Creep Resistance
   HOME
*





Creep Resistance
Creep, Creeps or CREEP may refer to: People * Creep, a creepy person Politics * Committee for the Re-Election of the President (CRP), mockingly abbreviated as CREEP, an fundraising organization for Richard Nixon's 1972 re-election campaign Arts, entertainment, and media Films * ''Creeps'' (film), a 1956 short starring the Three Stooges * ''The Creeps'' (film), a 1997 film directed by Charles Band * ''Creep'' (2004 film), a 2004 British-German horror film * ''Creep'' (2014 film), an American found-footage horror film ** ''Creep 2'', 2017 American found-footage horror film; sequel to the 2014 film Gaming * "Creep", a carpet of bio-matter Zerg colonies produce in the ''StarCraft'' video game franchise Literature * ''Creeps'' (novel), 2013 young adult novel by Darren Hynes * '' The Creeping'', 2015 young adult novel by Alexandra Sirowy Music Groups * Creep (band), American electronic music band * Deli Creeps, an avant-garde band from San Francisco (1990–2007) * The Creeps, ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Creepiness
Creepiness is the state of being creepy, or causing an unpleasant feeling of fear or unease. A person who exhibits creepy behaviour is called a creep. Certain traits or hobbies may make people seem creepy to others. The internet has been described as increasingly creepy. Adam Kotsko has compared the modern conception of creepiness to the Freudian concept of . The term has also been used to describe paranormal or supernatural phenomena. History and studies In the abstract the feeling of "creepiness" is subjective: for example some dolls have been described as creepy. The adjective "creepy", referring to a feeling of creeping in the flesh, was first used in 1831, but it was Charles Dickens who coined and popularized the term "the creeps" in his 1849 novel David Copperfield. During the 20th century, association was made between involuntary celibacy and creepiness. The concept of creepiness has only recently been formally addressed in social media marketing. The sensation of ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Creep (Stone Temple Pilots Song)
"Creep" is a song by American rock band Stone Temple Pilots, appearing as the seventh track off the band's debut album, ''Core'' and later released as a single. The song also appears on the band's greatest hits album, ''Thank You''. A live version featuring Aaron Lewis is included on The Family Values 2001 Tour release. Composition In a November 2014 interview with ''Songfacts'', Scott Weiland said, "That's just the idea of being a young person somewhere, caught between still being a kid and becoming a young man. It's that youth apathy, that second-guessing yourself, not feeling like you fit in." On file-sharing and lyric websites such as Limewire and Kazaa, "Creep" was often miscredited as "Half the Man I Used to Be" by Nirvana. The version of the song that was released in the 1993 promotional single contains different vocal takes in the verses than on the album version, most notably with an alternate melody and added percussion in the second verse which is the arrangement mos ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Mission Creep
Mission creep is the gradual or incremental expansion of an intervention, project or mission, beyond its original scope, focus or goals, a ratchet effect spawned by initial success. Mission creep is usually considered undesirable due to how each success breeds more ambitious interventions until a final failure happens, stopping the intervention entirely. The term was originally applied exclusively to military operations, but has recently been applied to many different fields, which itself is an example of mission creep. The phrase first appeared in 1993, in articles published in ''The Washington Post'' and in ''The New York Times'' concerning the United Nations peacekeeping mission during the Somali Civil War. History Somali Civil War The first two articles to use the term in the ''Washington Post'' were both by columnist Jim Hoagland ("Prepared for Non-Combat", April 15, 1993, and ''Beware 'mission creep' In Somalia'', July 20, 1993). The ''New York Times'' used the term for th ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Instruction Creep
Instruction creep or rule creep occurs when instructions or rules accumulate over time until they are unmanageable or inappropriate. It is a type of scope creep. The accumulation of bureaucratic requirements results in overly complex procedures that are often misunderstood, irritating, time-wasting, or ignored. Instruction creep is common in complex organizations, where rules and guidelines are created by changing groups of people over extended periods of time. The constant state of flux in such groups often leads them to add or modify instructions, rather than simplifying, consolidating, or generalizing existing ones. This can result in a loss of clarity, efficiency, and communication, or even of consistency. Alternatives to instruction creep include applying the KISS principle, articulating general principles rather than specific rules, and trusting people to use their best judgment. The fundamental fallacy of instruction creep is believing that people read instructions wi ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Feature Creep
Feature creep is the excessive ongoing expansion or addition of new features in a product, especially in computer software, video games and consumer and business electronics. These extra features go beyond the basic function of the product and can result in software bloat and over-complication, rather than simple design. The definition of what qualifies as "feature creep" does vary among end users, where what is perceived as such by some users may be considered practical functionality by others. Causes The most common cause of feature creep is the desire to provide the consumer with a more useful or desirable product, in order to increase sales or distribution. However, once the product reaches the point at which it does everything that it is designed to do, the manufacturer is left with the choice between adding functions some users might consider unneeded (sometimes at the cost of efficiency), and sticking with the old version (at the cost of a perceived lack of improvement) ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Creepin' (Metro Boomin, The Weeknd And 21 Savage Song)
"Creepin'" is a song by American record producer Metro Boomin, Canadian singer the Weeknd and Atlanta-based rapper 21 Savage. It was released through Republic Records and Boominati Worldwide as the lead single from Metro's second studio album, '' Heroes & Villains'', on December 5, 2022. It prominently interpolates "I Don't Wanna Know" (2004) by Mario Winans featuring Enya and P. Diddy. The song also includes background vocals from Winans from the sample, as well as Travis Scott, who is a close friend and frequent collaborator of all three artists. Background and release The Weeknd and Mario Winans had previously collaborated on the title track of the former's fourth studio album, '' After Hours'' (2020), which Winans co-produced. The Weeknd gave a shoutout to Winans on Instagram after the release of "Creepin'" and Winans also congratulated Metro on the release of its parent album, ''Heroes & Villains''. Upon release, the track instantly proved to be the most commercially-succes ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Creeping (song)
"Creeping" is a song by American rapper Lil Skies, first released on March 5, 2018 as a track from Ethika's mixtape ''RBG 2'' (2018), before being released as a single on March 19, 2018. It features American rapper Rich the Kid and was produced by Menoh Beats. Composition In the song, Lil Skies "takes aim at women who hated on him in the past" with the lyrics: "Why you like to lie, shawty, you know you impressed / See you fuckin' with me now 'cause I bossed up and I flex / All they like to do is talk when they knew that I was next / I just come up with these hits and lay low, collect my checks". Rich the Kid raps about "his newfound lavish lifestyle and materialistic ways". Critical reception Emmanuel Maduakolam of ''Hypebeast'' called the track the "prime song for late night parties". Aron A. of ''HotNewHipHop'' described it as "an infectious joint that highlights both of their strengths." Joe Price of ''Complex'' writes that Lil Skies "flexes his talents" with a "melodic and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


The Creeps (Get On The Dancefloor)
"The Creeps" is a song by London-based electronic dance music band Freaks. The original version, titled "The Creeps (You're Giving Me)", appeared on Freaks' 2003 album ''The Man Who Lived Underground''. It charted on the UK Singles Chart at number 193 in November 2003, and a set of remixes reached number 97 in December 2004. In 2006, it was remixed by Australian duo Vandalism, and their remix became a club hit and "the biggest download in ance music retailerdjdownload.com's history". Following a bidding war, the song was signed to Ministry of Sound in 2007, and a new version titled "The Creeps (Get on the Dancefloor)" was produced, combining the Vandalism remix with a new vocal by Freaks member Stella Attar. This version went on to reach number 9 on the UK Singles Chart in September 2007, and also charted internationally. Music video The music video A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




The Creeps (Camille Jones Song)
"The Creeps" is a song written, performed and produced (with Per Ebdrup) by Camille Jones, released in 2005 and remixed in 2007 by Fedde Le Grand. The song was the first single of Camille's 2004 album ''Surrender''. Dutch DJ-producer Fedde Le Grand signed the song to his own burgeoning Flamingo Recordings imprint and produced a house remix. In early 2007, the remix had been picked up by radio stations in the UK and all over Europe before it was released on Ministry of Sound on 5 March 2007 in the UK and Ireland. The remix became a hit on the charts and the clubs as well. In the UK, "The Creeps" reached #7 on the Singles Chart and #1 on the Dance Chart. On 25 July 2008, "The Creeps" was released as a physical and download single in Germany through Kontor Records Hamburg. The remix from 2007 was remastered slightly, with new instruments on the chorus, which resemble the trumpets on Fedde Le Grand's remix of "Let Me Think About It" by Ida Corr. Music video There are four offici ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Ken Mackintosh
Kenneth Victor Mackintosh (4 August 1919 – 22 November 2005) was an English saxophonist, composer and bandleader. He accompanied singers such as Tom Jones, Shirley Bassey and Matt Monro. Early life Mackintosh was born in Liversedge, Yorkshire. He was born in Halifax Road, near Knowler Hill, and devoted his life to music, after buying his first alto saxophone at the age of 15. His father was an amateur musician. Career After a period in the Army, he went to London, and joined various big bands, such as the Oscar Rabin Band. Following the Second World War, he formed his own orchestra, making appearances at the Astoria Ballroom, Nottingham. He brought his band to the Wimbledon Palais in London, touring extensively at home and abroad. He also had great singing strength with such well-versed vocalists as Kenny Bardell, Gordon Langhorn and The Mackpies. His orchestra was featured on BBC Radio almost every week in the 1950s and early 1960s. In 1955, he appeared in the BBC ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


The Creep (song)
"The Creep" is a song by American comedy hip hop group The Lonely Island, released as the second single from their second studio album ''Turtleneck & Chain''. It features rapper Nicki Minaj. Filmmaker John Waters also gives the introduction to the song. He is credited as a featured artist on the album, but not the single. The song as well as its music video made its debut on ''Saturday Night Live'' on January 29, 2011. The song and its lyrics revolve around a dance called the "Creep", as well as "creeping" in various scenarios and places. Background "The Creep" was written by The Lonely Island during the summer of 2010. The comedy troupe, in the same fashion to the recording process for their debut, ''Incredibad'', rented a house in Los Angeles and created a makeshift studio where they would record songs. Taccone first created the idea for the dance, and the troupe then decided that it would be best for Waters to introduce the song, as they were all fans of his work. Music video ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Creepin' (Eric Church Song)
"Creepin'" is a song co-written and recorded by American country music singer Eric Church. It was released in July 2012 as the fourth single from his third album ''Chief'' (2011). Co-written by Church and Marv Green, the mid-tempo track is a narrator describing a memory about a former lover that's similar to "creepin'". The song received positive reviews from critics. "Creepin'" peaked at numbers five and 10 on both the U.S. ''Billboard'' Country Airplay and Hot Country Songs charts respectively. It also reached number 56 on the Hot 100. "Creepin'" was certified Platinum by the Recording Industry Association of America (RIAA), denoting sales of over one million units in the United States. It achieved chart prominence in Canada, reaching number 65 on the Canadian Hot 100. The song garnered a Gold certification from Music Canada, denoting sales of 40,000 units in that country. The accompanying music video for the single, directed by Peter Zavadil, takes place around the turn of the 2 ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]