Cinéma Du Look
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Cinéma Du Look
Cinéma du look () was a French film movement of the 1980s and 1990s, analysed, for the first time, by French critic Raphaël Bassan in ''La Revue du Cinéma'' issue no. 449, May 1989, in which he classified Luc Besson, Jean-Jacques Beineix and Leos Carax as directors of the "look". Style and origins These directors were said to favor style over substance, spectacle over narrative.Austin, Guy. ''Contemporary French Cinema: An Introduction'', Manchester University Press, 1999, pp. 119–120, 126-128. It referred to films that had a slick, gorgeous visual style and a focus on young, alienated characters who were said to represent the marginalized youth of François Mitterrand's France. Themes that run through many of their films include doomed love affairs, young people more affiliated to peer groups than families, a cynical view of the police, and the use of scenes in the Paris Métro to symbolise an alternative, underground society. The mixture of 'high' culture, such as the ope ...
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New Hollywood
The New Hollywood, also known as American New Wave or Hollywood Renaissance, was a movement in American film history from the mid-1960s to the early 1980s, when a new generation of young filmmakers came to prominence. They influenced the types of film produced, their production and marketing, and the way major studios approached filmmaking. In New Hollywood films, the film director, rather than the studio, took on a key authorial role. The definition of "New Hollywood" varies, depending on the author, with some defining it as a movement and others as a period. The span of the period is also a subject of debate, as well as its integrity, as some authors, such as Thomas Schatz, argue that the New Hollywood consists of several different movements. The films made in this movement are stylistically characterized in that their narrative often deviated from classical norms. After the demise of the studio system and the rise of television, the commercial success of films was diminished. ...
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Rainer Werner Fassbinder
Rainer Werner Fassbinder (; 31 May 1945 – 10 June 1982), sometimes credited as R. W. Fassbinder, was a German filmmaker. He is widely regarded as one of the major figures and catalysts of the New German Cinema movement. Fassbinder's main theme was the exploitability of feelings. His films were deeply rooted in post-war German culture: the aftermath of Nazism, the German economic miracle, and the terror of the Red Army Faction. Other prominent themes in his films include love, friendship, identity and more generally, the throes of interpersonal relationships. His first feature-length film was a gangster movie called '' Love Is Colder Than Death'' (1969); he scored his first domestic commercial success with ''The Merchant of Four Seasons'' (1972) and his first international success with '' Ali: Fear Eats the Soul'' (1974), both of which are considered masterpieces by contemporary critics. Big-budget projects such as '' Despair'' (1978), ''Lili Marleen'' and ''Lola'' (both 1 ...
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Neo-noir
Neo-noir is a revival of film noir, a genre that had originally flourished during the post-World War II era in the United Statesroughly from 1940 to 1960. The French term, ''film noir'', translates literally to English as "black film", indicating sinister stories often presented in a shadowy cinematographic style. Neo-noir has a similar style but with updated themes, content, style, and visual elements. Definition The neologism neo-noir, using the Greek prefix for the word ''new'', is defined by Mark Conard as "any film coming after the classic noir period that contains noir themes and noir sensibility". Another definition describes it as later noir that often synthesizes diverse genres while foregrounding the scaffolding of ''film noir''. History " Film noir" was coined by critic Nino Frank in 1946 and popularized by French critics Raymond Borde and Etienne Chaumeton in 1955. The term revived in general use beginning in the 1980s, with a revival of the style. The classic ''fil ...
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Vulgar Auteurism
Vulgar auteurism is a movement that emerged in early 2010s cinephilia and film criticism associated with championing or reappraising filmmakers, mostly those working in the horror and action genres and whose work has otherwise received little attention or negative reception in the critical mainstream. It became a controversial topic in the cinephile community following the publication of an article in the ''Village Voice'' in 2013 and has been described as "a critical movement committed to assessing the 'unserious' artistry of popcorn cinema with absolute seriousness." Background According to film critic Peter Labuza, vulgar auteurism "seems to have been an unconscious movement before it ever had a name", as the earliest criticism identified as exhibiting "vulgar auteurism" was published in the Canadian film magazine ''Cinema Scope'' in 2006 and 2007. ''Cinema Scope'' writer Andrew Tracy coined the term in his 2009 article, "Vulgar Auteurism: The Case of Michael Mann". Initially pe ...
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Mauvais Sang
''Mauvais Sang'' (, ''Bad Blood''), also known as ''The Night Is Young'', is Leos Carax's second film. Released in 1986, the film played at the 37th Berlin International Film Festival before being nominated for three César Awards and winning the Prix Louis-Delluc. The film sold 504,803 tickets in France. The title refers to Arthur Rimbaud's eponymous poem in ''A Season in Hell''. In the movie, a sexually transmitted disease called STBO is sweeping the country; it spreads by sex without emotional involvement, and most of its victims are young people who have sex out of curiosity rather than commitment. A woman hires two men to steal the serum, which has been locked away in a pharmaceutical company's offices. Plot In the Paris of the not-too-distant future, a mysterious disease, STBO, is killing people who have sex without emotional involvement. A serum has been developed, but it is locked away out of the reach of those who need it. An American woman blackmails two aging crooks, Mar ...
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Boy Meets Girl (1984 Film)
''Boy Meets Girl'' is a 1984 French drama film, written and directed by Leos Carax, starring Denis Lavant and Mireille Perrier. It was Carax's first feature film. The plot follows the relationship between an aspiring filmmaker (Denis Lavant), who has just been left by his lover, and a suicidal young woman (Mireille Perrier), who is also reeling from a failed romance. Plot Alex, a jaded young man in Paris, has been abandoned by his girlfriend Florence for his friend Thomas. He now lives alone in a small room with few possessions. He is soon to enter military service (as revealed in an outrageous telephone conversation with his father). A springtime heat wave exacerbates his restlessness. Mireille and Bernard are a second young couple with a dysfunctional relationship. When Bernard leaves their apartment one night, and then uses the intercom to ask Mireille a favor, they end up having an intimate conversation which is audible to Alex, who happened to be passing in the street. Alex fo ...
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The Professional
A professional is someone who is skilled in a profession. Professional or professionals may also refer to: * Professional sports Music *The Professionals (band), a British punk rock band formed in 1979 * ''The Professionals'' (The Professionals album), a 1980 album by hard rock band The Professionals *The Professionals (Madlib and Oh No album) * ''The Professional'' (album), a 1998 DJ Clue album *''The Professional 2'', a 2000 DJ Clue album *"The Professional" (1988 song), a song by DJ Clue from his 1998 album '' The Professional'' *"The Professional" (2000 song), a song by Sleater-Kinney from their 2000 album ''All Hands on the Bad One'' *"Professional" (2013 song), a song by ''The Weeknd'' from his 2013 album ''Kiss Land'' Film * ''The Professionals'' (1960 film), a British crime thriller * ''The Professionals'' (1966 film), an American western film * ''The Professional'' (1981 film), a French action film * '' Léon: The Professional'', a 1994 French thriller * ''The Profe ...
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Nikita (film)
''La Femme Nikita'', also called ''Nikita'' in France, is a 1990 action thriller film written and directed by Luc Besson. The film stars Anne Parillaud as the title character, a teen criminal who is convicted and sentenced to life imprisonment for murdering policemen during an armed pharmacy robbery. Her government handlers fake her death and recruit her as a professional assassin. After intense training, she starts a career as a killer, where she struggles to balance her work with her personal life. She shows talent at this and her career progresses until a mission in an embassy goes awry. ''Nikita'' was commercially successful, but received mixed reviews from critics. It was remade as ''Black Cat'' (1991) in Hong Kong and ''Point of No Return'' (1993) in Hollywood. Two television series were produced based on the film, '' La Femme Nikita'' (1997–2001) and ''Nikita'' (2010–2013). Plot Nikita is a nihilistic teenage junkie who commits her life to anarchy, drugs and violence ...
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The Big Blue
''The Big Blue'' (released in some countries under the French title ''Le Grand Bleu'') is a 1988 film in the French '' Cinéma du look'' visual style, made by French director Luc Besson. It is a heavily fictionalized and dramatized story of the friendship and sporting rivalry between two leading contemporary champion free divers in the 20th century: Jacques Mayol (played by Jean-Marc Barr) and Enzo Maiorca (renamed "Enzo Molinari" and played by Jean Reno), and Mayol's fictionalized relationship with his girlfriend Johana Baker (played by Rosanna Arquette). The film became one of France's most commercially successful films (although an adaptation for US release was a commercial failure in that country). French President Jacques Chirac referred to the film in describing Mayol, after his death in 2001, as an enduring symbol for the "Big Blue" generation. The story was heavily adapted for cinema. In real life, Mayol lived from 1927 to 2001 and Maiorca retired from diving to pol ...
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Betty Blue
''Betty Blue'' (french: 37°2 le matin, lit=37.2°C in the morning) is a 1986 French erotic psychological drama film directed by Jean-Jacques Beineix, based on the 1985 novel ''37°2 le matin'' by Philippe Djian. The film stars Béatrice Dalle and Jean-Hugues Anglade. It was the eighth highest-grossing film of 1986 in France. The film received both a BAFTA and Oscar nomination for Best Foreign Language Film in 1986. Plot Zorg (Jean-Hugues Anglade) is a thirty-something aspiring writer making a living as a handyman for a community of beach houses in the seaside resort at Gruissan on France's mediterranean coast. He meets 19-year-old Betty ( Béatrice Dalle), a volatile and impulsive young woman, and the two begin a passionate affair, living in his borrowed shack on the beach. Following a row with him where she tears apart and smashes up the house, she finds the manuscript of his first novel; she reads it in one long sitting and decides that he is a genius. However, after anot ...
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Moon In The Gutter
''The Moon in the Gutter'' (french: La Lune dans le caniveau) is a 1983 French drama film directed by Jean-Jacques Beineix. It was entered into the 1983 Cannes Film Festival. Although it immediately followed Beineix's big, commercial success ''Diva'' and featured two very big stars, Gérard Depardieu and Nastassja Kinski, ''The Moon in the Gutter'' was not well received by critics or audiences and failed at the box office with only 625,000 admissions in France. Its vivid visual style was noted by critics. It preceded a much better-appreciated cult success from the same director, known in the U.S. and UK as '' Betty Blue''. The film was based on a 1953 pulp-noir novel of the same name, written by David Goodis, but it was transferred in the film script from the docksides of Philadelphia to Marseille. ''La Lune dans le caniveau'', according to AllMovie, "received uneven reviews on its initial release". It won a French Cesar Award for its production design. Synopsis Two women: Lor ...
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Raphael Bassan
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was st ...
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