Commedie Sexy All'italiana
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Commedie Sexy All'italiana
The commedia sexy all'italiana (, lit. "sex comedy Italian style"), also known as commedia scollacciata or commedia erotica all'italiana, is a subgenre of Italian ''commedia all'italiana'' film genre. Style ''Commedia sexy'' is characterized typically by both abundant female nudity and comedy, and by the minimal weight given to social criticism that was the basic ingredient of the main ''commedia all'italiana'' genre. Stories are often set in affluent environments such as wealthy households. It is closely connected to the sexual revolution, and it was something extremely new and innovative for that period. For the first time, films with female nudity could be watched at the cinema. Pornography and scenes of explicit sex were still forbidden in Italian cinemas, but partial nudity was somewhat tolerated. The genre has been described as a cross between Sex comedy, bawdy comedy and humorous softcore porn, erotic film with ample slapstick elements which follows more or less clichéd st ...
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Il Merlo Maschio (1971) - Laura Antonelli
''Il merlo maschio'' (''The Male Blackbird''), known in the United Kingdom as ''The Naked Cello'' or ''Secret Fantasy'' in the United States, is an Italian film in the ''commedia sexy all'italiana'' style, and presents a theme of candaulism, that was very rare at the time. It was filmed in 1971 by director Pasquale Festa Campanile, and starred Laura Antonelli and Lando Buzzanca. Synopsis Niccolò Vivaldi (Lando Buzzanca) is a frustrated cello player whose career has stalled and who is unappreciated by his orchestra director. He discovers that the beauty of his wife, Costanza (Laura Antonelli), arouses in him admiration for her, and reflects on him. From then on, he decides to show it in public in order to gain personal glory. He takes photographs of her in poses that gradually became pornographic, and he begins to show the images to his friend and colleague Cavalmoretti (Lino Toffolo) and in a moment of madness to all the other members of the orchestra. Eventually, in a cresce ...
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The Canterbury Tales (film)
''The Canterbury Tales'' ( it, I racconti di Canterbury) is a 1972 Italian film directed by Pier Paolo Pasolini based on The Canterbury Tales, the medieval narrative poem by Geoffrey Chaucer. The second film in Pasolini's "Trilogy of Life", preceded by ''The Decameron (1971 film), The Decameron'' and followed by ''Arabian Nights (1974 film), Arabian Nights'', it won the Golden Bear at the 22nd Berlin International Film Festival. With the Trilogy of Life, Pasolini sought to adapt vibrant, erotic tales from classical literature. With ''The Decameron'', Pasolini adapted an important work from the early era of the Italian language. With ''The Canterbury Tales'' he set his sights to the earthy Middle English tales of Chaucer. Behind the scenes, Pasolini broke up with Ninetto Davoli and said in retrospect, he was not in the right frame of mind for this kind of silly, lighthearted trilogy. Yet it remains one of his most important films. The movie came after a string of movies of the l ...
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La Liceale
''La liceale'' (internationally released as ''The Teasers'', ''Under-graduate Girls'', ''Sophomore Swingers'' and ''Teasers'') is a 1975 commedia sexy all'italiana directed by Michele Massimo Tarantini. The film is considered the real breakout title for Gloria Guida and generated a "Liceale" film-series which consists of five titles, four of them starring Gloria Guida. It was followed by ''La liceale nella classe dei ripetenti''. Plot Loredana d'Amico is a restless teenager, who has the advantage of being very beautiful. Her parents do not understand her, and she does not understand them, judging them immature and not authoritarian. While Loredana's father has flings with PYTs, her mother is in a physical relationship with another man. Loredana, since she has bad grades, likes to seduce the teachers of high school to have good results. She helps the classmates out by seducing the professors when they are in trouble. One day, her classmate, who is also a budding artist, invites ...
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Coming-of-age Story
In genre studies, a coming-of-age story is a genre of literature, theatre, film, and video game that focuses on the growth of a protagonist from childhood to adulthood, or "coming of age". Coming-of-age stories tend to emphasize dialogue or internal monologue over action, and are often set in the past. The subjects of coming-of-age stories are typically teenagers. The ''Bildungsroman'' is a specific subgenre of coming-of-age story. The plot points of coming of age stories are usually emotional changes within the character(s) in question. ''Bildungsroman'' In literary criticism, coming-of-age novels and ''Bildungsroman'' are sometimes interchangeable, but the former is usually a wider genre. The ''Bildungsroman'' (from the German words ''Bildung'', "education", alternatively "forming" and ''Roman'', "novel") is further characterized by a number of formal, topical, and thematic features. It focuses on the psychological and moral growth of the protagonist from childhood to adulthood ...
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Gloria Guida
Gloria Guida (; born 19 November 1952) is an Italian actress and model. She is best known for starring in commedia erotica all'italiana, particularly the ''La liceale'' series, and also in erotic coming-of-age-drama films in the mid-1970s. Life and career Gloria Guida was born in Merano, Trentino-Alto Adige, to a family from Emilia Romagna. She moved with her family to Bologna as a child. She first began a singing career, starting in her father's dancing place on the Romagna coast. Then she took up modeling, becoming ''Miss Teenage Italia'' in 1974. Guida subsequently went on to star in many sexy comedies. Two of her early films, '' La ragazzina'' (''Monika'' in English-language release) and ''La minorenne'', both shot in the summer of 1974, are stories of young female characters discovering their sexuality. She made her real breakthrough in 1975 with ''La liceale'' (''Teasers''). Another film of particular success was ''Avere vent'anni'' ("To Be Twenty") in 1978, where she s ...
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María Baxa
María Baxa (born Marija Baksa, sr-cyr, Марија Бакса, translit=; 15 April 1946 – 14 November 2019) was an Italian-Serbian film actress, mainly active in Italian cinema. Born in Osijek, Baxa made her film debut in Branko Čelović's ''Bokseri idu u raj'', then moved to Italy where she became a popular starlet in Italian genre cinema, especially in ''commedia sexy all'italiana The commedia sexy all'italiana (, lit. "sex comedy Italian style"), also known as commedia scollacciata or commedia erotica all'italiana, is a subgenre of Italian ''commedia all'italiana'' film genre. Style ''Commedia sexy'' is characterized typ ...'' (sex comedies). In the late 1980s, Baxa left showbusiness to be an architect. Filmography References External links * 1946 births 2019 deaths Serbian film actresses Italian film actresses People from Osijek Yugoslav expatriates in Italy {{Serbia-actor-stub Serbs of Croatia Italian people of Serbian descent ...
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Edwige Fenech
Edwige Fenech (, ; born 24 December 1948) is an Algerian-born Maltese-Sicilian actress and film producer. She is mostly known as the star of a series of ''commedia sexy all'italiana'' and ''giallo'' films released in the 1970s, which turned her into a sex symbol. Biography Fenech was born in Bône, Constantine, French Algeria (now Annaba, Annaba Province, Algeria) to a Maltese father and Sicilian mother. Cinema career Fenech moved from Nice (France) to Rome in 1967 for her first Italian film '' Samoa, Queen of the Jungle'' by Guido Malatesta. In 1968, she came under contract with Austrian director Franz Antel and from the late 1960s to early 1970s, she acted in various films of Antel (including his acclaimed '' Frau Wirtin'' series) as well as that of Franz Marischka. Fenech starred in many genres of cinema but her greatest commercial success came with ''commedia sexy all'italiana'' films, particularly including earlier works ''Ubalda, All Naked and Warm'' (1972) and '' Giova ...
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Gloria Guida In Quella Età Maliziosa
Gloria may refer to: Arts and entertainment Music Christian liturgy and music * Gloria in excelsis Deo, the Greater Doxology, a hymn of praise * Gloria Patri, the Lesser Doxology, a short hymn of praise ** Gloria (Handel) ** Gloria (Jenkins) ** Gloria (Poulenc), a 1959 composition by Francis Poulenc ** Gloria (Vivaldi), a musical setting of the doxology by Antonio Vivaldi Groups and labels * Gloria (Brazilian band), a post-hardcore/metalcore band * Gloria, later named Unit Gloria, a Dutch band with Robert Long as member Albums * ''Gloria'' (Disillusion album) * ''Gloria!'', an album by Gloria Estefan * ''Gloria'' (Gloria Trevi album) * ''Gloria'' (Okean Elzy album) * ''Gloria'' (Sam Smith album) * ''Gloria'' (Shadows of Knight album) (1966) * ''Gloria'' (EP), an EP by Hawk Nelson Songs * "Gloria" (Enchantment song) (1976), a song later covered by Jesse Powell in 1996 * "Gloria" (Mando Diao song), a 2009 song by Mando Diao from ''Give Me Fire'' * "Gloria" (Le ...
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In Love, Every Pleasure Has Its Pain
''In Love, Every Pleasure Has Its Pain'' ( it, La Betìa ovvero in amore, per ogni gaudenza, ci vuole sofferenza) is a 1971 commedia all'italiana film directed by Gianfranco De Bosio. It is based on the comedy play ''La Betia'' by Angelo Beolco. Cast *Nino Manfredi: Nale *Rosanna Schiaffino: Betìa *Ljubiša Samardžić (credited as Smoki Samardì): Zilio * Eva Ras: Tamia *Mario Carotenuto: Tacio * Olivera Marković: Menega *Lino Toffolo: Bazzarello *Boban Petrović: Menegazzo *Franco Pesce: Barba Scatti See also * List of Italian films of 1971 A list of films produced in Italy in 1971 (see 1971 in film): References Footnotes Sources * * * * * External linksItalian films of 1971at the Internet Movie Database {{DEFAULTSORT:Italian Films Of 1971 1971 Films ... References External links * 1971 films 1971 comedy films Commedia all'italiana Films scored by Carlo Rustichelli Films set in Veneto 1970s Italian films {{1970s ...
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One Thousand And One Nights
''One Thousand and One Nights'' ( ar, أَلْفُ لَيْلَةٍ وَلَيْلَةٌ, italic=yes, ) is a collection of Middle Eastern folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the ''Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainment''. The work was collected over many centuries by various authors, translators, and scholars across West, Central and South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic literature, Arabic, Egyptian literature, Egyptian, Sanskrit literature, Sanskrit, Persian literature, Persian, and Mesopotamian myths, Mesopotamian literature. Many tales were originally folk stories from the Abbasid Caliphate, Abbasid and Mamluk Sultanate (Cairo), Mamluk eras, while others, especially the frame story, are most probably drawn from the Middle Persian literature#"Pahlavi" literature, Pahlavi Persian ...
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The Canterbury Tales
''The Canterbury Tales'' ( enm, Tales of Caunterbury) is a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. It is widely regarded as Chaucer's ''Masterpiece, magnum opus''. The tales (mostly written in verse (poetry), verse, although some are in prose) are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the The Tabard, Tabard Inn at Southwark on their return. It has been suggested that the greatest contribution of ''The Canterbury Tales'' to English literature was the popularisation of the English vernacular in mainstream literature, as opposed to French, Italian or Latin. English had, however, been used as a literary language centuries before Chaucer's time, and several of Chaucer's contemporaries—John Gower, W ...
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Geoffrey Chaucer
Geoffrey Chaucer (; – 25 October 1400) was an English poet, author, and civil servant best known for ''The Canterbury Tales''. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific ''A Treatise on the Astrolabe'' for his 10-year-old son Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament. Among Chaucer's many other works are ''The Book of the Duchess'', ''The House of Fame'', ''The Legend of Good Women'', and ''Troilus and Criseyde''. He is seen as crucial in legitimising the literary use of Middle English when the dominant literary languages in England were still Anglo-Norman French and Latin. Chaucer's contemporary Thomas Hoccleve hailed him as "the firste fyndere of our ...
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