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Copperplate Script
A copperplate script is a style of calligraphic writing most commonly associated with English Roundhand. Although often used as an umbrella term for various forms of pointed pen calligraphy, Copperplate most accurately refers to script styles represented in copybooks created using the intaglio printmaking method. The term ''Copperplate Script'' identifies one of the most well-known and appreciated calligraphic styles of all time. Earlier versions of this script required a thin-tipped feather pen. Later, with the rise of industrialization, the use of more flexible and durable fine-point metal nibs became widespread. Many masters offered their contributions in defining the aesthetic canons of the copperplate script, but what really stood out as fundamental was the work of the writing master and engraver George Bickham, who in his book ''The Universal Penman'' (1733–1741) collected script samples from twenty-five of the most talented London calligraphers. Copperplate was undou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copperplate Gothic
Copperplate Gothic is a typeface designed by Frederic W. Goudy and released by American Type Founders (ATF) in 1901. While termed a "''Gothic''" (another term for sans-serif), the face has small glyphic serifs that act to emphasize the blunt terminus of vertical and horizontal strokes. The typeface shows an unusual combination of influences; the glyphs are reminiscent of stone carving or lettering on copperplate engravings, the wide horizontal axis is typical of Victorian display types, yet the result is far cleaner and leaves a crisp impression in letterpress or offset printing. Goudy designed Copperplate Gothic in capitals only, since the design was intended to be used for headings and key words rather than for body text. It is not at all characteristic of Goudy's work, which is generally in the old-style serif genre. Goudy created it early in his career while in need of commissions, although he wrote in his 1946 autobiography that he "treasured" the drawings for their quali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphy
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Round Hand
Round hand (also roundhand) is a type of handwriting and calligraphy originating in England in the 1660s primarily by the writing masters John Ayres and William Banson. Characterised by an open flowing hand (style) and subtle contrast of thick and thin strokes deriving from metal pointed nibs in which the flexibility of the metal allows the left and right halves of the point to spread apart under light pressure and then spring back together, the popularity of round hand grew rapidly, becoming codified as a standard, through the publication of printed writing manuals. Origins During the Renaissance, writing masters of the Apostolic Camera developed the ''italic cursiva'' script. When the Apostolic Camera was destroyed during the sack of Rome in 1527, many masters moved to Southern France where they began to refine the renaissance ' script into a new script, '. By the end of the 16th century, ' began to replace '. ' was further adapted into the French style ' in the early 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umbrella Term
In linguistics, semantics, general semantics, and ontologies, hyponymy () is a semantic relation between a hyponym denoting a subtype and a hypernym or hyperonym (sometimes called umbrella term or blanket term) denoting a supertype. In other words, the semantic field of the hyponym is included within that of the hypernym. In simpler terms, a hyponym is in a ''type-of'' relationship with its hypernym. For example, ''pigeon'', ''crow'', ''eagle'', and ''seagull'' are all hyponyms of ''bird'', their hypernym, which itself is a hyponym of ''animal'', its hypernym. Hyponyms and hypernyms Hyponymy shows the relationship between a generic term (hypernym) and a specific instance of it (hyponym). A hyponym is a word or phrase whose semantic field is more specific than its hypernym. The semantic field of a hypernym, also known as a superordinate, is broader than that of a hyponym. An approach to the relationship between hyponyms and hypernyms is to view a hypernym as consisting of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copybook (education)
A copybook, or copy book is a book used in education that contains examples of handwriting and blank space for learners to imitate. Typical uses include teaching penmanship and arithmetic to students. A page of a copy book typically starts with a copybook heading: a printed example of what should be copied, such as a single letter or a short proverb. The rest of the page is empty, except for horizontal rulings. The student is expected to copy the example down the page. By copying, the student is supposed to practise penmanship, spelling, reading comprehension, punctuation, and vocabulary. History ''The American Instructor: Or, Young Man's Best Companion'', published in 1748, was the first American copybook. The 1802 book ''The Port folio'' recommends the copybook method of learning fine penmanship over the previously used method of "engraved models", citing the advantage of having the example text closer to the student's reproduction. The author adds, "A neat copybook has often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intaglio (printmaking)
Intaglio ( ; ) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand ''above'' the main surface. Normally, copper or in recent times zinc sheets, called plates, are used as a surface or matrix, and the incisions are created by etching, engraving, drypoint, aquatint or mezzotint, often in combination. Collagraphs may also be printed as intaglio plates. After the decline of the main relief technique of woodcut around 1550, the intaglio techniques dominated both artistic printmaking as well as most types of illustration and popular prints until the mid 19th century. Process In intaglio printing, the lines to be printed are cut into a metal (e.g. copper) plate by means either of a cutting tool called a burin, held in the hand – in which case the process is called ''engraving''; or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Bickham The Elder
George Bickham the Elder (1684–1758) was an English writing master and engraver. He is best known for his engraving work in ''The Universal Penman'', a collection of writing exemplars which helped to popularise the English Round Hand script in the 18th century. Bickham produced copybooks and business texts, as there was a strong link between writing and mathematics instruction (arithmetic and bookkeeping) in the-mid 17th century to early 18th century. In 1733 Bickham collected penmanship samples from twenty-five London writing masters, engraved and published them in ''The Universal Penman'', issued in fifty-two parts between 1733 and 1741. The collection became one of the most important and popular copy texts used by writing masters to instruct their pupils. It is still used by calligraphers interested in the English Round Hand or Copperplate script and was reprinted as recently as 2014.Bickham, George. ''Universal Penman''. Place of publication not identified: BN Publishin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D'Nealian
The D'Nealian Method (sometimes misspelled ''Denealian''), is a style of writing and teaching handwriting based on Latin script which was developed between 1965 and 1978 by Donald N. Thurber (1927–2020) in Michigan, United States. Building on his experience as a primary school teacher, Thurber aimed to make the transition from print writing to cursive easier for learners. History Donald Neal Thurber (December 15, 1927 in Detroit, Michigan – January 6, 2020 in Monroe, Michigan) received a bachelor's degree from the University of Toledo and a master's degree from Eastern Michigan University. He began teaching elementary pupils in Luna Pier in 1953. While teaching first grade in 1961, Thurber examined what he regarded the illogic of handwriting education in the US. From 1965, he developed the D'Nealian Method as an alternative to teaching scripts then available. The name of the D'Nealian Method comes from Thurber's first name contracted with his middle name ("Neal"). Thurber's s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the technique, is much less common in printmaking, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zaner-Bloser (teaching Script)
The Zaner-Bloser (also Zaner-Bloser Method) is a teaching script for handwriting based on Latin script as well as a system of penmanship instruction, which originated around 1904 at the Zanerian College of Penmanship in Columbus, Ohio. Charles P. Zaner (1864–1918) and Elmer W. Bloser (1865–1929), originally a Spencerian Method instructor, developed their teaching script with the aim of allowing learners an easier transition from print writing to cursive. The Zaner-Bloser Method first teaches block letters and then cursive in order to enable written expression as quickly as possible and thus develop the ability to write. Material relating to the method of instruction practised by Zaner and Bloser is still being published by the Zaner-Bloser Company. Characteristics The Zaner-Bloser alphabet comprises two different sets of letters for handwriting – one for print writing (sometimes also called "manuscript printing"), and one for cursive writing. Zaner-Bloser letters are writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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