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Corsage (bodice)
A bodice () is an article of clothing traditionally for women and girls, covering the torso from the neck to the waist. The term typically refers to a specific type of upper garment common in Europe during the 16th to the 18th century, or to the upper portion of a modern dress to distinguish it from the skirt and sleeves. The name ''bodice'' is etymologically an odd plural spelling of "body" and comes from an older garment called a ''pair of bodies'' (because the garment was originally made in two separate pieces that fastened together, frequently by lacing). Origin Frescoes produced by the Minoan civilization portray women wearing open bodices that displayed and accentuated their breasts; however, following the Late Bronze Age collapse, these garments would give way to the simpler clothes characteristic of Iron Age Greece. Contemporary European bodices are derived from the kirtle. A fitted bodice became fashionable in Europe around 1450. Classification The same word is u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodice (PSF)
A bodice () is an article of clothing traditionally for women and girls, covering the torso from the neck to the waist. The term typically refers to a specific type of upper garment common in Europe during the 16th to the 18th century, or to the upper portion of a modern dress to distinguish it from the skirt and sleeves. The name ''bodice'' is etymologically an odd plural spelling of "body" and comes from an older garment called a ''pair of bodies'' (because the garment was originally made in two separate pieces that fastened together, frequently by lacing). Origin Frescoes produced by the Minoan civilization portray women wearing open bodices that displayed and accentuated their breasts; however, following the Late Bronze Age collapse, these garments would give way to the simpler clothes characteristic of Iron Age Greece. Contemporary European bodices are derived from the kirtle. A fitted bodice became fashionable in Europe around 1450. Classification The same word is u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1900s In Fashion
Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s. Tall, stiff collars characterize the period, as do women's broad hats and full "Gibson Girl" hairstyles. A new, columnar silhouette introduced by the '' couturiers'' of Paris late in the decade signaled the approaching abandonment of the corset as an indispensable garment. Women's fashion General overview With the decline of the bustle, sleeves began to increase in size and the 1830s silhouette of an hourglass shape became popular again. The fashionable silhouette in the early 20th century was that of a confident woman, with full low chest and curvy hips. The "health corset" of this period removed pressure from the abdomen and created an S-curve silhouette. In 1897, the silhouette slimmed and elongated by a considerable amount. Blouses and dresses were full in front and puffed into a "pigeon breast" shape of the early 20th century that looked over the na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuirass
A cuirass (; french: cuirasse, la, coriaceus) is a piece of armour that covers the torso, formed of one or more pieces of metal or other rigid material. The word probably originates from the original material, leather, from the French '' cuirace'' and Latin word '' coriacea''. The use of the term "cuirass" generally refers to both the chest plate (or breastplate) and the back piece together; whereas a breastplate only protects the front, a cuirass protects both the front and the back. Description In Hellenistic and Roman times, the musculature of the male torso was idealized in the form of the muscle cuirass or "heroic cuirass" (in French the ''cuirasse esthétique'') sometimes further embellished with symbolic representation in relief, familiar in the Augustus of Prima Porta and other heroic representations in official Roman sculpture. As parts of the actual military equipment of classical antiquity, cuirasses and corsets of bronze, iron, or some other rigid substance were us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frock Coat
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress. These include the reverse collar and lapels, where the outer edge of the lapel is often cut from a separate piece of cloth from the main body and also a high degree of waist suppression around the waistcoat, where the coat's diameter round the waist is less than round the chest. This is achieved by a high horizontal waist seam with side bodies, which are extra panels of fabric above the waist used to pull in the naturally cylindrical drape. As was usual with all coats in the 19th century, shoulder padding was rare or minimal. In the Age of Revolution around the end of the 18th century, men abandoned the justaucorps with tricorne hats for the directoire style: dress coat with bre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casaquin
A casaquin is a short-length closely fitted coat worn by middle- and upper-class women during the 18th century. The garment was popular in both France and Italy. A casaquin was made from linen which was then covered by embroidery, silk and lace to decorate. The design was influenced by religious beliefs or events as well as reflecting on stylistic features of the time or of individual designers. Casaquins were worn by a range of females - from working-class women (for practical purposes) to upper-class ladies (for social or ceremonious occasions). The casaquin even influenced women from the Netherlands during the 18th century to introduce their own version of a casaquin called a "Kassekijntje". Construction A Casaquin was constructed from a petticoat bodice made from linen decorated with silk, lace and embroidery. A Casaquin was created and designed by a couturiere meaning a female designer of high fashion customised garments for a private client. A Casaquin had the design and fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stomacher
A stomacher is a decorated triangular panel that fills in the front opening of a woman's gown or bodice. The stomacher may be boned, as part of a corset, or may cover the triangular front of a corset. If simply decorative, the stomacher lies over the triangular front panel of the stays, being either stitched or pinned into place, or held in place by the lacings of the gown's bodice. A stomacher may also be a piece or set of jewellery to ornament a stomacher or bodice. Early stomachers In the 15th and 16th centuries, men and women both wore decorative stomachers (often called placards or plackets) with open-fronted doublets and gowns. The form and style of these stomachers in combination with the headgear is often used to date paintings to a certain time period. In 1603, Elizabeth Wriothesley, Countess of Southampton, who was pregnant, wrote to her husband in London asking him to buy her a stomacher, 'buy me a "stumiger" of scarlet, half a yard broad, and as long at least, li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dirndl
A dirndl () is a feminine dress which originated in German-speaking areas of the Alps. It is traditionally worn by women and girls in Bavaria (south-eastern Germany), Austria, Liechtenstein, Switzerland and Alpine regions of Italy. A dirndl consists of a close-fitting bodice featuring a low neckline, a blouse worn under the bodice, a wide high-waisted skirt and an apron. The dirndl is regarded as a folk costume (in German Tracht). It developed as the clothing of Alpine peasants between the 16th and 18th centuries.Gexi Tostmann, ''The dirndl: With instructions''. Panorama, Vienna, 1990. Today it is generally considered the traditional dress for women and girls in German-speaking parts of the Alps, with particular designs associated with different regions. The usual masculine tracht counterpart of the dirndl is lederhosen. In the late 19th century the dirndl was adapted by the upper and middle classes as a fashion mode, and subsequently spread as a mode outside its area of orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partlet
A partlet or partlett was a 16th century fashion accessory. The partlet was a sleeveless garment worn over the neck and shoulders, either worn over a dress or worn to fill in a low neckline. The earliest partlets appeared in late 15th century fashion. They were made of silk or linen, and were worn to fill in the low necklines of both men's and women's Burgundian dress. Men continued to wear partlets, usually of rich materials, with the low-cut doublets of the early 16th century. Early 16th century women's partlets were made in a variety of fabrics and colors, although black was most popular. Black partlets worn over the gown, usually of velvet or satin for the upper classes, are an earlier style. A wardrobe warrant of June 1538 ordered black velvet for a "French partlet" for Princess Mary.Hayward (2007), p. 166 These black partlets may be seen in a number of portraits of Tudor court ladies by Hans Holbein the Younger, as well as in Dutch paintings of market women throughout the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fichu
A fichu (, from the French "thrown over") is a large, square kerchief worn by women to fill in the low neckline of a bodice. Description It originated in the United Kingdom in the 18th century and remained popular there and in France through the 19th with many variations, as well as in the United States. The fichu was generally of linen fabric and was folded diagonally into a triangle and tied, pinned, or tucked into the bodice in front. A fichu is sometimes used with a brooch to conceal the closure of a ''décolté'' neckline. The fichu can thus be fastened in the front, or crossed over the chest. The cross-over fichu sometimes extended all the way to the back. Some models include a large over-the-shoulders back piece. The fichu found in several traditional cultures resembles a poncho that covers only the shoulders and chest. Gallery File:Gullager Salisbury.jpg, Elizabeth Sewall Salisbury wears an embroidered fichu pinned at the neck, 1789. File:Anonymous - Jeune femme au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruff (clothing)
A ruff is an item of clothing worn in Western, Central, and Northern Europe and Spanish America from the mid-16th century to the mid-17th century. The round and flat variation is often called a millstone collar after its resemblance to millstones for grinding grain. History The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright posture, and their impracticality led them to become a symbol of wealth and status. Ruffs were primarily made from linen cambric, stiffened with starch imported from the Low Countries. Later ruffs were sometimes made entirely from lace, an expensive embellishment developed in the early sixteenth century. The size of the ruff increased as the century went on. "Ten yards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corsage (bodice)
A bodice () is an article of clothing traditionally for women and girls, covering the torso from the neck to the waist. The term typically refers to a specific type of upper garment common in Europe during the 16th to the 18th century, or to the upper portion of a modern dress to distinguish it from the skirt and sleeves. The name ''bodice'' is etymologically an odd plural spelling of "body" and comes from an older garment called a ''pair of bodies'' (because the garment was originally made in two separate pieces that fastened together, frequently by lacing). Origin Frescoes produced by the Minoan civilization portray women wearing open bodices that displayed and accentuated their breasts; however, following the Late Bronze Age collapse, these garments would give way to the simpler clothes characteristic of Iron Age Greece. Contemporary European bodices are derived from the kirtle. A fitted bodice became fashionable in Europe around 1450. Classification The same word is u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hook-and-eye Closure
A hook-and-eye closure is a simple and secure method of fastening garments together. It consists of a metal hook, commonly wire bent to shape, and an eye (or "eyelet") of the same material into which the hook fits. History The hook and eye closure has a long history and is still used today, primarily on bras. This form of fastening first appears under the name of "crochet and loop" in 14th-century England. The first reference to the modern term appears in ''Aubrey's Brief Lives'' in 1697, which describes a doublet and breeches being attached with "hook and eies". Hooks and eyes were made by hand from wire, until the town of Redditch, England, already famous for sewing needle manufacture, was the first to machine-manufacture them. In 1643 a woman in the American colony of Maryland is recorded as having paid £10 worth of tobacco for hooks and eyes. The hook and eye played an important role in women's corsetry; used in rows or as a busk, they can take the stress necessary to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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