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Concert Program
A concert program is a selection and ordering, or programming, of pieces to be performed at an occasion, or concert. Programs may be influenced by the available ensemble of instruments, by performer ability or skill, by theme ( historical, programmatic, or technical), by musical concerns (such as form), or by allowable time. For example, a brass ensemble will perform an "all brass" program, the pieces of which may be chosen by a theme, such as "all Bach", and the chosen pieces may be ordered so that they build in intensity as the concert progresses. Concert programs may be put together by ensembles, conductors, or ensemble directors, and are often explained in program notes. Program notes or annotated concert programs are common where contemporary or classical music is being performed. These were introduced in Edinburgh and London in the 1840s, first for chamber music concerts, notably by John Ella and his Musical Union, under the name "Synoptical Analysis". They became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Hanslick
Eduard Hanslick (11 September 18256 August 1904) was an Austrian music critic, aesthetician and historian. Among the leading critics of his time, he was the chief music critic of the ''Neue Freie Presse'' from 1864 until the end of his life. He was a conservative critic and championed absolute music over programmatic music for much of his career. As such, he sided with and promoted the faction of Robert Schumann and Johannes Brahms in the so-called "War of the Romantics", often deriding the works of composers such as Franz Liszt and Richard Wagner. His best known work, the 1854 treatise ''Vom Musikalisch-Schönen'' (''On the Musically Beautiful''), was a landmark in the aesthetics of music and outlines much of his artistic and philosophical beliefs on music. Biography Hanslick was born in Prague (then in the Austrian Empire), the son of Joseph Adolph Hanslik, a bibliographer and music teacher from a German-speaking family, and one of Hanslik's piano pupils, the daughter of a J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Wisconsin–Whitewater
The University of Wisconsin–Whitewater (UW–Whitewater) is a public university in Whitewater, Wisconsin. It is part of the University of Wisconsin System. Student enrollment in the 2014–2015 academic year was more than 12,000. The university offers 47 undergraduate majors and 13 graduate programs. Approximately 1,400 faculty and staff are employed by the university, and the student body consists of individuals from about 40 states and 30 countries. History On April 21, 1868, the school was named Whitewater Normal School and graduated its first class of teachers in June, 1870. Albert Salisbury, writing in 1893, remarked: "The young men and women who gathered into this school in those early years found here a new and stimulating atmosphere. The spirit of earnestness–almost a severe earnestness,–pervaded the place; and the high ideals of its administration were contagious in a remarkable degree." Salisbury wrote of a unique tradition of the school known as "Students' Day. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Program Music
Program music or programatic music is a type of instrumental art music that attempts to musically render an extramusical narrative. The narrative itself might be offered to the audience through the piece's title, or in the form of program notes, inviting imaginative correlations with the music. A well-known example is Sergei Prokofiev's ''Peter and the Wolf''. The genre culminates in the symphonic works of Richard Strauss that include narrations of the adventures of Don Quixote, ''Till Eulenspiegel'', the composer's domestic life, and an interpretation of Nietzsche's philosophy of the Übermensch. Following Strauss, the genre declined and new works with explicitly narrative content are rare. Nevertheless the genre continues to exert an influence on film music, especially where this draws upon the techniques of 19th-century late romantic music. Similar compositional forms also exist within popular music, including the concept album and rock opera. The term is almost exclusive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Premiere
A première, also spelled premiere, is the debut (first public presentation) of a play, film, dance, or musical composition. A work will often have many premières: a world première (the first time it is shown anywhere in the world), its first presentation in each country, and an online première (the first time it is published on the Internet). When a work originates in a country that speaks a different language from that in which it is receiving its national or international première, it is possible to have two premières for the same work in the same country—for example, the play ''The Maids'' by the French dramatist Jean Genet received its British première (which also happened to be its world première) in 1952, in a production given in the French language. Four years later, it was staged again, this time in English, which was its English-language première in Britain. History Raymond F. Betts attributes the introduction of the film premiere to showman Sid Grauman, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Concert (other)
In Concert may refer to: Albums * ''In Concert'' (Ahmad Jamal album), 1981 * ''In Concert'' (1985 America album) * ''In Concert'' (1995 America album) * ''In Concert'' (Amy Grant album), 1981 * ''In Concert'' (Apo Hiking Society album), 1974 * ''In Concert'' (Blood, Sweat & Tears album), 1976 * ''In Concert'' (Carole King album), 1994 * ''In Concert'' (Chet Baker and Lee Konitz album), 1982 * ''In Concert'', by Cinderella, reissue title of '' Live at the Key Club'', 1999 * ''In Concert'' (Dave Burrell and David Murray album), 1991 * ''In Concert'' (Dead Can Dance album), 2013 * ''In Concert'' (Derek and the Dominos album), 1973 * ''In Concert'' (The Doors album), 1991 * ''In Concert'' (The Dubliners album), 1965 * ''In Concert'' (iamamiwhoami album), 2010 * ''In Concert'' (Janis Joplin album), 1972 * ''In Concert'' (Jethro Tull album), 1995 * ''In Concert'' (John Hicks album), 1986 * ''In Concert'' (Kenny Drew album), 1979 * ''In Concert'' (Miles Davis album), 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dedication (art)
In art, a dedication is the creation or attribution of a work of art as a tribute to or in honor of a person, place, or thing. The dedicatee may be the commissioner, conductor, premiere performer or musical ensemble, or patron. The work may be memorial. In music, examples include many of Beethoven's works, such as the Piano Sonata Op. 109, dedicated to his friend Antonie Brentano's daughter Maximiliane. In literature, examples include Vladimir Nabokov's dedication of works to his wife Véra. See also *Concert program A concert program is a selection and ordering, or programming, of pieces to be performed at an occasion, or concert. Programs may be influenced by the available ensemble of instruments, by performer ability or skill, by theme ( historical, progra ... References The arts Dedication {{art-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commission (music)
In art, a commission is the act of requesting the creation of a piece, often on behalf of another. Artwork may be commissioned by private individuals, by the government, or businesses. Commissions often resemble endorsement or sponsorship. In classical music, ensembles often commission pieces from composers, where the ensemble secures the composer's payment from private or public organizations or donors. Commissions and visual artist Throughout history, it has been common for rulers and governments to commission public art as a means of demonstrating power and wealth, or even for specific propaganda purposes. In ancient Rome, large architectural projects were commissioned as symbols of imperial glory. The Roman Colosseum for example, was commissioned by Emperor Vespasian. Public statuary was widespread, depicting mythical and heroic figures. The frieze that is carved into the Marcus Column, located at the Campus Martius, depicts the figure of Victory, and would have bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Section (music)
In music, a section is a complete, but not independent, musical idea. Types of sections include the introduction or intro, exposition, development, recapitulation, verse, chorus or refrain, conclusion, coda or outro, fadeout, bridge or interlude. In sectional forms such as binary, the larger unit (form) is built from various smaller clear-cut units (sections) in combination, analogous to stanzas in poetry or somewhat like stacking Lego. Some well known songs consist of only one or two sections, for example "Jingle Bells" commonly contains verses ("Dashing through the snow...") and choruses ("Oh, jingle bells..."). It may contain "auxiliary members" such as an introduction and/or outro, especially when accompanied by instruments (the piano starts and then: "Dashing..."). A section is, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena." An episode may also refer to a section. This term is particularly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Motif
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The '' Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Theme
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes is c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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