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Closed Position
In partner dancing, closed position is a category of positions in which partners hold each other while facing at least approximately toward each other. Closed positions employ either body contact or body support, that is, holding each other is not limited to handhold. If the partners are comfortable with each other and the dance style allows it, body contact increases the connection between the partners. Some dances, such as Balboa and Collegiate Shag are only done in body contact. Routine The most commonly used kind of closed position comes from the waltz, and is very commonly used in ballroom dance. The leader's right hand is on the follower's back (or, rarely, on the left upper arm near the shoulder); its exact placement on the back ranges from the waist to the left shoulder blade. The follower's left hand is on the leader's right shoulder, or the upper arm near the shoulder. The other two hands are clasped together at or near chest or shoulder height. Unlike the ballro ...
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Hambo
The hambo is a traditional dance that originated in Sweden in the late 19th and early 20th centuries. It is a couple dance in time, danced to music played with a strong accent on the first beat and a tempo that varies from moderate to fast (100 to 120 beats per minute). The hambo is a dance with a fixed pattern and tunes almost always have a corresponding eight measure structure. In Sweden, the hambo is in the gammaldans (old-time dance) tradition that, despite the name, arose fairly recently around the beginning of the 20th century. The dance is also danced in North America in the social clubs formed by immigrant Swedes, at International folk dance events and during breaks at contradance venues. Many social waltz groups include the hambo among their regular dances. History One of the potential origins of hambo is the polka-mazurka, a dance with many turns that was popular in Europe during the second half of the 19th century. The term polska-mazurka can also be found in not ...
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Ballroom Dance
Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television. ''Ballroom dance'' may refer, at its widest definition, to almost any recreational dance with a partner. However, with the emergence of dance competition (now known as Dancesport), two principal schools have emerged and the term is used more narrowly to refer to the dances recognized by those schools. * The International School, originally developed in EnglandFranks A.H. 1963. ''Social dance: a short history''. Routledge & Kegan Paul, London. and now regulated by the World Dance CouncilWDC and the World DanceSport FederationWDSF, is most prevalent in Europe. It encompasses two categories, Standard and Latin, each of which consist of five dances—International Waltz, International Tango, International Viennese Waltz, International Slow ...
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Connection (dance)
In partner dancing, connection is a term that refers to physical, non-verbal communication between dancers to facilitate synchronized or coordinated dance movements. Some forms of connection involve "lead/follow" in which one dancer (the "lead") directs the movements of the other dancer (the "follower") by means of non-verbal directions conveyed through a physical connection between the dancers. In other forms, connection involves multiple dancers (more than two) without a distinct leader or follower (e.g. contact improvisation). Connection refers to a host of different techniques in many types of partner dancing, especially (but not exclusively) those that feature significant physical contact between the dancers, including the Argentine Tango, Lindy Hop, Balboa, East Coast Swing, West Coast Swing, Salsa, and other ballroom dances. Other forms of communication, such as visual cues or spoken cues, sometimes aid in connecting with one's partner, but are often used in specific c ...
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Frame (dance)
In ballroom dancing and other dances, frame is the way the dancers' upper bodies are held when in dancing position. In swing dance, swing and blues dances, frame is the body shape and muscle tone maintained by dancers, which allows the lead and follow, leader to communicate dance move, moves to the follower. Ballroom and other dances The frame is the way the dancers hold their hands, arms, shoulders, neck, head and upper torso. A good frame helps with balance and movement and also produces a good appearance of the dance couple. The correct way to hold a frame depends on the particular dance; it is different in Glossary of partner dance terms#International Standard, International Standard, International Latin dance, Latin, social Latin dances such as salsa (dance), salsa, and others. Swing and blues dances The frame provides connection (dance), connection between the dance partners, making lead and follow (dance), leading and following possible. A frame is a stable structural comb ...
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Close Embrace
In partner dances, close embrace is a type of closed position where the leader and follower stand facing each other chest-to-chest in full or partial body contact. The dancers usually stand offset from one another, such that each has their right foot in between the feet of their partner. When in close embrace, the dance is led (and followed) with the whole body, rather than with the arms or with visual cues. Various partner dances make use of this position, most notably Argentine Tango, but also Balboa, Collegiate Shag, Swing Walk, Blues, and others. See also * Closed position In partner dancing, closed position is a category of positions in which partners hold each other while facing at least approximately toward each other. Closed positions employ either body contact or body support, that is, holding each other is ... Partner dance technique {{Dance-stub ...
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Open Position
In partner dancing, open position refers to positions in which partners are connected primarily at the hands as opposed to closer body contact, as in closed position. The connection is through the hands, wrists, and fingers, and relies heavily on frame and the compression and tension of both partners' arms. We Many forms of dancing use the open position. Modern Jive, East Coast Swing, West Coast Swing, Lindy Hop, and Latin are primary examples, but an open position is used in waltz The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the wa ..., country, and other styles at times. Partner dance technique {{dance-stub ...
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Slow Dance
A slow dance is a type of partner dance in which a couple dance slowly. Slow Dance or Slow Dancing may also refer to: Albums * ''Slow Dance'' (Anthony Phillips album), 1990 * ''Slow Dance'' (Jeremy Jay album), 2009 * Slow Dance (Southside Johnny album), 1988 * ''Slow Dancing'' (EP), a 2014 EP by Betty Who * ''Slow Dance'', a 2002 album by Ken Navarro * ''Slow Dance'', a 2019 EP by AJ Mitchell * ''Slow Dancing'', a 1997 album by Tommy Tune Songs * "Slow Dance" (song), a 2009 song by Keri Hilson * "Slow Dance" (Hey Mr. DJ), a 1992 song by R. Kelly and Public Announcement * "Slow Dancing" (Aly & AJ song), 2020 * " Swayin' to the Music (Slow Dancing), first released in 1976 as "Slow Dancing" * "Slow Dance", a song by from the 1946 album '' Frank Sinatra Conducts the Music of Alec Wilder'' * "Slow Dance", a song by Carpenters from the 1989 album ''Lovelines'' * "Slow Dance", a song by Laurence Juber from the 1990 album ''Solo Flight'' * "Slow Dance", a song by Michael Peterso ...
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Busk (corsetry)
A busk (also spelled busque) is a rigid element of a corset at the centre front of the garment. Two types exist, one- and two-part busks. Single-piece busks were used in " stays" and bodices from the sixteenth to early nineteenth centuries and were intended to keep the front of the corset or bodice straight and upright. They were typically made of wood, ivory, or bone A bone is a rigid organ that constitutes part of the skeleton in most vertebrate animals. Bones protect the various other organs of the body, produce red and white blood cells, store minerals, provide structure and support for the body, ... slipped into a pocket and tied in place with a lace called the ''busk point''. These busks were often carved and decorated, or inscribed with messages, and were popular gifts from men to women during courtship. In the middle of the nineteenth century, a new form of busk appeared. It was made of two long pieces of steel, one with loops and the other with posts, that f ...
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Renaissance Dance
Renaissance dances belong to the broad group of historical dances. During the Renaissance period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone. At Court, the formal entertainment would often be followed by many hours of country dances which all present could join in. Dances described as country dances such as Chiarantana or Chiaranzana remained popular over a long period – over two centuries in the case of this dance. A Renaissance dance can be likened to a ball. Knowledge of court dances has survived better than that of country dances as they were collected by dancing masters in manuscripts and later in printed books. The earliest surviving manuscripts that provide detailed dance instructions are from 15th century Italy. The earliest printed dance manuals come from late 16th century France and Italy. The earliest d ...
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Lavolta
The volta (plural: voltas) (Italian: "the turn" or "turning") is an anglicised name for a dance for couples that was popular during the later Renaissance period. This dance was associated with the galliard and done to the same kind of music. Its main figure consisted of a turn and lift in a sort of closed position, which could be done either to the right or to the left. It is also called La volta, Volta, Volte. Spelling variants include la volta and levolto; its name is ''la volte'' in French and ''la volta'' in Italian. It was considered at first to be risque and controversial. Although the dance was known at the court of Elizabeth I, the popular notion (much portrayed in film and television) that Elizabeth and her favourite Lord Robert Dudley regularly performed the volta has been repudiated.Ian Pittaway Description Detailed instructions for voltas were written by Thoinot Arbeau; some brief notes appear in MS Douce 280. (about 1606) These instructions are open to s ...
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Pols
The pols and springar are Norwegian Norwegian, Norwayan, or Norsk may refer to: *Something of, from, or related to Norway, a country in northwestern Europe * Norwegians, both a nation and an ethnic group native to Norway * Demographics of Norway *The Norwegian language, including ... folk dances in 3/4. They are essentially fast versions of the Nordic polska. References Norwegian folk dances Norwegian folk music Dance in Norway {{Music-genre-stub ...
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