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Damru
A damaru ( sa, डमरु, ; Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the deity Shiva, associated with Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices. Description The drum is typically made of wood, metal with leather drum heads at both ends. The resonator is made of brass. The height of the damaru is 6 inches and weight varies from 250-330 gm. Its height ranges from a few inches to a little over one foot. It is played single-handedly. The strikers are typically beads fastened to the ends of leather cords around the waist of the damaru. Knots in the leather can also be used as strikers; crocheted material is also common. As the player waves the drum using a twisting wrist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damaru Instrument 5
A damaru ( sa, डमरु, ; Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the deity Shiva, associated with Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices. Description The drum is typically made of wood, metal with leather drum heads at both ends. The resonator is made of brass. The height of the damaru is 6 inches and weight varies from 250-330 gm. Its height ranges from a few inches to a little over one foot. It is played single-handedly. The strikers are typically beads fastened to the ends of leather cords around the waist of the damaru. Knots in the leather can also be used as strikers; crocheted material is also common. As the player waves the drum using a twisting wrist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Membranophone
A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Sachs, material, shape, skin(s), skin fastening, playing positions, and manner of playing. Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allahabad District
Allahabad district, officially known as Prayagraj district, is the most populous district of Uttar Pradesh state of India. The district headquarters is Allahabad which was renamed Prayagraj at the same time as the district was renamed. The District is divided into blocks within tehsils. As of 2011, there are 20 blocks in eight tehsils. The Allahabad division includes the districts of Pratapgarh, Fatehpur, Kaushambi and Allahabad, with some western parts that had previously part of Allahabad District becoming part of the new Kaushambi District. The administrative divisions are Phulpur, Koraon, Meja, Sadar, Soraon, Handia, Bara, Shringverpur and Karchana. The three rivers of India - Ganges, Yamuna and the mythical river of Sarasvati - meet at a point in the district, known as Sangam, considered holy by Hindus. Allahabad was once the capital of United Province before independence. Allahabad is one of the largest educational hubs. Demographics According to the 2011 censu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acacia
''Acacia'', commonly known as the wattles or acacias, is a large genus of shrubs and trees in the subfamily Mimosoideae of the pea family Fabaceae. Initially, it comprised a group of plant species native to Africa and Australasia. The genus name is New Latin, borrowed from the Greek (), a term used by Dioscorides for a preparation extracted from the leaves and fruit pods of '' Vachellia nilotica'', the original type of the genus. In his ''Pinax'' (1623), Gaspard Bauhin mentioned the Greek from Dioscorides as the origin of the Latin name. In the early 2000s it had become evident that the genus as it stood was not monophyletic and that several divergent lineages needed to be placed in separate genera. It turned out that one lineage comprising over 900 species mainly native to Australia, New Guinea, and Indonesia was not closely related to the much smaller group of African lineage that contained ''A. nilotica''—the type species. This meant that the Australasian lineage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chöd
Chöd ( lit. 'to sever') is a spiritual practice found primarily in the Yundrung Bön tradition as well as in the Nyingma and Kagyu schools of Tibetan Buddhism (where it is classed as Anuttarayoga Tantra). Also known as "cutting through the ego," the practices are based on the Prajñāpāramitā or "Perfection of Wisdom" sutras, which expound the "emptiness" concept of Buddhist philosophy. According to Mahayana Buddhists, emptiness is the ultimate wisdom of understanding that all things lack inherent existence. Chöd combines prajñāpāramitā philosophy with specific meditation methods and tantric ritual. The chod practitioner seeks to tap the power of fear through activities such as rituals set in graveyards, and visualisation of offering their bodies in a tantric feast in order to put their understanding of emptiness to the ultimate test. Definition and Sanskrit ''chedasādhanā'' both literally mean "cutting practice". In Standard Tibetan (the prestige dialect associat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tantra Techniques (Vajrayana)
Vajrayāna ( sa, वज्रयान, "thunderbolt vehicle", "diamond vehicle", or "indestructible vehicle"), along with Mantrayāna, Guhyamantrayāna, Tantrayāna, Secret Mantra, Tantric Buddhism, and Esoteric Buddhism, are names referring to Buddhist traditions associated with Tantra and "Secret Mantra", which developed in the medieval Indian subcontinent and spread to Tibet, Nepal, other Himalayan states, East Asia, and Mongolia. Vajrayāna practices are connected to specific lineages in Buddhism, through the teachings of lineage holders. Others might generally refer to texts as the Buddhist Tantras. It includes practices that make use of mantras, dharanis, mudras, mandalas and the visualization of deities and Buddhas. Traditional Vajrayāna sources say that the tantras and the lineage of Vajrayāna were taught by Śākyamuni Buddha and other figures such as the bodhisattva Vajrapani and Padmasambhava. Contemporary historians of Buddhist studies meanwhile argue that thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lag-na
A lag-na, or na, is an ancient Tibetan frame drum. The drumhead has a minimum diameter of about one metre. Like the '' dhyāngro'' (the principal drum of the '' jhakri'' shamans of Nepal), the lag-na has a carved, wooden handle. One plays the na by striking its drumhead with a heavy percussion mallet. See also * Damaru A damaru ( sa, डमरु, ; Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the deity Shiva, associated with Ta ..., a small, two-headed drum of Hindu and Tibetan Buddhist tradition References Drums Medicine drums Tibetan musical instruments {{Membranophone-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolmo
The rolmo is a horizontal ritual cymbal used by Tibetan monks in Buddhist rites. It has a broad central boss and is struck vertically, in contrast to the Silnyen. See also * Buddhist music * Tibetan music The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad. The religious music of Tibet reflects the p ... References Cymbals Tibetan musical instruments {{Cymbal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silnyen
The silnyen is a Tibetan percussion instrument in the form of a cymbal with a small or no central boss. The silnyen is struck by horizontal movement and is used in Buddhist rites. See also * Rolmo * Tibetan music The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad. The religious music of Tibet reflects the p ... References Tibetan musical instruments Cymbals {{Cymbal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gyaling
The ''gyaling'' (, English: also spelled , , , , , , etc.) Gyaling, literally meaning "Chinese flute", is a traditional woodwind instrument used in Tibet. As its name indicates, it is the Chinese double reed Suona horn (much like the sorna) used mainly in Tibetan monasteries during ''puja'' (chanting and prayer) and is associated with peaceful deities and the idea of devotion. Design The gyaling is oboe-like in appearance with a long hardwood body and copper brass bell. The instrument is generally covered with ornate embellishments of colored glass. The double reed, which is made from a single stem of marsh grass, is placed upon a small metal channel that protrudes out of the top. There are eight (8) fingerholes on a standard gyaling. To play a gyaling requires a technique called circular breathing, in which the instrument will constantly be emitting a linear sound, even while the musician inhales. The reed is fully submerged in the player’s mouth but does not touch it; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tibetan Horn
The Tibetan horn or dungchen (; mn, hiidiin buree, script=Latn; ) is a long trumpet or horn used in Tibetan Buddhist and Mongolian buddhist ceremonies. It is the most widely used instrument in Tibetan Buddhist culture. It is often played in pairs or multiples, and the sound is compared to the singing of elephants. Tsultrim Allione described the sound: It is a long, deep, whirring, haunting wail that takes you out somewhere beyond the highest Himalaya peaks and at the same time back into your mother's womb. See also *Music of Tibet *Alphorn The alphorn or alpenhorn or alpine horn is a labrophone, consisting of a straight several-meter-long wooden natural horn of conical bore, with a wooden cup-shaped mouthpiece. Traditionally the Alphorn was made of one single piece, or two par ... * Erke References External linksMovie about making Tibetan horns in Nepal [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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