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Chutney-soca
In Trinidad and Tobago, Guyana, and Suriname, chutney soca music is a crossover style of music incorporating soca and calypso elements and English, Hindustani, and Hinglish lyrics, chutney music, with Western instruments such as the guitar, piano, drum set, and Indian instruments such as the dholak, harmonium, tabla, and dhantal. The term chutney soca was first coined by Drupatee Ramgoonai of Trinidad and Tobago in 1987 in her first album entitled ''Chutney Soca'', with a mix of Trinidadian English and Trinidadian Hindustani versions of the songs. The current style of spelling of the term was not established then and she spelt it as "Chatnee Soca". The following year her hit "Roll up de Tassa" was instrumental in creating a commercial market for this type of music internationally. Drupatee has spoken about the blending of Afro and Indo melodies and rhythms in songs such as "Chatnee Soca" and "Hotter than ah Chulha". Chutney is a melody and soca is a beat. Drupatee used an an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinidad And Tobago
Trinidad and Tobago (, ), officially the Republic of Trinidad and Tobago, is the southernmost island country in the Caribbean. Consisting of the main islands Trinidad and Tobago, and numerous much smaller islands, it is situated south of Grenada and off the coast of northeastern Venezuela. It shares maritime boundaries with Barbados to the northeast, Grenada to the northwest and Venezuela to the south and west. Trinidad and Tobago is generally considered to be part of the West Indies. The island country's capital is Port of Spain, while its largest and most populous city is San Fernando. The island of Trinidad was inhabited for centuries by Indigenous peoples before becoming a colony in the Spanish Empire, following the arrival of Christopher Columbus, in 1498. Spanish governor José María Chacón surrendered the island to a British fleet under the command of Sir Ralph Abercromby in 1797. Trinidad and Tobago were ceded to Britain in 1802 under the Treaty of Amiens as se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dholak
The ''dholak'' is a two-headed hand drum, a folk percussion instrument. The instrument is about 45 cm in length and 27 cm in breadth and is widely used in ''qawwali'', '' kirtan'', '' lavani'' and '' bhangra''. The drum has two different sized drumheads. The smaller drumhead is made of goat skin for sharp notes while the bigger drumhead is made of buffalo skin for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak is made of sheesham or mango wood. The larger membrane has a compound (Syahi) applied which helps to lower the pitch and produce the sound. The smaller drumhead is played with the left hand which produces a high pitch. A cotton rope lacing and screw-turnbuckle are used to release tension while playing. Steel rings/pegs are twisted inside the laces to attain fine tuning. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dholak
The ''dholak'' is a two-headed hand drum, a folk percussion instrument. The instrument is about 45 cm in length and 27 cm in breadth and is widely used in ''qawwali'', '' kirtan'', '' lavani'' and '' bhangra''. The drum has two different sized drumheads. The smaller drumhead is made of goat skin for sharp notes while the bigger drumhead is made of buffalo skin for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak is made of sheesham or mango wood. The larger membrane has a compound (Syahi) applied which helps to lower the pitch and produce the sound. The smaller drumhead is played with the left hand which produces a high pitch. A cotton rope lacing and screw-turnbuckle are used to release tension while playing. Steel rings/pegs are twisted inside the laces to attain fine tuning. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soca Music
Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelt "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelt "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of Calypso/Kaiso, with influences from East Indian rhythms and hooks. Soca has evolved since the 1980s primarily through musicians from various Anglophone Caribbean count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Trinidad And Tobago
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments. MusicTT was established in 2014 to facilitate the business development and export activity of the music industry in Trinidad and Tobago. History The Cedula of Population of 1783 laid the foundation and growth of the population of Trinidad. The island's Spanish possessors contributed little towards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhantal
The dhantal (dandtal) is a long steel rod based percussion instrument (sounding similar to the triangle), which was adapted from the iron "bows" that yoked the oxen that pulled the carts on the estates in Guyana, Suriname, Jamaica, Trinidad and Tobago, other parts of the Caribbean, Fiji, Mauritius, and South Africa. The original beater was an actual horseshoe, a shape which is still retained in the dhantal's modern context as a musical instrument. Its top may be blunt or tapered to a fine point to allow for greater resonance, and its end is shaped into a circle that rests on the ground, table, or other surface when it is played. It is usually about a meter long and 3/8" to 1/2" thick. History The dhantal (also called the dhandataal) is of Indian origin, but most commonly found in the Caribbean and Fiji. The instrument was brought to the Caribbean and to the Fiji Islands by indentured laborers from India. The instrument's name literally means "stick percussion" from ''danda'', "st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
Chutney Music
Chutney music is a fusion genre of Indian folk music, specifically Bhojpuri folk music, with local Caribbean calypso and soca music, and later on Bollywood music. This genre of music that developed in Trinidad and Tobago is popular in Trinidad and Tobago, Guyana, Suriname, Jamaica, other parts of the Caribbean, Fiji, Mauritius, and South Africa. Chutney music emerged mid-20th century and reached a peak of popularity during the 1980s. Several sub-genres have developed. History This contemporary fusion of genres was created by Indo-Caribbean people whose ancestors were from the Hindi Belt. They were taken as indentured laborers by the British to replace slave laborers on sugar plantations after emancipation. Chutney music was established in the 1940s within temples, wedding houses, and cane fields of the Indo-Caribbean. There were no recordings until 1968, when Ramdew Chaitoe of Suriname, a small country in South America, recorded an early rendition of chutney music. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hinglish
Hinglish, a portmanteau of Hindi and English, is the macaronic hybrid use of English and languages of the Indian subcontinent, and especially Hindi. It involves code-switching or translanguaging between these languages whereby they are freely interchanged within a sentence or between sentences. Hinglish can also refer to Romanized Hindi: Hindi written in Latin script (instead of the traditional Devanagari), often also mixed with English words or phrases. The word ''Hinglish'' was first recorded in 1967.Lambert, James. 2018. A multitude of ‘lishes’: The nomenclature of hybridity. ''English World-wide'', 39(1): 25. Other colloquial portmanteau words for Hindi-influenced English include: ''Hindish'' (recorded from 1972), ''Hindlish'' (1985), ''Henglish'' (1993) and ''Hinlish'' (2013). While the name is based on the Hindi language, it does not refer exclusively to Hindi, but "is used in India, with English words blending with Punjabi, Gujarati, Marathi and Hindi, and also in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caribbean Hindustani
Caribbean Hindustani is an Indo-Aryan language spoken by Indo-Caribbeans and the Indo-Caribbean diaspora. It is mainly based on the Bhojpuri and Awadhi dialects. These Hindustani dialects were the most spoken dialects by the Indians who came as immigrants to the Caribbean from India as indentured laborers. It is closely related to Fiji Hindi and the Bhojpuri-Hindustani spoken in Mauritius and South Africa. Because a majority of people came from the Bhojpur region in Bihar, Uttar Pradesh and Jharkhand, and the Awadh region in Uttar Pradesh, Caribbean Hindustani is most influenced by Bhojpuri, Awadhi and other Eastern Hindi- Bihari dialects. Hindustani ( Standard Hindi-Standard Urdu) has also influenced the language due to the arrival of Bollywood films, music, and other media from India. It also has a minor influence from Tamil and other Dravidian languages. The language has also borrowed many words from Dutch and English in Suriname and Guyana, and English and French in Tri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Language
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calypso Music
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to the mid-19th century and spread to the rest of the Caribbean Antilles and Venezuela by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century. It is characterized by highly rhythmic and harmonic vocals, and was historically most often sung in a French creole and led by a griot. As calypso developed, the role of the griot became known as a ''chantuelle'' and eventually, ''calypsonian''. As English replaced "patois" (Antillean creole) as the dominant language, calypso migrated into English, and in so doing it attracted more attention from the government. It allowed the masses to challenge the doings of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain and San Fernando. Calypso continued to play an important role in politic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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