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Duodecet
In music, a duodecet—sometimes duodectet, or duodecimette—is a composition which requires twelve musicians for a performance, or a musical group that consists of twelve people. In jazz, such a group of twelve players is sometimes called a "twelvetet". The corresponding German word is Duodezett. The French equivalent form, douzetuor, is virtually unknown (in sharp contrast to ''dixtuor'', the French word for decet). Unlike some other musical ensembles such as the string quartet, there is no established or standard set of instruments in a duodecet. History Of the ensemble types named according to the number of musicians in the group, the decet, undecet, duodecet, tredecet, etc., are names less common in music than smaller groupings (quartet, quintet, etc., up to nonet). In the eighteenth century, twelve-part ensembles were most often encountered in the genre of the wind serenade, divertimento, nocturne, or partita—for example, Josef Reicha's ''Parthia ex D'', for 2 flutes, 2 obo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decet (music)
In music, a decet—sometimes dectet, decimette, or even tentet—is a composition which requires ten musicians for a performance, or a musical group that consists of ten people. The corresponding German word is Dezett, the French is dixtuor. Unlike some other musical ensembles such as the string quartet, there is no established or standard set of instruments in a decet. History Of the ensemble types named according to the number of musicians in the group, the decet and the larger undecet, duodecet, etc., are names less common in music than smaller groupings. In the eighteenth century, ten-part ensembles were most often encountered in the genre of the wind serenade, or divertimento (for example, Mozart, K. 186 and 166, both for 2 oboes, 2 clarinets, 2 English horns, 2 horns, and 2 bassoons). Because the wind-serenade tradition was carried on during the 19th century primarily in France, the term ''dixtuor'' is somewhat more widely used in French than is its English equivalent, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramifications (Ligeti)
''Ramifications'' is a composition for strings by Hungarian composer György Ligeti. It was finished in 1968 and premiered in 1969. Composition and premiere The composition is dedicated to Serge Koussevitzky and his wife, Natalia Koussevitzky and is meant to be a gift for the Koussevitzky Music Foundation in the Library of Congress. The first version, for string orchestra, was premiered in Berlin on April 23, 1969. Michael Gielen conducted the Radio-Sinfonie-Orchester Berlin on this occasion. The version for 12 soloists was premiered a few months later, on October 10, 1969, in Saarbrücken, with the Kammerorchester des Saarländischen Rundfunks under the baton of Antonio Janigro. Analysis The piece is in one movement that takes approximately eight minutes to perform. It is scored for an ensemble of 12 strings, split into two groups: Group I comprises four violins, one viola, and one cello; and Group II comprises three violins, one viola, one cello, and one double bass. Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertino (composition)
Concertino is the diminutive of concerto, thus literally a small or short concerto. Examples Listed by composer: *Hendrik Andriessen: **Concertino for oboe and string orchestra (1970) **Concertino for cello and chamber orchestra (1970) * Jurriaan Andriessen: **Concertino for bassoon and winds (1962) **Concertino for piano and orchestra (1962) **Concertino for sousaphone and orchestra (1967) *Alexander Arutiunian: Concertino for piano and orchestra (1951) *Kees van Baaren: Concertino for piano and orchestra (1934) *Henk Badings: Concertino for piano trio (violin, cello, and piano) and chamber orchestra (1942) *Marion Bauer: Concertino for oboe, clarinet, and string quartet, Op. 32b *Luciano Berio: Concertino for clarinet, violin, celesta, harp, and strings (1949, rev. 1951 and 1970) *Henriëtte Bosmans: Concertino for piano and orchestra (1929) * Ferrucio Busoni: , BV 276 (Op. 48) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Tenney
James Tenney (August 10, 1934 – August 24, 2006) was an American composer and music theorist. He made significant early musical contributions to plunderphonics, sound synthesis, algorithmic composition, process music, spectral music, microtonal music, and tuning systems including extended just intonation. His theoretical writings variously concern musical form, texture, timbre, consonance and dissonance, and harmonic perception. Biography James Tenney was born in Silver City, New Mexico, and grew up in Arizona and Colorado. He attended the University of Denver, the Juilliard School of Music, Bennington College (B.A., 1958) and the University of Illinois (M.A., 1961). He studied piano with Eduard Steuermann and composition with Chou Wen-chung, Lionel Nowak, Paul Boepple, Henry Brant, Carl Ruggles, Kenneth Gaburo, John Cage, Harry Partch, and Edgard Varèse. He also studied acoustics, information theory and tape music composition under Lejaren Hiller. In 1961, Tenney completed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Simaku
Thomas Simaku (born 18 April 1958, in Kavajë) is an Albanian composer. Education Simaku studied composition between the years 1978–1982 at the Academy of Music and Arts of Albania under Tonin Harapi. After graduation he was nominated as Director of Music at the Palace of Culture of Permet, in southern Albania. In 1991 Simaku moved to England to study for a PhD in composition with David Blake at the University of York, which he was awarded in 1996. Prizes and awards Notable prizes and awards that Simaku has won include: * 1993: Lionel Robbins Memorial Scholarship, being the only candidate from the UK to win that year. * 1996: Leonard Bernstein Fellowship in Composition at Tanglewood Music Centre in the U.S. with Bernard Rands. * 1998: Fellowship at the Composers' Workshop at California State University with Brian Ferneyhough. * 2000: Fellowship from the Arts & Humanities Research Council in London. * 2004: Serocki International Prize, Warsaw. * 2009: British Composer Award ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Ligeti
György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time". Born in Transylvania, Romania, he lived in the Hungarian People's Republic before emigrating to Austria in 1956. He became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hamburg Hochschule für Musik und Theater, where he worked until retiring in 1989. He died in Vienna in 2006. Restricted in his musical style by the authorities of Communist Hungary, only when he reached the West in 1956 could Ligeti fully realise his passion for avant-garde music and develop new compositional techniques. After experimenting with electronic music in Cologne, Germany, his breakthrough came with orchestral works such as ''Atmosphères'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmut Eder
Helmut Eder (December 26, 1916, Linz – February 8, 2005, Salzburg) was an Austrian composer. Eder studied until 1948 at the Linz Conservatory, later studying with Johann Nepomuk David in Stuttgart and Carl Orff in Munich. Returning to Linz, he became a teacher at the Linz Conservatory, accepting a position as full professor in 1962. He also conducted the ''Singakademie'' in Linz from 1953 to 1960 and founded an electronic music studio in the city in 1959. He became professor of composition at the Salzburg Mozarteum in 1967. Eder composed in a wide variety of traditional genres, and also wrote scores for film, television, and radio. Works Eder's works are mainly published by Doblinger. ;Operas * ''Oedipus'' (1958/59), H. Weinstock, after Sophocles, 1960 Linz * ''Der Kardinal'' (1961/62), E. Brauner, 1965 Linz * ''Die weiße Frau'' (1966), K. Kleinschmidt * ''Konfigurationen 3'' (1969), R. Bayr Vienna * ''Der Aufstand'' (1976), Gertrud Fussenegger, Linz * ''Georges Dandin'' (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Dillon (composer)
James Dillon (born 29 October 1950) is a Scottish composer who is often regarded as belonging to the New Complexity school. Dillon studied art and design, linguistics, piano, acoustics, Indian rhythm, mathematics and computer music, but is self-taught in composition. Dillon was born in Glasgow, Scotland. Honours include first prize in the Huddersfield Contemporary Music Festival in 1978, the Kranichsteiner music prize at Darmstadt in 1982, and five Royal Philharmonic Society composition awards, most recently for his chamber piece ''Tanz/Haus: triptych 2017''. Dillon taught at Darmstadt from 1982 to 1992, and has been a guest lecturer and composer at various institutions around the world. He taught at the University of Minnesota School of Music in Minneapolis, Minnesota, from 2007 to 2014. Selected works His major works include choral and vocal music, including the cycle ''L'évolution du vol'' (1993) and the opera ''Philomela'' (2004), the orchestral works ''helle Nacht'' (198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesar Bresgen
Cesar Bresgen (16 October 1913 – 7 April 1988) was an Austrian composer. Biography He was born in Florence to Maria and August Bresgen, both artists. He spent his childhood in Zell am See, Munich, Prague, and Salzburg. From 1930 to 1936 he studied piano, organ, conducting, and composition at the Musikhochschule München, the latter with Joseph Haas. From 1933 he moved to London, where he worked as a pianist and composer, co-operating with dancers, including Leslie Barrowes. He married in 1936. He worked at the Munich radio station from 1936 to 1938. In 1939, he became professor of composition at the Mozarteum in Salzburg. He was a soldier in the final years of World War II, fighting on the Western front. After the war he worked as an organist and choral director in Mittersill, Austria. There he met Anton Webern, who made a significant impression on him. In 1947, he began to teach again at the Mozarteum, eventually becoming a professor. In 1956, he married pianist Eleo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Boyd
Anne Elizabeth Boyd AM (born 10 April 1946) is an Australian composer and emeritus professor of music at the University of Sydney. Early life Boyd was born in Sydney to James Boyd and Annie Freda Deason Boyd (née Osborn). Her father died when she was age 3, and her mother sent her to live with relatives on a sheep station (Maneroo) near Longreach, in central Queensland. This intimate experience with the Australian landscape – its expansiveness, its dramatic changes, and its "indescribable energy" – had a profound influence on her future as a composer. She began composing while still at Maneroo, at the age of eight, for the resources she had available: recorder and voice. She moved to Canberra aged 11, and although she was pleased to be reunited with her mother, she missed the beauty of the outback terrain. In New South Wales, she received her education at Albury High School and Hornsby Girls' High School. Boyd studied music at the University of Sydney, where she was one o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Klengel
Julius Klengel (24 September 1859 – 27 October 1933) was a German cellist who is most famous for his études and solo pieces written for the instrument. He was the brother of Paul Klengel. A member of the Gewandhaus Orchestra of Leipzig at fifteen, he toured extensively throughout Europe as cellist and soloist of the Gewandhaus Quartet. His pupils include Guilhermina Suggia, Emanuel Feuermann, Gregor Piatigorsky and Alexandre Barjansky. Biography Klengel was born in Leipzig, and studied with Emil Hegar in his youth. His father was a lawyer and an amateur musician, and was friend of Mendelssohn. After his 15th birthday, Klengel joined the Leipzig Gewandhaus Orchestra where Klengel played first cello, and began touring in Europe and Russia. Klengel also became a soloist at that point, frequently giving solo performances. Klengel rose to become principal cellist of the orchestra, aged 22, in 1881. There he remained for over four decades: to celebrate his fifty years of service ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvano Bussotti
Sylvano Bussotti (1 October 1931 – 19 September 2021) was an Italian composer of contemporary classical music, also a painter, set and costume designer, opera director and manager, writer and academic teacher. His compositions employ graphic notation, which has often created special problems of interpretation. He was known as a composer for the stage. His first opera was ''La Passion selon Sade'', premiered in Palermo in 1965. Later operas and ballets were premiered at the Teatro Comunale di Firenze, Teatro Lirico di Milano, Teatro Regio di Torino and Piccola Scala di Milano, among others. He was artistic director of La Fenice in Venice, the Puccini Festival and the music section of the Venice Biennale. He taught internationally, for a decade at the Fiesole School of Music. He is regarded as a leading composer of Italy's avantgarde, and a Renaissance man with many talents who combined the arts expressively. Life and career Born in Florence, Bussotti learned to play the viol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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