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Coat Of Arms Of Poland
The coat of arms of Poland is a white, crowned eagle with a golden beak and talons, on a red background. In Poland, the coat of arms as a whole is referred to as ''godło'' both in official documents and colloquial speech, despite the fact that other coats of arms are usually called a ''herb'' (e.g. the Nałęcz ''herb'' or the coat of arms of Finland). This stems from the fact that in Polish heraldry, the word ''godło'' (plural: ''godła'') means only a heraldic charge (in this particular case a white crowned eagle) and not an entire coat of arms, but it is also an archaic word for a national symbol of any sort. In later legislation only the ''herb'' retained this designation; it is unknown why. Legal basis The coat of arms of the Republic of Poland is described in two legal documents: the Constitution of the Republic of Poland of 1997">/nowiknowiki>/nowiki>, Dz.U. 1997 nr 78 poz. 483 and the Coat of Arms, Colors and Anthem of the Republic of Poland, and State Seals Act ...
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Poland
Poland, officially the Republic of Poland, is a country in Central Europe. It is divided into 16 administrative provinces called voivodeships, covering an area of . Poland has a population of over 38 million and is the fifth-most populous member state of the European Union. Warsaw is the nation's capital and largest metropolis. Other major cities include Kraków, Wrocław, Łódź, Poznań, Gdańsk, and Szczecin. Poland has a temperate transitional climate and its territory traverses the Central European Plain, extending from Baltic Sea in the north to Sudeten and Carpathian Mountains in the south. The longest Polish river is the Vistula, and Poland's highest point is Mount Rysy, situated in the Tatra mountain range of the Carpathians. The country is bordered by Lithuania and Russia to the northeast, Belarus and Ukraine to the east, Slovakia and the Czech Republic to the south, and Germany to the west. It also shares maritime boundaries with Denmark a ...
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Bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze relief ...
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Bolesław I The Brave
Bolesław I the Brave ; cs, Boleslav Chrabrý; la, Boleslaus I rex Poloniae (17 June 1025), less often known as Bolesław the Great, was Duke of Poland from 992 to 1025, and the first King of Poland in 1025. He was also Duke of Bohemia between 1003 and 1004 as Boleslaus IV. A member of the ancient Piast dynasty, Bolesław was a capable monarch and a strong mediator in Central European affairs. He continued to proselytise Western Christianity among his subjects and raised Poland to the rank of a kingdom, thus becoming the first Polish ruler to hold the title of ''rex'', Latin for king. The son of Mieszko I of Poland by his first wife Dobrawa of Bohemia, Bolesław ruled Lesser Poland already during the final years of Mieszko's reign. When the country became divided in 992, he banished his father's last consort, Oda of Haldensleben, purged his half-brothers along with their adherents and successfully reunified Poland by 995. As a devout Christian, Bolesław supported the mis ...
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Tapestry With The Coats Of Arms Of Poland (White Eagle) And Lithuania (Vytis, Pahonia) And A Figure Of Victory
Tapestry is a form of textile arts, textile art, traditionally Weaving, woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp (weaving), warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically discontinuous; the artisan interlaces each coloured weft back and forth in its own small pattern area. It is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. European tapestries are normally made to be seen only from one side, and often have a plain lining adde ...
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Denar Rys Chrobry1
The dinar () is the principal currency unit in several countries near the Mediterranean Sea, and its historical use is even more widespread. The modern dinar's historical antecedents are the gold dinar and the silver dirham, the main coin of the medieval Islamic empires, first issued in AH 77 (696–697 CE) by Caliph Abd al-Malik ibn Marwan. The word "dinar" derives from the Latin " ''dēnārius''," a silver coin of ancient Rome, which was first minted about c.211 BCE. The English word "dinar" is the transliteration of the Arabic دينار (''dīnār''), which was borrowed via the Syriac ''dīnarā'', itself from the Latin ''dēnārius''. The Kushan Empire introduced a gold coin known as the ''dīnāra'' into India in the 1st century AD; the Gupta Empire and its successors up to the 6th century adopted the coin. The modern gold dinar is a projected bullion gold coin, not issued as official currency by any state. Legal tender Countries currently usi ...
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Gniezno
Gniezno (; german: Gnesen; la, Gnesna) is a city in central-western Poland, about east of Poznań. Its population in 2021 was 66,769, making it the sixth-largest city in the Greater Poland Voivodeship. One of the Piast dynasty's chief cities, it was the first historical capital of Poland in the 10th century and early 11th century, and it was mentioned in 10th-century sources, possibly including the Dagome Iudex, as the capital of Piast Poland. Gniezno is the seat of the Roman Catholic Archdiocese of Gniezno, the country's oldest archdiocese, founded in 1000, and its archbishop is the primate of Poland, making the city the country's ecclesiastical capital. The city is the administrative seat of Gniezno County (''powiat''). Geography Gniezno is one of the historic centers of the Greater Poland region, the cradle of the Polish state. Alike Rome, Gniezno was founded on seven hills, including the , which is the location of the Gniezno Cathedral, and the Panieńskie Hill, which i ...
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Lech, Czech And Rus
Lech, Czech and Rus' (, ) refers to a founding legend of three Slavic brothers who founded three Slavic peoples: the Poles (or Lechites), the Czechs, and the Rus'. The three legendary brothers appear together in the ''Wielkopolska Chronicle'', compiled in the early 14th century. The legend states that the brothers, on a hunting trip, followed different prey and thus travelled (and settled) in different directions: Lech in the northwest, Czech in the west, and Rus' in the northeast. There are multiple versions of the legend, including several regional variants throughout West Slavic, and to lesser extent, other Slavic countries that mention only one or two brothers. The three also figure into the origin myth of South Slavic peoples in some legends. Their stories are often, to some extent as well, used as a myth to understand the eventual foundation of the Polish, Czech and East Slavic states (Kievan Rus'), in accordance with the legend. Polish version In the Polish version o ...
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Flag Of Poland
The national flag of Poland ( pl, flaga Polski) consists of two horizontal stripes of equal width, the upper one white and the lower one red. The two colours are defined in the Polish constitution as the national colours. A variant of the flag with the national coat of arms in the middle of the white fess is legally reserved for official use abroad and at sea. A similar flag with the addition of a white eagle is used as the naval ensign of Poland. White and red were officially adopted as national colours in 1831, although these were associated with Poland since the Middle Ages and were emphasized on royal banners. They are of heraldic origin and derive from the tinctures (colours) of the coats of arms of the two constituent nations of the Polish–Lithuanian Commonwealth (i.e., the White Eagle of Poland, and the Pursuer of the Grand Duchy of Lithuania, a white knight riding a white horse), both on a red shield. Until 1831, Polish soldiers wore cockades of various colour co ...
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Lab Color Space
The CIELAB color space, also referred to as ''L*a*b*'' , is a color space defined by the International Commission on Illumination (abbreviated CIE) in 1976. (Referring to CIELAB as "Lab" without asterisks should be avoided to prevent confusion with Hunter Lab). It expresses color as three values: ''L*'' for perceptual lightness and ''a*'' and ''b*'' for the four unique colors of human vision: red, green, blue and yellow. CIELAB was intended as a perceptually uniform space, where a given numerical change corresponds to a similar perceived change in color. While the LAB space is not truly perceptually uniform, it nevertheless is useful in industry for detecting small differences in color. Like the CIEXYZ space it derives from, CIELAB color space is a device-independent, "standard observer" model. The colors it defines are not relative to any particular device such as a computer monitor or a printer, but instead relate to the CIE standard observer which is an averaging of the ...
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Argent
In heraldry, argent () is the tincture of silver, and belongs to the class of light tinctures called "metals". It is very frequently depicted as white and usually considered interchangeable with it. In engravings and line drawings, regions to be tinctured ''argent'' are either left blank, or indicated with the abbreviation ''ar''. The name derives from Latin ''argentum'', translated as " silver" or "white metal". The word ''argent'' had the same meaning in Old French ''blazon'', whence it passed into the English language. In some historical depictions of coats of arms, a kind of silver leaf was applied to those parts of the device that were argent. Over time, the silver content of these depictions has tarnished and darkened. As a result, it can sometimes be difficult to distinguish regions that were intended as "argent" from those that were " sable". This leaves a false impression that the rule of tincture has been violated in cases where, when applied next to a dark colou ...
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Isosceles Trapezoid
In Euclidean geometry, an isosceles trapezoid (isosceles trapezium in British English) is a convex quadrilateral with a line of symmetry bisecting one pair of opposite sides. It is a special case of a trapezoid. Alternatively, it can be defined as a trapezoid in which both legs and both base angles are of equal measure. Note that a non-rectangular parallelogram is not an isosceles trapezoid because of the second condition, or because it has no line of symmetry. In any isosceles trapezoid, two opposite sides (the bases) are parallel, and the two other sides (the legs) are of equal length (properties shared with the parallelogram). The diagonals are also of equal length. The base angles of an isosceles trapezoid are equal in measure (there are in fact two pairs of equal base angles, where one base angle is the supplementary angle of a base angle at the other base). Special cases Rectangles and squares are usually considered to be special cases of isosceles trapezoids though so ...
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Escutcheon (heraldry)
In heraldry, an escutcheon () is a shield that forms the main or focal element in an achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge within a coat of arms. Escutcheon shapes are derived from actual shields that were used by knights in combat, and thus are varied and developed by region and by era. Since shields have been regarded as military equipment appropriate for men only, British ladies customarily bear their arms upon a lozenge, or diamond-shape, while clergymen and ladies in continental Europe bear their arms upon a cartouche, or oval. Other shapes are also in use, such as the roundel commonly used for arms granted to Aboriginal Canadians by the Canadian Heraldic Authority, or the Nguni shield used in African heraldry (likewise, Christian organisations and Masonic bodies tend to use the same shape, also kno ...
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