Corset
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Corset
A corset is a support garment commonly worn to hold and train the torso into a desired shape, traditionally a smaller waist or larger bottom, for aesthetic or medical purposes (either for the duration of wearing it or with a more lasting effect), or support the breasts. Both men and women are known to wear corsets, though this item was for many years an integral part of women's wardrobes. Since the late 20th century, the fashion industry has borrowed the term "corset" to refer to tops which, to varying degrees, mimic the look of traditional corsets without acting as them. While these modern corsets and corset tops often feature lacing or boning, and generally imitate a historical style of corsets, they have very little, if any, effect on the shape of the wearer's body. Genuine corsets are usually made by a corsetmaker and are frequently fitted to the individual wearer. Etymology The word ''corset'' is a diminutive of the Old French word ''cors'' (meaning "body", and itsel ...
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Bone (corsetry)
In corsetry, a bone is one of the rigid parts of a corset that forms its frame and gives it rigidity. The purpose of the ''boning'' in a corset varies slightly from era to era. Generally, the cinching/shaping properties of corsetry puts strain onto the fabric from which the corset is made. The boning supports the desired shape and prevents wrinkling of the corset fabric. Bones, and the substances used for the purpose, are generically called "boning"; however, the name likely arises from the use of whalebone in early corsets. Modern corset boning comes in two differently qualities metal and plastic. Since the turn of the 20th century, steel boning was the standard for a high quality corset. Coming in two different types flat spring steel and spiral steel. While spring steel is most preferred for being thin and flexible it only has the ability to bend in a single direction. Spiral steel is able to bend in left to right as well as front to back, which brings Botha pros and cons as ...
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Corsetry
A corsetmaker is a specialist tailor who makes corsets. Corsetmakers are frequently known by the French equivalent terms corsetier (male) and corsetière (female). Stay-maker is an obsolete name for a corsetmaker. The best corsetmakers are highly skilled tailors with a knowledge of anatomy that enables them to make well-fitting, long-lasting corsets. Corsetmakers who reproduce historical styles must be familiar with historical fashions and costumes that span centuries of history. Individual corsetmakers often favour a certain style, and frequently have differing theories and opinions about the physical impact and benefits of various corsets, thereby influencing their corset design and creation. Famous corsetmakers * Thomas Paine, one of the Founding Fathers of the United States. * Roxey Ann Caplin. *Catherine Allsop Griswold, a Connecticut corsetmaker who held thirty patents, the most of any woman in America at the time.
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Corsetmaker
A corsetmaker is a specialist tailor who makes corsets. Corsetmakers are frequently known by the French equivalent terms corsetier (male) and corsetière (female). Stay-maker is an obsolete name for a corsetmaker. The best corsetmakers are highly skilled tailors with a knowledge of anatomy that enables them to make well-fitting, long-lasting corsets. Corsetmakers who reproduce historical styles must be familiar with historical fashions and costumes that span centuries of history. Individual corsetmakers often favour a certain style, and frequently have differing theories and opinions about the physical impact and benefits of various corsets, thereby influencing their corset design and creation. Famous corsetmakers *Thomas Paine, one of the Founding Fathers of the United States. *Roxey Ann Caplin. * Catherine Allsop Griswold, a Connecticut corsetmaker who held thirty patents, the most of any woman in America at the time.
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Waist Cincher
A waist cincher (sometimes referred to as a waspie) is a belt worn around the waist to make the wearer's waist physically smaller, or to create the illusion of being smaller. Today Waist cinchers and waspies from the 1980s are a type of wide, laced belts with elastic fabric and soft plastic stiffeners. Ribbon corset The ribbon corset is made of pieces of ribbon, as opposed to fabric. In 1901, a simple pattern of silk ribbon, two bones, and a busk was available, allowing women to construct their own ribbon corsets. A pseudo-ribbon corset looks like a ribbon corset but is made from cut cloth instead of ribbons. The outside seam of the cut cloth is sewn fine, while the tight inside seam is sewn plain and curved. Function Short corsets have been used as light corsets for sleeping or light corsets that may be used next to the skin or over clothing. There are also elastic girdle belt styles that have been used on the inside of shape-enhancing garments, on their own as shapeware (ite ...
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Crinoline
A crinoline is a stiff or structured petticoat designed to hold out a woman's skirt, popular at various times since the mid-19th century. Originally, crinoline described a stiff fabric made of horsehair ("crin") and cotton or linen which was used to make underskirts and as a dress lining. The term crin or crinoline continues to be applied to a nylon stiffening tape used for interfacing and lining hemlines in the 21st century. By the 1850s the term crinoline was more usually applied to the fashionable silhouette provided by horsehair petticoats, and to the hoop skirts that replaced them in the mid-1850s. In form and function these hoop skirts were similar to the 16th- and 17th-century farthingale and to 18th-century panniers, in that they too enabled skirts to spread even wider and more fully. The steel-hooped cage crinoline, first patented in April 1856 by R.C. Milliet in Paris, and by their agent in Britain a few months later, became extremely popular. Steel cage crinoli ...
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Torsolette
A basque is an item of women's clothing. The term, of French origin, originally referred to types of bodice or jacket with long tails, and in later usage a long corset, characterized by a close, contoured fit and extending past the waistline over the hips. It is so called because the original French fashion for long women's jackets was adopted from Basque traditional dress. In contemporary usage it refers only to a long item of lingerie, in effect a brassiere that continues down, stopping around the waist or the top of the hips, the lower part essentially decorative rather than providing support or indeed warmth. In Victorian fashion, ''basque'' refers to a closely fitted bodice or jacket extending past the waistline over the hips; depending on era, it may be worn over a hoopskirt (earlier Victorian era) or bustle (later Victorian era). A basque bodice (i.e., when considered as a dress component, to be worn with a specific skirt) could also be referred to as a "corset wai ...
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Corselette
In women's clothing, a corselet or corselette is a type of foundation garment, sharing elements of both bras and girdles. It extends from straps over the shoulders down the torso, and stops around the top of the legs. It may incorporate lace in front or in back. As an undergarment, a corselet can be open-style (with suspenders attached) or panty-style. Historically, the term referred to a piece of plate armour covering the torso. History The English word for the piece of armor comes from ''cors'', an Old French word meaning "bodice". The modern term probably originated by the addition of the diminutive suffix "-ette" to the word '' corset'', itself of similar origin to "corselet". The corselet as an item of women's clothing began to gain popularity in 1914, as a substitute for wearing two separate pieces (a bra with either a girdle or a corset). The bust uplift cups were first introduced in 1933, but did not become common until 1943. Merry widow A corselet was released by ...
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Wasp Waist
Wasp waist is a women's fashion silhouette, produced by a style of corset and girdle, that has experienced various periods of popularity in the 19th and 20th centuries. Its primary feature is the abrupt transition from a natural-width rib cage to an exceedingly small waist, with the hips curving out below. It takes its name from its similarity to a wasp's segmented body. The sharply cinched waistline also exaggerates the hips and bust. History In the 19th century, while average corseted waist measurements varied between , wasp waist measurements of were uncommon and were not considered attractive. Ladies' magazines told of the side effects of tight lacing, proclaiming that "if a lady binds and girds herself in, until she be only twenty-three inches, and, in some cases, until she be only twenty-one inches, it must be done at the expense of comfort, health, and happiness." Fashions instead created the illusion of a small waist, using proportion, stripe placement, and color. R ...
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Garter Belt
A garter is an article of clothing comprising a narrow band of fabric fastened about the leg to keep up stockings. In the eighteenth to twentieth centuries, they were tied just below the knee, where the leg is most slender, to keep the stocking from slipping. The advent of elastic has made them less necessary from this functional standpoint, although they are still often worn for fashion. Garters have been widely worn by men and women, depending on fashion trends. Garters in fashion In Elizabethan fashions, men wore garters with their hose, and colourful garters were an object of display. In Shakespeare's ''Twelfth Night'', "cross braced" garters (a long garter tied above and below the knee and crossed between), as worn by the character Malvolio, are an object of some derision. In male fashion for much of the 20th century a type of garter for holding up socks was used as a part of male dress; it is considered somewhat archaic now. Use in wedding traditions There is a Western ...
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Waist
The waist is the part of the abdomen between the rib cage and hips. On people with slim bodies, the waist is the narrowest part of the torso. ''Waistline'' refers to the horizontal line where the waist is narrowest, or to the general appearance of the waist. Structure Because of this and because the waist is often synonymous with the stomach, one can become confused as to the exact location of the waist. Another confusing factor is that the waistline differs on different people. A study showed that self-reported measurements as opposed to measurement done by a technician, underestimated waist circumference and this underestimation increased with increased body size. In the study, waist circumference measured at the level of the umbilicus was larger than that measured at the natural waist. To locate the natural waistline, one need simply stand upright and then tilt over to the side keeping the legs and hips straight. Where the torso creases is the natural waistline. Waist ...
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Garter (stockings)
A garter is an article of clothing comprising a narrow band of fabric fastened about the leg to keep up stockings. In the eighteenth to twentieth centuries, they were tied just below the knee, where the leg is most slender, to keep the stocking from slipping. The advent of elastic has made them less necessary from this functional standpoint, although they are still often worn for fashion. Garters have been widely worn by men and women, depending on fashion trends. Garters in fashion In Elizabethan fashions, men wore garters with their hose, and colourful garters were an object of display. In Shakespeare's '' Twelfth Night'', "cross braced" garters (a long garter tied above and below the knee and crossed between), as worn by the character Malvolio, are an object of some derision. In male fashion for much of the 20th century a type of garter for holding up socks was used as a part of male dress; it is considered somewhat archaic now. Use in wedding traditions There is a Wes ...
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Bustle
A bustle is a padded undergarment used to add fullness, or support the drapery, at the back of women's dresses in the mid-to-late 19th century. Bustles are worn under the skirt in the back, just below the waist, to keep the skirt from dragging. Heavy fabric tended to pull the back of a skirt down and flatten it. As a result a woman's petticoated skirt would lose its shape during everyday wear (from merely sitting down or moving about). History In the early stages of the fashion for the bustle, the fullness to the back of the skirts was carried quite low and often fanned out to create a train. The transition from the voluminous crinoline-enhanced skirts of the 1850s and 1860s can be seen in the loops and gathers of fabric and trimmings worn during this period. The bustle later evolved into a much more pronounced humped shape on the back of the skirt immediately below the waist, with the fabric of the skirts falling quite sharply to the floor, changing the shape of the silhouett ...
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