Crinoline
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Crinoline
A crinoline is a stiff or structured petticoat designed to hold out a woman's skirt, popular at various times since the mid-19th century. Originally, crinoline described a stiff fabric made of horsehair ("crin") and cotton or linen which was used to make underskirts and as a dress lining. The term crin or crinoline continues to be applied to a nylon stiffening tape used for interfacing and lining hemlines in the 21st century. By the 1850s the term crinoline was more usually applied to the fashionable silhouette provided by horsehair petticoats, and to the hoop skirts that replaced them in the mid-1850s. In form and function these hoop skirts were similar to the 16th- and 17th-century farthingale and to 18th-century panniers, in that they too enabled skirts to spread even wider and more fully. The steel-hooped cage crinoline, first patented in April 1856 by R.C. Milliet in Paris, and by their agent in Britain a few months later, became extremely popular. Steel cage crinoli ...
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1850s In Western Fashion
1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform. Masculine styles began to originate more in London, while female fashions originated almost exclusively in Paris. Women's fashion Gowns In the 1850s, the domed skirts of the 1840s continued to expand. Skirts were made fuller by means of flounces (deep ruffles), usually in tiers of three, gathered tightly at the top and stiffened with horsehair braid at the bottom. Early in the decade, bodices of morning dresses featured panels over the shoulder that were gathered into a blunt point at the slightly dropped waist. These bodices generally fastened in back by means of hooks and eyes, but a new fashion for a acketbodice appeared as well, buttoned in front and worn over a chemisette. Wider bell-shaped or ''pagoda'' sleeves were worn over false un ...
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Hoop Skirt
A hoop skirt or hoopskirt is a women's undergarment worn in various periods to hold the skirt extended into a fashionable shape. It originated as a modest-sized mechanism for holding long skirts away from one's legs, to stay cooler in hot climates and to keep from tripping on the skirt during various activities. Small hoops might be worn by farmers and while working in the garden. Hoops were then adopted as a fashion item, and the size and scale of the hoops grew in grandeur, especially during the mid-nineteenth century transition from the 1850s to the 1860s.Fogg, Marnie: ''Fashion: The Whole Story'', 2013, Prestel, New York, New York, As the society of consumerism evolved, the roles of men and women changed and so did their dress. As male dress became tailored, the female costume of the period made women practically immobilized due to the cumbersome amount of petticoats needed to suit the era's style. In the mid-19th century, the fashionable silhouette was a small waist with ...
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Miniskirt
A miniskirt (sometimes hyphenated as mini-skirt, separated as mini skirt, or sometimes shortened to simply mini) is a skirt with its hemline well above the knees, generally at mid-thigh level, normally no longer than below the buttocks; and a dress with such a hemline is called a minidress or a miniskirt dress. A micro-miniskirt or microskirt is a miniskirt with its hemline at the upper thigh, at or just below crotch or underwear level. Short skirts have existed for a long time before they made it into mainstream fashion, though they were generally not called "mini" until they became a fashion trend in the 1960s. Instances of clothing resembling miniskirts have been identified by archaeologists and historians as far back as c. 1390–1370 BC. In the early 20th century, the dancer Josephine Baker's banana skirt that she wore for her mid-1920s performances in the Folies Bergère was subsequently likened to a miniskirt. Extremely short skirts became a staple of 20th-century scien ...
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Bustle
A bustle is a padded undergarment used to add fullness, or support the drapery, at the back of women's dresses in the mid-to-late 19th century. Bustles are worn under the skirt in the back, just below the waist, to keep the skirt from dragging. Heavy fabric tended to pull the back of a skirt down and flatten it. As a result a woman's petticoated skirt would lose its shape during everyday wear (from merely sitting down or moving about). History In the early stages of the fashion for the bustle, the fullness to the back of the skirts was carried quite low and often fanned out to create a train. The transition from the voluminous crinoline-enhanced skirts of the 1850s and 1860s can be seen in the loops and gathers of fabric and trimmings worn during this period. The bustle later evolved into a much more pronounced humped shape on the back of the skirt immediately below the waist, with the fabric of the skirts falling quite sharply to the floor, changing the shape of the silhouett ...
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Vivienne Westwood
Dame Vivienne Isabel Westwood (née Swire; born 8 April 1941) is an English fashion designer and businesswoman, largely responsible for bringing modern punk and new wave fashions into the mainstream. Westwood came to public notice when she made clothes for the boutique that she and Malcolm McLaren ran on King's Road, which became known as SEX. Their ability to synthesise clothing and music shaped the 1970s UK punk scene which was dominated by McLaren's band, the Sex Pistols. She viewed punk as a way of "seeing if one could put a spoke in the system". Westwood opened four shops in London and eventually expanded throughout Britain and the world, selling an increasingly varied range of merchandise, some of which promoted her many political causes such as the Campaign for Nuclear Disarmament, climate change and civil rights groups. Life and career Early years Westwood was born in the village of Tintwistle, Cheshire, on 8 April 1941, as the daughter of Gordon Swire and Dora S ...
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Whalebone
Baleen is a filter-feeding system inside the mouths of baleen whales. To use baleen, the whale first opens its mouth underwater to take in water. The whale then pushes the water out, and animals such as krill are filtered by the baleen and remain as a food source for the whale. Baleen is similar to bristles and consists of keratin, the same substance found in human fingernails, skin and hair. Baleen is a skin derivative. Some whales, such as the bowhead whale, have longer baleen than others. Other whales, such as the gray whale, only use one side of their baleen. These baleen bristles are arranged in plates across the upper jaw of whales. Depending on the species, a baleen plate can be long, and weigh up to . Its hairy fringes are called baleen hair or whalebone hair. They are also called baleen bristles, which in sei whales are highly calcified, with calcification functioning to increase their stiffness. Baleen plates are broader at the gumline (base). The plates have been ...
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Ball Gown
A ball gown, ballgown or gown is a type of evening gown worn to a ball or a formal event. Most versions are cut off the shoulder with a low décolletage, exposed arms, and long bouffant styled skirts. Such gowns are typically worn with an opera-length white gloves and vintage jewelry or couture, stole (a formal shawl in expensive fabric), cape or cloak in lieu of a coat. Where "state decorations" are to be worn, they are on a bow pinned to the chest, and married women wear a tiara if they have one. Although synthetic fabrics are now sometimes used, the most common fabrics are satin, silk, taffeta and velvet with trimmings of lace, pearls, sequins, embroidery, ruffles, ribbons, rosettes and ruching. History 1850s In previous years, the same type of dress might have been called an evening dress, having very similar features; low-cut neckline, a tight bodice, a large skirt and (sometimes) bare arms. The ball gown at this time had similar features, a full skirt supported by a ...
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Pannier (clothing)
Panniers or side hoops are women's undergarments worn in the 17th and 18th centuries to extend the width of the skirts at the side while leaving the front and back relatively flat. This provided a panel where woven patterns, elaborate decorations and rich embroidery could be displayed and fully appreciated. History The style originated in Spanish court dress of the 17th century, familiar in portraits by Velázquez. The fashion spread to France and from there to the rest of Europe after c. 1718–1719, when some Spanish dresses had been displayed in Paris. It is also suggested that the pannier originated in Germany or England, having been around since 1710 in England, and appearing in the French court in the last years of Louis XIV’s reign. The earlier form of the pannier took the shape similar to a 19th-century crinoline. They were wide and domed in circumference. As they developed, they differed from earlier equivalents such as the farthingale of the late 16th century ...
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Farthingale
A farthingale is one of several structures used under Western European women's clothing in the 16th and 17th centuries to support the skirts in the desired shape and enlarge the lower half of the body. It originated in Spain in the fifteenth century. Farthingales served important social and cultural functions for women in Renaissance Europe as they were used, primarily by court women, to show their high social position and wealth. Spanish farthingale The Spanish ''verdugado'', from which "farthingale" derives, was a hoop skirt originally stiffened with esparto grass; later designs in the temperate climate zone were stiffened with osiers ( willow withies), rope, or (from about 1580) whalebone. The name ''verdugado'' comes from the Spanish ''verdugo'' ("green wood", or the more modern meaning of "executioner"). The earliest sources indicate that Joan of Portugal started to use verdugados with hoops in Spain. Joan had provoked much criticism as she allegedly wore dresses t ...
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Pannier (clothing)
Panniers or side hoops are women's undergarments worn in the 17th and 18th centuries to extend the width of the skirts at the side while leaving the front and back relatively flat. This provided a panel where woven patterns, elaborate decorations and rich embroidery could be displayed and fully appreciated. History The style originated in Spanish court dress of the 17th century, familiar in portraits by Velázquez. The fashion spread to France and from there to the rest of Europe after c. 1718–1719, when some Spanish dresses had been displayed in Paris. It is also suggested that the pannier originated in Germany or England, having been around since 1710 in England, and appearing in the French court in the last years of Louis XIV’s reign. The earlier form of the pannier took the shape similar to a 19th-century crinoline. They were wide and domed in circumference. As they developed, they differed from earlier equivalents such as the farthingale of the late 16th century ...
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1980s In Fashion
Fashion of the 1980s was characterized by a rejection of 1970s fashion. Punk fashion began as a reaction against both the hippie movement of the past decades and the materialist values of the current decade. The first half of the decade was relatively tame in comparison to the second half, which was when apparel became very bright and vivid in appearance. Hair in the 1980s was typically big, curly, bouffant and heavily styled. Television shows such as ''Dynasty'' helped popularize the high volume bouffant and glamorous image associated with it. Women in the 1980s wore bright, heavy makeup. Everyday fashion in the 1980s consisted of light-colored lips, dark and thick eyelashes, and pink or red rouge (otherwise known as blush). Some of the top fashion models of the 1980s were Brooke Shields, Christie Brinkley, Gia Carangi, Joan Severance, Kim Alexis, Carol Alt, Yasmin Le Bon, Renée Simonsen, Kelly Emberg, Inès de La Fressange, Tatjana Patitz, Elle Macpherson, and Paulin ...
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Rudolph Ackermann
Rudolph Ackermann (20 April 1764 in Schneeberg, Electorate of Saxony – 30 March 1834 in Finchley, London) was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. Biography He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. His extraordinary business instinct, as well as his flair for design and talent for self-promotion, won him the £200 contract to design the ceremonial coach for the Lord Chancellor of Ireland, John FitzGibbon, 1st Earl of Clare. After this he designed ''The Royal Sailor'', an 8-wheel omnibus that ran between Charing Cross, Green ...
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