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Column Of Antoninus Pius
:''This article deals with the lost column dedicated to Antoninus Pius. For the column previously erroneously called this before the Renaissance, see Column of Marcus Aurelius, and specifically Column of Marcus Aurelius#Restoration'' The Column of Antoninus Pius ( it, Colonna di Antonino Pio) is a Roman honorific column in Rome, Italy, devoted in AD 161 to the Roman emperor Antoninus Pius, in the Campus Martius, on the edge of the hill now known as Monte Citorio, and set up by his successors, the co-emperors Marcus Aurelius and Lucius Verus. History Construction The column itself was high and in diameter and was constructed of red granite, with no decorating reliefs as on the otherwise similar columns of Trajan and Marcus Aurelius. It was quarried out in 106 (as shown by the masons' inscription on its lower end, IG xiv.2421.1). Architecturally, it belonged to the Ustrinum, north of it on the same orientation, with the main apotheosis scene facing in that direction, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Column Of Marcus Aurelius
The Column of Marcus Aurelius ( la, Columna Centenaria Divorum Marci et Faustinae, it, Colonna di Marco Aurelio) is a Roman victory column in Piazza Colonna, Rome, Italy. It is a Doric column featuring a spiral relief: it was built in honour of Roman emperor Marcus Aurelius and modeled on Trajan's Column. Construction Because the original dedicatory inscription has been destroyed, it is not known whether it was built during the emperor's reign (on the occasion of the triumph over the Marcomanni, Quadi and Sarmatians in the year 176) or after his death in 180; however, an inscription found in the vicinity attests that the column was completed by 193. In terms of the topography of ancient Rome, the column stood on the north part of the Campus Martius, in the centre of a square. This square was either between the temple of Hadrian (probably the Hadrianeum) and the temple of Marcus Aurelius (dedicated by his son Commodus, of which nothing now remains – it was probabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obelisk Of Montecitorio
The Obelisk of Montecitorio ( it, Obelisco di Montecitorio), also known as Solare, is an ancient Egyptian, red granite obelisk of Psamtik II (595–589 BC) from Heliopolis. Brought to Rome with the Flaminio Obelisk in 10 BC by the Roman Emperor Augustus to be used as the gnomon of the Solarium Augusti, it is now in the Piazza Montecitorio. It is high, and including the base and the globe. History First construction The stone was quarried at Aswan and then transported to and erected at the sanctuary of Ra in Heliopolis during the reign of Psamtik II (595–589 BC). The hieroglyphic inscription on the sides reads The Golden Horus, beautifying the Two Lands, beloved of Atum, lord of Heliopolis; the King of Upper and Lower Egypt, Neferibre, beloved of Re-Harakhti; the son of his own body, who seizes the White Crown and who unites the Double Crown, Psammetikos, beloved of the Souls of Heliopolis. and the inscription on the Pyramidion reads King of Upper and Lower Egy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faustina The Elder
Annia Galeria Faustina the Elder, sometimes referred to as Faustina I or Faustina Major (born on February 16 around 100; died in October or November of 140), was a Roman empress and wife of the Roman emperor Antoninus Pius. The emperor Marcus Aurelius was her nephew and later became her adopted son, along with Emperor Lucius Verus. She died early in the principate of Antoninus Pius, but continued to be prominently commemorated as a '' diva'', posthumously playing a prominent symbolic role during his reign. Early life Faustina was the only known daughter of consul and prefect Marcus Annius Verus and Rupilia Faustina. Her brothers were consul Marcus Annius Libo and praetor Marcus Annius Verus. Her maternal aunts were Roman Empress Vibia Sabina and Matidia Minor. Her paternal grandfather was named Marcus Annius Verus, like her father, while her maternal grandparents were suffect consul Lucius Scribonius Libo Rupilius Frugi Bonus and possibly Vitellia. Faustina was born and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeon
The word aeon , also spelled eon (in American and Australian English), originally meant "life", "vital force" or "being", "generation" or "a period of time", though it tended to be translated as "age" in the sense of "ages", "forever", "timeless" or "for eternity". It is a Latin transliteration from the ancient Greek word (''ho aion''), from the archaic (''aiwon'') meaning "century". In Greek, it literally refers to the timespan of one hundred years. Its latest meaning is more or less similar to the Sanskrit word ''kalpa'' and Hebrew word '' olam''. A cognate Latin word ' or ' (cf. ) for "age" is present in words such as ''longevity'' and ''mediaeval''. Although the term aeon may be used in reference to a period of a thousand million years (especially in geology, cosmology and astronomy), its more common usage is for any long, indefinite period. Aeon can also refer to the four aeons on the geologic time scale that make up the Earth's history, the Hadean, Archean, Proteroz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genius (mythology)
In Roman religion, the genius (; plural ''geniī'') is the individual instance of a general divine nature that is present in every individual person, place, or thing. Much like a guardian angel, the genius would follow each man from the hour of his birth until the day he died. For women, it was the Juno spirit that would accompany each of them. Nature Each individual place had a genius (''genius loci'') and so did powerful objects, such as volcanoes. The concept extended to some specifics: the genius of the theatre, of vineyards, and of festivals, which made performances successful, grapes grow, and celebrations succeed, respectively. It was extremely important in the Roman mind to propitiate the appropriate genii for the major undertakings and events of their lives. Thus man, following the dictates of his heart, venerated something higher and more divine than he could find in his own limited individuality, and brought to "this great unknown of himself" offerings as a god; thu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoninus Pius Columna
Antoninus is a Latin masculine given name. It may refer to: Roman people *Antoninus (philosopher), Neoplatonist philosopher of the 4th century *Antoninus (turncoat), Roman who joined the Sassanid Empire and assisted Shapur II in the siege of Amida *Antoninus Liberalis, Greek grammarian who lived between the first and third centuries AD *Antoninus Pius (86–161), Roman emperor from 138 to 161 *Gaius Arrius Antoninus, 2nd century Roman senator *Gnaeus Arrius Antoninus (born AD 31), maternal grandfather of Antoninus Pius *Honoratus Antoninus, 5th century Roman Catholic Bishop *Lucius Caesennius Antoninus (c. 95 – after 128), Roman aristocrat and consul * ''Marcus Aurelius Antoninus'', several emperors with the same regnal name *Quintus Haterius Antoninus, 1st century Roman consul See also * William Everson (poet), also known as Brother Antoninus, (1912 – 1994), American poet * Saint Antoninus (other), several saints with the same name * Antonius, nomen of the gens Anton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Cavalry
Roman cavalry (Latin: ''equites Romani'') refers to the horse-mounted forces of the Roman army throughout the Regal, Republican, and Imperial eras. In the Regal era the Roman cavalry was a group of 300 soldiers called ''celeres'', tasked with guarding the king. Later their numbers were doubled to 600, then possibly 1,800. All of the cavalrymen were patricians. In the Republican era, the general name for the cavalry was Equites and consisted of the Equites class and the First Class, with a group of 300 cavalrymen in every legion. They were divided into 10 groups of 30 men. Each group elected three leaders known as '' decuriones''. Later the Roman cavalry stopped using Roman citizens as cavalrymen and relied on Auxilia and foreign recruits. Roman cavalrymen wore a Corinthian helmet, bronze chestplate, and bronze greaves. Later mail was adopted into the army. Their arms included a lance ('' lanceae''), a long sword (''spatha''), and short throwing spears (''akontes''). Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Inscriptionum Latinarum
The ''Corpus Inscriptionum Latinarum'' (''CIL'') is a comprehensive collection of ancient Latin inscriptions. It forms an authoritative source for documenting the surviving epigraphy of classical antiquity. Public and personal inscriptions throw light on all aspects of Roman life and history. The ''Corpus'' continues to be updated in new editions and supplements. CIL also refers to the organization within the Berlin-Brandenburg Academy of Sciences and Humanities responsible for collecting data on and publishing the Latin inscriptions. It was founded in 1853 by Theodor Mommsen and is the first and major organization aiming at a comprehensive survey. Aim The ''CIL'' collects all Latin inscriptions from the whole territory of the Roman Empire, ordering them geographically and systematically. The earlier volumes collected and published authoritative versions of all inscriptions known at the time—most of these had been previously published in a wide range of publications. The descr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cortile Della Pigna
The (Belvedere Courtyard or Belvedere Court) was a major architectural work of the High Renaissance at the Vatican Palace in Rome. Designed by Donato Bramante from 1505 onward, its concept and details reverberated in courtyard design, formalized piazzas and garden plans throughout Western Europe for centuries. Conceived as a single enclosed space, the long Belvedere court connected the Vatican Palace with the Villa Belvedere in a series of terraces connected by stairs, and was contained on its sides by narrow wings. Bramante did not see the work completed, and before the end of the sixteenth century it had been irretrievably altered by a building across the court, dividing it into two separate courtyards. Early history and Bramante's design Innocent VIII began construction of the Villa Belvedere on the high ground overlooking old St Peter's Basilica, in 1484. Here, where the breezes could tame the Roman summer, he had the Florentine architect Antonio del Pollaiuolo, design and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vatican Museums
The Vatican Museums ( it, Musei Vaticani; la, Musea Vaticana) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the most well-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments. Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with Sistine Chapel ceiling, its ceiling and The Last Judgement (Michelangelo), altar wall decorated by Michelangelo, and the Raphael Rooms, Stanze di Raffaello (decorated by Raphael) are on the visitor route through the Vatican Museums. In 2020, due to the COVID-19 pandemic, the Vatican Museums were visited by only 1,300,000 persons, a drop of 81 percent from the number of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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