Cuíca
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Cuíca
The cuíca () is a Brazilian friction drum with a large pitch range, produced by changing tension on the head of the drum. ''Cuíca'' is Portuguese for the gray four-eyed opossum (''Philander opossum'') which is known for its high-pitched cry. It is frequently used in carnivals, as well as often in samba music. The tone it produces has a high-pitched squeaky timbre. It has been called a 'laughing gourd' due to this sound. Many also liken its sound to that of a monkey. History There are a number of styles of found around the globe. Its origins are disputed: Different sources trace it to Bantu slaves, to Spain, and to Muslim traders - structurally it is identical, among other instruments in the same category, to the Portuguese , Spanish , Catalan and Balearic The cuica was used in Africa as a call for the male lion since the sound mimics the roar of the female lioness. The instrument was introduced to Brazil by African slaves, where it found its place in samba music. Charact ...
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Samba Music
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ...
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Samba (music)
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ...
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Lion's Roar (instrument)
The lion's roar is a membranophone instrument that has a drum head and a cord or horsehair passing through it. It gets its name from the sound it produces, which closely resembles a lion's roar. The home-made lion's roar is a drum that sits on the floor. The cord then makes friction with the drum head as it is moved back and forth. Classification According to the Gary D. Cook classification system of musical instruments it is a chordophone, because it produces sound through the vibration of strings. It can also be classified as a friction drum A friction drum is a musical instrument found in various forms in Africa, Asia, Europe and South America. In Europe it emerged in the 16th century and was associated with specific religious and ceremonial occasions. Construction A friction d .... Form The lion's roar consists of a cylindrical or bucket-shaped vessel with one end open and the other closed with a membrane. A length of cord or gut is fastened through a hole in the ...
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Buhay
The buhay ( uk, бугай) (also known as a bugai, buhai, berebenytsia, bika, buga, bochka) is a musical instrument that is used in Ukraine and is classified as a friction drum. ''Buhay'' is the Ukrainian word for great bittern (Botaurus stellaris), and its use as name of the instrument refers to the sound produced. The mating call or contact call of the male Buhay (Botaurus stellaris) is a deep, sighing fog-horn or bull-like boom with a quick rise and an only slightly longer fall, easily audible from a distance of 3 mi (4.8 km) on a calm night. Hornbostel-Sachs classification number 232.11-92 The buhay consists of a conical barrel (sometimes a wooden bucket). At one end a sheep membrane is stretched with a hole in this skin's center. Through this hole a tuft of horse hair with a knot at one end is passed. Usually two performers are needed to operate the instrument, one to hold the instrument, the other to pull the horsehair with moistened fingers. In recent times versions ...
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Me And Julio Down By The Schoolyard
"Me and Julio Down by the Schoolyard" is a song by American singer-songwriter Paul Simon. It was the second single from his second, self-titled studio album (1972), released on Columbia Records. Lyrical subject The song is about two boys ("Me and Julio") who have broken a law, although the exact law that has been broken is not stated in the song. When "the mama pajama" finds out what they have done, she goes to the police station to report the crime. The individuals are later arrested, but released when a "radical priest" intervenes. The meaning and references in the song have long provoked debate. In a July 20, 1972 interview for ''Rolling Stone'', Jon Landau asked Simon: "What is it that the mama saw? The whole world wants to know." Simon replied "I have no idea what it is... Something sexual is what I imagine, but when I say 'something', I never bothered to figure out what it was. Didn't make any difference to me." More recently, in October 2010, Simon described the song as ...
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Friction Drum
A friction drum is a musical instrument found in various forms in Africa, Asia, Europe and South America. In Europe it emerged in the 16th century and was associated with specific religious and ceremonial occasions. Construction A friction drum is a percussion instrument consisting of a single membrane stretched over a sound box, whose sound is produced by the player causing the membrane to vibrate by friction. The sound box may be a pot or jug or some open-ended hollow object. To produce the friction, the membrane may be directly rubbed with the fingers or through the use of a cloth, or a stick or cord which is attached to the centre of the membrane and then rubbed or moved with a hand, sponge or cloth, generally wet. The membrane may be depressed with the thumb while playing to vary the pitch. When a cord is used the instrument may be referred to as a "string drum" or " lion's roar." In some friction drums, the friction is obtained by spinning the drum around a pivot. Us ...
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Bitches Brew
''Bitches Brew'' is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970 by Columbia Records. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed ''In a Silent Way'' (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer Teo Macero. The album initially received a mixed critical and commercial response, but it gained momentum and became Davis' highest-charting album on the U.S. ''Billboard'' 200, peaking at No. 35. In 1971, it won a Grammy Award for Best Large Jazz Ensemble Album. In 1976, it became Davis' first gold album to be certified by the Recording Industry A ...
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Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ...
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Friction Drum
A friction drum is a musical instrument found in various forms in Africa, Asia, Europe and South America. In Europe it emerged in the 16th century and was associated with specific religious and ceremonial occasions. Construction A friction drum is a percussion instrument consisting of a single membrane stretched over a sound box, whose sound is produced by the player causing the membrane to vibrate by friction. The sound box may be a pot or jug or some open-ended hollow object. To produce the friction, the membrane may be directly rubbed with the fingers or through the use of a cloth, or a stick or cord which is attached to the centre of the membrane and then rubbed or moved with a hand, sponge or cloth, generally wet. The membrane may be depressed with the thumb while playing to vary the pitch. When a cord is used the instrument may be referred to as a "string drum" or " lion's roar." In some friction drums, the friction is obtained by spinning the drum around a pivot. Us ...
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Paul Simon
Paul Frederic Simon (born October 13, 1941) is an American musician, singer, songwriter and actor whose career has spanned six decades. He is one of the most acclaimed songwriters in popular music, both as a solo artist and as half of folk rock duo Simon & Garfunkel with Art Garfunkel. Simon was born in Newark, New Jersey, and grew up in the Queens, borough of Queens in New York City. He began performing with his schoolfriend Art Garfunkel in 1956 when they were still in their early teens. After limited success, the pair reunited after an electrified version of their song "The Sound of Silence" became a hit in 1966. Simon & Garfunkel recorded five albums together featuring songs mostly written by Simon, including the hits "Mrs. Robinson", "America (Simon & Garfunkel song), America", "Bridge over Troubled Water (song), Bridge over Troubled Water" and "The Boxer". After Simon & Garfunkel split in 1970, Simon recorded three acclaimed albums over the following five years, all of w ...
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Stevie Wonder
Stevland Hardaway Morris ( Judkins; May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, who is credited as a pioneer and influence by musicians across a range of genres that include rhythm and blues, Pop music, pop, Soul music, soul, Gospel music, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of Contemporary R&B, R&B. He also helped drive such genres into the album era, crafting his LP record, LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Visual impairment, Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's single "Fingertips" was a No. 1 hit on the Billboard Hot 100, ''Billboard'' Hot 100 in 1963, at the age of 13, making him the List o ...
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Fulfillingness' First Finale
''Fulfillingness' First Finale'' is the seventeenth studio album by American singer-songwriter Stevie Wonder, released on July 22, 1974 by Tamla, a subsidiary of Motown Records. It is the fourth of five albums from what is considered Wonder's "classic period". The album was Wonder's second to top the ''Billboard'' Top LPs & Tapes chart, where it remained for two weeks, and also reached number one on the ''Billboard'' Soul LPs chart, where it spent nine non-consecutive weeks. At the 17th Annual Grammy Awards, it won in three categories, including Wonder's second consecutive win for Album of the Year. Retrospectively, the album was voted number 413 in the third edition of Colin Larkin's ''All Time Top 1000 Albums'' (2000) and included in the book ''1001 Albums You Must Hear Before You Die''. Recording Following the epic sweep and social consciousness of ''Innervisions'', ''Fulfillingness' First Finale'', in contrast, projected a more reflective, personal, and decidedly somber to ...
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