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Dramatic Monologue
Dramatic monologue is a type of poetry written in the form of a speech of an individual character. M.H. Abrams notes the following three features of the ''dramatic monologue'' as it applies to poetry: Types of dramatic monologue One of the most important influences on the development of the dramatic monologue is romantic poetry. However, the long, personal lyrics typical of the Romantic period are not dramatic monologues, in the sense that they do not, for the most part, imply a concentrated narrative. Poems such as William Wordsworth's ''Tintern Abbey'' and Percy Bysshe Shelley's ''Mont Blanc'', to name two famous examples, offered a model of close psychological observation and philosophical or pseudo-philosophical inquiry described in a specific setting. The conversation poems of Samuel Taylor Coleridge are perhaps a better precedent. The genre was also developed by Felicia Hemans and Letitia Elizabeth Landon, beginning in the latter's case with her long poem ''The Improvis ...
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Romantic Poetry
Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe towards the end of the 18th century. It involved a reaction against prevailing Enlightenment ideas of the 18th century, and lasted approximately from 1800 to 1850.Romanticism
. Academic.brooklyn.cuny.edu. Retrieved 2012-05-17.
Romantic poets rebelled against the style of poetry from the eighteenth century which were based around epics, odes, satires, elegies, epistles and songs.


English Romantic poetry

In early-19th-century England, the poet defined his and

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Ulysses (poem)
"Ulysses" is a poem in blank verse by the Victorian era, Victorian poet Alfred, Lord Tennyson (1809–1892), written in 1833 and published in 1842 in his well-received Poems (Tennyson, 1842), second volume of poetry. An oft-quoted poem, it is a popular example of the dramatic monologue. Facing old age, mythical hero Odysseus, Ulysses describes his discontent and restlessness upon returning to his kingdom, Homer's Ithaca, Ithaca, after his far-ranging travels. Despite his reunion with his wife Penelope and his son Telemachus, Ulysses yearns to explore again. The character of Ulysses (in Greek language, Greek, Odysseus) has been explored widely in literature. The adventures of Odysseus were first recorded in Homer's ''Iliad'' and ''Odyssey'' (c. 800–700 BC), and Tennyson draws on Homer's narrative in the poem. Most critics, however, find that Tennyson's Ulysses recalls Dante Alighieri, Dante's Ulisse in his ''The Divine Comedy#Inferno, Inferno'' (c. 1320). In Dante's re-telling, ...
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Men And Women (poetry Collection)
''Men and Women'' is a collection of fifty-one poems in two volumes by Robert Browning, first published in 1855. While now generally considered to contain some of the best of Browning's poetry, at the time it was not received well and sold poorly. Background information ''Men and Women'' was Browning's first published work after a five year hiatus, and his first collection of shorter poems since his marriage to Elizabeth Barrett in 1846. His reputation had still not recovered from the disastrous failure of ''Sordello'' fifteen years previously, and Browning was at the time comprehensively overshadowed by his wife in terms of both critical reception and commercial success. Away from the spotlight, Browning was able to work on a long-considered project. He had long been associated with the dramatic monologue, having written two early volumes of poems entitled ''Dramatic Lyrics'' and ''Dramatic Romances and Lyrics'', but with ''Men and Women'' he took the concept a step further. Brow ...
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Porphyria's Lover
"Porphyria's Lover" is a poem by Robert Browning which was first published as "Porphyria" in the January 1836 issue of ''Monthly Repository''. Browning later republished it in ''Dramatic Lyrics'' (1842) paired with " Johannes Agricola in Meditation" under the title "Madhouse Cells". The poem did not receive its definitive title until 1863. "Porphyria's Lover" is Browning's first ever short dramatic monologue, and also the first of his poems to examine abnormal psychology. Although its initial publication passed nearly unnoticed and received little critical attention in the nineteenth century, the poem is now heavily anthologised and much studied. In the poem, a man strangles his lover – Porphyria – with her hair; "... and all her hair / In one long yellow string I wound / Three times her little throat around, / And strangled her." Porphyria's lover then talks of the corpse's blue eyes, golden hair, and describes the feeling of perfect happiness the murde ...
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Soliloquy Of The Spanish Cloister
"Soliloquy of the Spanish Cloister" is a soliloquy written by Robert Browning, first published in his collection ''Dramatic Lyrics'' (1842). It is written in the voice of an unnamed Spanish monk. The poem consists of nine eight-line stanzas and is written in trochaic tetrameter. The plot of the poem centers around the speaker's hatred for "Brother Lawrence", a fellow monk in the cloister. The speaker notes the trivial ways in which Brother Lawrence fails in his Christianity, and then plots to murder, or damn the soul of, Brother Lawrence. However, the poem ends before the speaker can finish, when he is interrupted by the bells proclaiming it is time for vespers Vespers is a service of evening prayer, one of the canonical hours in Eastern Orthodox, Oriental Orthodox, Catholic Church, Catholic (both Latin liturgical rites, Latin and Eastern Catholic Churches, Eastern), Lutheranism, Lutheran, and Anglican .... References Lecture on the subjectEnglish 262 "A Survey Of British ...
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Caliban Upon Setebos
''Caliban upon Setebos'' is a poem written by the British poet Robert Browning and published in his 1864 ''Dramatis Personae'' collection. It deals with Caliban, a character from Shakespeare's '' The Tempest'', and his reflections on Setebos, the brutal god believed in by himself and his late mother Sycorax. Some scholars see Browning as being of the belief that God is in the eye of the beholder, and this is emphasized by a barbaric character believing in a barbaric god. An offshoot of this interpretation is the argument that Browning is applying evolutionary theory to religious development.Tebbetts, 367 Others feel that he was satirizing theologians of his time, who attempted to understand God as a reflection of themselves; this theory is supported by the epigraph, Psalm 50:21, "Thou thoughtest that I was altogether such a one as thyself." This could be taken as God mocking Caliban (and Browning's contemporaries) for their methods of attempting to understand Him (see note at the b ...
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Fra Lippo Lippi (poem)
''Fra Lippo Lippi'' is an 1855 dramatic monologue written by the Victorian poet Robert Browning which first appeared in his collection '' Men and Women''. Throughout this poem, Browning depicts a 15th-century real-life painter, Filippo Lippi. The poem asks the question whether art should be true to life or an idealized image of life. The poem is written in blank verse, non-rhyming iambic pentameter. A secondary theme of the dramatic monologue is the Church's influence on art. Although Fra Lippo paints real life pictures, it is the Church that requires him to redo much of it, instructing him to paint the soul In many religious and philosophical traditions, there is a belief that a soul is "the immaterial aspect or essence of a human being". Etymology The Modern English noun ''soul'' is derived from Old English ''sāwol, sāwel''. The earliest attes ..., not the flesh. ("Paint the soul, never mind the legs and arms!"). Aside from the theme of the Church and its desires to ch ...
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The Ring And The Book
''The Ring and the Book'' is a long dramatic narrative poem, and, more specifically, a verse novel, of 21,000 lines, written by Robert Browning. It was published in four volumes from 1868 to 1869 by Smith, Elder & Co. Plot outline The book tells the story of a murder trial in Rome in 1698, whereby an impoverished nobleman, Count Guido Franceschini, is found guilty of the murders of his young wife Pompilia (Comparini) and her parents, having suspected his wife was having an affair with a young cleric, Giuseppe Caponsacchi. Having been found guilty despite his protests and sentenced to death, Guido then appeals—unsuccessfully—to Pope Innocent XII to overturn the conviction. The poem comprises twelve books, ten of which are dramatic monologues spoken by different characters involved in the case (Count Guido speaks twice), usually giving a different account of the same events, and two books (the first and the last) spoken by the author. Books making up the full poem # The Rin ...
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My Last Duchess
"My Last Duchess" is a poem by Robert Browning, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's ''Dramatic Lyrics''. The poem is composed in 28 rhyming couplets of iambic pentameter. In the first edition of ''Dramatic Lyrics'', the poem was merely titled "Italy". Historical background The poem is preceded by the epigraph "''Ferrara:''", indicating that the speaker is Alfonso II d'Este, the fifth Duke of Ferrara (1533–1598), who, in 1558 (at the age of 24), had married Lucrezia di Cosimo de' Medici, the 13-year-old daughter of Cosimo I de' Medici, Grand Duke of Tuscany, and Eleonora di Toledo. Lucrezia was well-educated, and the Medicis could be considered "nouveau riche" in comparison to the venerable and distinguished Este family (Alfonso II d'Este's remark regarding his gift of a "nine-hundred-years-old name" clearly indicates that he considered his bride beneath him socially). She came with a sizeable dowry. He t ...
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Robert Browning
Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose dramatic monologues put him high among the Victorian poets. He was noted for irony, characterization, dark humour, social commentary, historical settings and challenging vocabulary and syntax. His early long poems ''Pauline'' (1833) and ''Paracelsus'' (1835) were acclaimed, but his reputation dwindled for a time – his 1840 poem ''Sordello'' was seen as wilfully obscure – and took over a decade to recover, by which time he had moved from Shelleyan forms to a more personal style. In 1846 he married fellow poet Elizabeth Barrett and moved to Italy. By her death in 1861 he had published the collection ''Men and Women'' (1855). His ''Dramatis Personae'' (1864) and book-length epic poem ''The Ring and the Book'' (1868–1869) made him a leading poet. By his death in 1889 he was seen as a sage and philosopher-poet who had fed into Victorian social and political discourse. Societies for ...
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Scepticism (philosophy)
Philosophical skepticism ( UK spelling: scepticism; from Greek σκέψις ''skepsis'', "inquiry") is a family of philosophical views that question the possibility of knowledge. It differs from other forms of skepticism in that it even rejects very plausible knowledge claims that belong to basic common sense. Philosophical skeptics are often classified into two general categories: Those who deny all possibility of knowledge, and those who advocate for the suspension of judgment due to the inadequacy of evidence. This distinction is modeled after the differences between the Academic skeptics and the Pyrrhonian skeptics in ancient Greek philosophy. In the latter sense, skepticism is understood as a way of life that helps the practitioner achieve inner peace. Some types of philosophical skepticism reject all forms of knowledge while others limit this rejection to certain fields, for example, to knowledge about moral doctrines or about the external world. Some theorists criticiz ...
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Dover Beach
"Dover Beach" is a lyric poem by the English poet Matthew Arnold. It was first published in 1867 in the collection ''New Poems''; however, surviving notes indicate its composition may have begun as early as 1849. The most likely date is 1851.Allott, 1965, p. 240. The title, locale and subject of the poem's descriptive opening lines is the shore of the English ferry port of Dover, in Kent, facing Calais, in France, at the Strait of Dover, the narrowest part () of the English Channel, where Arnold spent his honeymoon in 1851. Many of the beaches in this part of England are made up of small stones or pebbles rather than sand, and Arnold describes the sea ebbing over the stones as a "grating roar". Analysis In Stefan Collini's opinion, "Dover Beach" is a difficult poem to analyze, and some of its passages and metaphors have become so well known that they are hard to see with "fresh eyes". Arnold begins with a naturalistic and detailed nightscape of the beach at Dover in which audi ...
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