lord Flea and Count Lasher are two of the more successful mento artists. Well-known mento songs include Day-O, Jamaica Farewell and Linstead Market. Mento is often confused with Calypso music, a musical form from Trinidad and Tobago. Calypso and Soca As in many Anglo-Caribbean islands, the calypso music of Trinidad and Tobago has become part of the culture of Jamaica. Jamai ...
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Tresillo (rhythm)
Tresillo ( ; ) is a rhythmic pattern (shown below) used in Latin American music. It is a more basic form of the rhythmic figure known as the ''habanera''. : \new RhythmicStaff Tresillo is the most fundamental duple-pulse rhythmic cell in Cuban and other Latin American music. It was introduced in the New World through the Atlantic slave trade during the Colonial period. The pattern is also the most fundamental and most prevalent duple-pulse rhythmic cell in Sub-Saharan African music traditions. The cinquillo pattern is another common embellishment of tresillo. Cinquillo is used frequently in the Cuban contradanza (the "habanera") and the danzón. Triplet (formal usage) ''Tresillo'' is a Spanish word meaning " triplet"—three equal notes within the same time span normally occupied by two notes. In its formal usage, ''tresillo'' refers to a subdivision of the beat that does not normally occur within the given structure. Therefore, it is indicated by the number 3 between th ...
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Latin Trap
Latin trap is a subgenre of trap music that originated in Puerto Rico. A direct descendant of southern hip hop, and influenced by reggaeton, it gained popularity after 2007, and has since spread throughout Latin America. ''The trap'' is slang for a place where drugs are sold. Latin trap is similar to mainstream trap with lyrics about life on ''la calle'' (the street), drugs, sex and violence, without censorship. Characteristics Latin trap is a subgenre of Latin hip hop, taking influence from Southern hip hop as well as Puerto Rican genres like reggaeton and dembow. Vocals include a bend of rapping and singing using synthesizers and voice distorted autotune, often in Spanish, while still maintaining the trap style sonic circuitry. The lyrics in Latin trap are often about street life, violence, sex, drugs, and people who live on the other side of the law and are proud of it. History 2000s Latin trap originated in Puerto Rico and gained popularity throughout Latin America ...
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Ragga
Raggamuffin music, usually abbreviated as ragga, is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music. Similar to hip hop, sampling often serves a prominent role in raggamuffin music. Wayne Smith's " Under Mi Sleng Teng", produced by King Jammy in 1985 on a Casio MT-40 synthesizer, is generally recognized as the seminal ragga song. "Sleng Teng" boosted Jammy's popularity immensely, and other producers quickly released their own versions of the riddim, accompanied by dozens of different vocalists. Ragga is now mainly used as a synonym for dancehall reggae or for describing dancehall with a deejay chatting rather than singjaying or singing on top of the riddim. Origins Ragga originated in Jamaica during the 1980s, at the same time that electronic dance music's popularity was increasing globally. One of the reasons for ragga's swift propagation is that it is generally easier and less expensive to produce than reggae performed o ...
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Spanish Language
Spanish ( or , Castilian) is a Romance language of the Indo-European language family that evolved from colloquial Latin spoken on the Iberian peninsula. Today, it is a global language with more than 500 million native speakers, mainly in the Americas and Spain. Spanish is the official language of 20 countries. It is the world's second-most spoken native language after Mandarin Chinese; the world's fourth-most spoken language overall after English, Mandarin Chinese, and Hindustani (Hindi-Urdu); and the world's most widely spoken Romance language. The largest population of native speakers is in Mexico. Spanish is part of the Ibero-Romance group of languages, which evolved from several dialects of Vulgar Latin in Iberia after the collapse of the Western Roman Empire in the 5th century. The oldest Latin texts with traces of Spanish come from mid-northern Iberia in the 9th century, and the first systematic written use of the language happened in Toledo, a prominent c ...
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Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or " riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to ...
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