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Danza De Tijeras
The ''Danza de las tijeras'' (; English: scissors dance; Quechua: Supaypa wasin tusuq, also ''Galas'', ) is an original dance of Chanka origin from the south of the Andes, in Peru. The dance consists of two or more dancers, followed by their respective orchestras of a violin and a harp. The dancers dance in turns, doing explicit moves and challenging steps, such as dancing with just one foot. The places where this dance is most influential are: Huancavelica, Ayacucho, Junín, Apurimac, and Lima. UNESCO designated the Danza de las tijeras intangible cultural heritage in 2010. The scissors dance can be of different types, for example, the greater or competition dance, the smaller dance or "Qolla alva" which is danced at night; and zapateos, executed in the Christmas festivities. In the competition dance, two dancers (also called "danzaq" or "tusuq") dance by turns challenging each other to overcome the risk of the steps they perform, this competition is known as "Atipanakuy", ...
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Masterpieces Of The Oral And Intangible Heritage Of Humanity
The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness of intangible cultural heritage and encourage local communities to protect them and the local people who sustain these forms of cultural expressions. Several manifestations of intangible heritage around the world were awarded the title of ''Masterpieces'' to recognize the value of the non-material component of culture, as well as entail the commitment of states to promote and safeguard the Masterpieces. Further proclamations occurred biennially. In 2008, the 90 previously proclaimed Masterpieces were incorporated into the new Representative List of the Intangible Cultural Heritage of Humanity as its first entries. Background UNESCO defines oral and intangible heritage as "the totality of tradition-based creations of a cultural community expressed by a group or individuals and recognized as reflecting the expectations of a ...
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Peruvian Folk Music
Peruvians ( es, peruanos) are the citizens of Peru. There were Andean and coastal ancient civilizations like Caral, which inhabited what is now Peruvian territory for several millennia before the Spanish conquest in the 16th century; Peruvian population decreased from an estimated 5–9 million in the 1520s to around 600,000 in 1620 mainly because of infectious diseases carried by the Spanish. Spaniards and Africans arrived in large numbers in 1532 under colonial rule, mixing widely with each other and with Native Peruvians. During the Republic, there has been a gradual immigration of European people (especially from Spain and Italy, and in a less extent from Germany, France, Croatia, and the British Isles). Chinese and Japanese arrived in large numbers at the end of the 19th century. With 31.2 million inhabitants according to the 2017 Census, Peru is the fifth most populous country in South America. Its demographic growth rate declined from 2.6% to 1.6% between 1950 and 2000 ...
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Taki Unquy
''Taki Unquy'' (Quechua, Hispanicized and alternative spellings ''Taqui Ongoy'', ''Taki Oncoy'', ''Taqui Honcoy'', ''Taqui Onccoy'', ''Taki Onqoy'') was a millenarian Indigenous movement of political, religious and cultural dimensions which arose in the Peruvian Andes during the 16th century (c. 1564 - c. 1572) in opposition to the recent Spanish arrival. Historical background The literal translation of ''Taki Unquy'' from Quechua is "sickness of the chant" or "dancing sickness". The intrinsic Andean connotation is difficult to translate. The name comes from the Andeans contemporary to the Conquista, who believed that the wak'as were annoyed by the expansion of Christianity. The wak'as, Andean spirits, began taking possession of the Indigenous people, making them dance to music and announce divine will to restore the pre-Hispanic culture, mythology and politics. ''Taki Unquy'' arose in the 1560s in Huamanga, Ayacucho, Peru, from where it spread to Huancavelica, Lima, Cusco, Are ...
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Peruvian Dances
Dance in Peru is an art form primarily of native origin. There are also dances that are related to agricultural work, hunting and war. In Peru dancing bears an important cultural significance. Some choreographies show certain Christian influence. Types of dances * The most internationally known dance in Peru is the Marinera Norteña. This dance represents a man's courting of a young woman. There are local variants of this dance in the Lima Region and the other regions of the country. * Ancash is a dance performed in Piscobamba (Ancash Region), on the occasion of the feast of the Virgin of Mercy, on the 25th, 26th and 27 September. * Apu Inka is a dance which re-enacts the capture of the Inca by the Spanish invaders. * Ch'unchu is a dance performed at festivals of the Cusco Region. * Danzantes de Levanto, a typical dance from the Amazonas Region. * El Vals Criollo (Vals peruano) is a subgenre and musical adaptation of the original European waltz, originated in Peru or also c ...
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Pre-Columbian Era
In the history of the Americas, the pre-Columbian era spans from the Migration to the New World, original settlement of North and South America in the Upper Paleolithic period through European colonization of the Americas, European colonization, which began with Christopher Columbus's voyage of 1492. Usually, the era covers the history of Indigenous peoples of the Americas, Indigenous cultures until significant influence by Europeans. This may have occurred decades or even centuries after Columbus for certain cultures. Many pre-Columbian civilizations were marked by permanent settlements, cities, agriculture, civic and monumental architecture, major earthworks (archaeology), earthworks, and Complex society, complex societal hierarchies. Some of these civilizations had long faded by the time of the first permanent European colonies (c. late 16th–early 17th centuries), and are known only through archaeology of the Americas, archaeological investigations and oral history. Other civi ...
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La Agonía De Rasu Ñiti
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ...
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José María Arguedas
José María Arguedas Altamirano (18 January 1911 – 2 December 1969) was a Peruvian novelist, poet, and anthropologist. Arguedas was an author of Spanish descent, fluent in the Native Quechua language, gained by living in two Quechua households from the age of 7 to 11 - first in the Indigenous servant quarters of his step-mother's home, then, escaping her "perverse and cruel" son, with an Indigenous family approved by his father - who wrote novels, short stories, and poems in both Spanish and Quechua. Generally remembered as one of the most notable figures of 20th-century Peruvian literature, Arguedas is especially recognized for his intimate portrayals of Indigenous Andean culture. Key in his desire to depict Indigenous expression and perspective more authentically was his creation of a new language that blended Spanish and Quechua and premiered in his debut novel '' Yawar Fiesta''. Despite a dearth of translations into English, the critic Martin Seymour-Smith has dubbed Ar ...
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Fiesta Patronal
A patronal feast or patronal festival ( es, fiesta patronal; pt, festa patronal; ca, festa patronal; it, festa patronale; french: fête patronale) is a yearly celebration dedicated, in countries influenced by Christianity, to the "heavenly advocate" or "patron" of the location holding the festival, who is a saint or virgin. The day of this celebration is called patronal feast day, patronal day or patron day of said location. Patronal festivals may reflect national holidays (e.g. the feast of Saint George, patron saint of England, Georgia, Bulgaria, Romania, Portugal, and various regions of Spain), but they usually reflect the celebration of a single city or town. In larger cities, there may even be several festivals, usually about the patron saint of the local parish. Celebration Depending to the budget, patronal festivals may run from one day to five days. The festivities usually include religious processions honoring its Catholic heritage. However, elements of local cultur ...
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Quechuan Languages
Quechua (, ; ), usually called ("people's language") in Quechuan languages, is an indigenous language family spoken by the Quechua peoples, primarily living in the Peruvian Andes. Derived from a common ancestral language, it is the most widely spoken pre-Columbian language family of the Americas, with an estimated 8–10 million speakers as of 2004.Adelaar 2004, pp. 167–168, 255. Approximately 25% (7.7 million) of Peruvians speak a Quechuan language. It is perhaps most widely known for being the main language family of the Inca Empire. The Spanish encouraged its use until the Peruvian struggle for independence of the 1780s. As a result, Quechua variants are still widely spoken today, being the co-official language of many regions and the second most spoken language family in Peru. History Quechua had already expanded across wide ranges of the central Andes long before the expansion of the Inca Empire. The Inca were one among many peoples in present-day Peru who already spok ...
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Intangible Cultural Heritage
An intangible cultural heritage (ICH) is a practice, representation, expression, knowledge, or skill considered by UNESCO to be part of a place's cultural heritage. Buildings, historic places, monuments, and artifacts are cultural property. Intangible heritage consists of nonphysical intellectual wealth, such as folklore, customs, beliefs, traditions, knowledge, and language. Intangible cultural heritage is considered by member states of UNESCO in relation to the tangible World Heritage Site, World Heritage focusing on intangible aspects of culture. In 2001, UNESCO made a survey among States and Non-governmental organization, NGOs to try to agree on a definition, and the Convention for the Safeguarding of the Intangible Cultural Heritage was drafted in 2003 for its protection and promotion. Definition The Convention for the Safeguarding of the Intangible Cultural Heritage defines the intangible cultural heritage as the practices, representations, expressions, as well as the kn ...
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