Chorale Preludes By Johann Pachelbel
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Chorale Preludes By Johann Pachelbel
Approximately 530 compositions have been attributed to Johann Pachelbel. , no standard numbering system exists for Pachelbel's work. This article presents a thematically organized list and provides catalogue numbers from three different catalogues: * P = catalogue by Jean M. Perreault, 2001 * T = catalogue by Hideo Tsukamoto, 2002available online (archive from 18 October 2014)* PC = catalogue by Kathryn J. Welter, 1998 For organ works, POP catalogue numbers are provided, from catalogue by Antoine Bouchard for his 1998–2001 recording of Pachelbel's organ oeuvre (this catalogue only covers organ works). Perreault numbers are used as the basis of the list, making individual sections organized alphabetically (i.e. the chorales) and/or by tonality. Because the Welter catalogue does not provide incipits, many of the works with identical titles will share a single PC number (which is in such cases denoted by a question mark). The following symbols are used: * * denotes that the ascr ...
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Allein Zu Dir, Herr Jesu Christ
Konrad Hubert, also Konrad Huber, Konrad Huober, or Konrad Humbert (1507 – 13 April 1577), was a German Reformed theologian, hymn writer and reformer. He was for 18 years the assistant of Martin Bucer at St. Thomas, Strasbourg. Life Hubert was born in Bergzabern. He attended a school in Heidelberg from 1519. From 1526, he studied in Basel. He stayed with Johannes Oecolampadius who influenced him. He had the chance to meet numerous people with whom he corresponded later, including Johannes Oporinus, Thomas Plater and Johann Gast. After the battle at Kappel am Albis, Oecolampadius recommended him to his friend Martin Bucer who accepted him as his assistant (diaconus) in Strasbourg at St. Thomas. When Bucer was on his frequent travels, Hubert stepped in for him. Hubert worked for Bucer dutifully for 18 years. It was part of his job to make Bucer's ideas and concepts readable, because Bucer's handwriting was difficult to read. When Bucer left his post in 1549 and fled to England, ...
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Erhalt Uns, Herr, Bei Deinem Wort
"" ("Keep us, Lord, faithful to your word" or "Lord, keep us in Thy Word and Work") is a Lutheran hymn by Martin Luther with additional stanzas by Justus Jonas, first published in 1542. It was used in several musical settings, including the chorale cantata by Johann Sebastian Bach, ''Erhalt uns, Herr, bei deinem Wort'', BWV 126. History Luther wrote the hymn probably in 1541 when a prayer service was held in Wittenberg against the perceived danger of the Turks when Ferdinand of Austria lost most of Hungary to the Ottoman Empire at Siege of Buda. The second line of the first verse reads "und steur' des Papsts und Türken Mord" (And control the murder by the Pope and Turks). Luther may have contributed the hymn for a boys' choir. It was published as a broadsheet in 1542. In Klug's hymnal ''Geistliche Lieder'' it was titled a "A hymn for the children to sing against the two arch-enemies of Christ, and His Holy Church, the Pope and the Turks" ("Ein Kinderlied, zu singen wider die ...
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Ein Feste Burg Ist Unser Gott
"A Mighty Fortress Is Our God" (originally written in the German language with the title ) is one of the best known hymns by the Protestant Reformers, Protestant Reformer Martin Luther, a prolific hymnwriter. Luther wrote the words and composed the hymn tune between 1527 and 1529.John D. Julian, Julian, John, ed., ''A Dictionary of Hymnology: Setting forth the Origin and History of Christian Hymns of All Ages and Nations'', Second revised edition, 2 vols., n.p., 1907, reprint, New York: Dover Publications, Inc., 1957, 1:322–25 It has been translated into English at least seventy times and also into many other languages. The words are mostly original, although the first line paraphrases that of Psalm 46.Marilyn Kay Stulken, ''Hymnal Companion to the Lutheran Book of Worship'' (Philadelphia: Fortress Press, 1981), 307–08, nos. 228–229. History "A Mighty Fortress" is one of the best known hymns of the Lutheran tradition, and among Protestantism, Protestants more generally. I ...
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Johann Peter Heuschkel
Johann Peter Heuschkel (4 January 1773 – 5 December 1853) was a German oboist, organist, music teacher and composer. Heuschkel was born in Harras near Eisfeld. From 1792 he was oboist and later also organist in Hildburghausen. He is best remembered for being the teacher of Carl Maria von Weber Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, ... (1796). He also taught music to the children of Duke Frederic. In 1818 he became court music teacher at Biebrich, where in later years he taught his grandson Wilhelm Dilthey. As a composer, Heuschkel wrote mostly wind music, oboe concertos, piano sonatas, and songs. He died, aged 80, in Biebrich. References External linksBiography at Verlag Dohr(German) * 1773 births 1853 deaths German composers German classical oboists Male oboi ...
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Nicolaus Vetter
Andreas Nicolaus Vetter (; October 1666 – 13 June 1734) was a German organist and composer. Biography He was born in Herschdorf, in present-day Thuringia. In his ''Zur Geschichte des Orgelspiels'' (1884), August Gottfried Ritter gives 30, Oct. 1660 as birth date, and "nach 1740" as time of death. Vetter first studied music with Georg Caspar Wecker in Nuremberg and was a student at the Rudolstadt Gymnasium from 1683 to 1688. He then moved to Erfurt to study with Johann Pachelbel, succeeding him as organist of the Predigerkirche when he left for Stuttgart in 1690; during this time, he may have attended the University of Erfurt. He was succeeded by J.H. Buttstedt in July 1691, when he went to Rudolstadt to take up a position as castle organist; he was later honoured with the appointments of Government Advocate, Church Procurator and Master Over The Page Boys. His surviving compositions are now few, since World War II led to the destruction of all his free organ compositions and ...
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Christe, Du Lamm Gottes
"" (lit. "Christ, you Lamb of God") is a Lutheran hymn, often referred to as the German Agnus Dei. Martin Luther wrote the words of the hymn as a translation of the Latin Agnus Dei from the liturgy of the mass. The tune, Zahn 58, was taken from an older liturgy. The hymn was first published in 1528 and has been the basis for several musical settings by composers such as Bach, Mendelssohn and Hessenberg. It appears in modern German hymnals, both the Protestant '' Evangelisches Gesangbuch'' (EG 190:2) and the Catholic ''Gotteslob'' (GL 208). Background and usage When Luther began the Reformation, he wanted to keep most of the order of the mass but to have it performed in German. In 1526, he published ''Deutsche Messe'' as a German language alternative to the Catholic liturgy. Before this publication, his liturgy was first used in the Advent of 1525. The document contains several German hymns, rather than using a German translation of the Credo and Agnus Dei from the Latin lit ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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Christ Unser Herr Zum Jordan Kam
"" ("Christ our Lord came to the Jordan") is a Lutheran hymn about baptism by Martin Luther, written in 1541 and published in 1543. It has been set in many musical compositions, including cantatas and chorale preludes by Johann Sebastian Bach. History of the hymn text Luther wrote the hymn focused on baptism as part of his teaching about Lutheran concepts, possibly as the last hymn he wrote. Luther held sermons about baptism in the Easter week of 1540; it seems likely that he wrote the hymn in that context. It is closely connected to Luther's teaching about baptism in his Small Catechism, reflecting the structure of his questions and answers. Several later publications refer to the year 1541 as a first publication as a broadsheet, which did not survive. The hymn appeared in 1543, summarized "A Spiritual Song of our Holy Baptism, which is a fine summary of What it is? Who established it? What are its benefits?" (""). In the Lutheran liturgy, the hymn was related to the feast day ...
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Heinrich Bach
Heinrich Bach ( – ) was a German organist, composer and a member of the Bach family. Heinrich Bach was born at Wechmar, and is the father of the so-called Arnstadt Line. After the early death of his father, his older brother Johannes Bach continued his music education and taught him organ playing. They moved to Suhl and Schweinfurt. From 1635 to 1641, he was ''Ratsmusikant'' in the Erfurt Ratsmusikanten-Compagnie led by Johannes. From 1641, he became organist in Arnstadt's St. Mary's Church and the Upper Church, a post he kept until his death. In 1642, he married Eva Hoffmann, the younger daughter of Suhl Stadtpfeiffer Hoffmann. Bach died in Arnstadt. Three of his sons, Johann Christoph Bach, Johann Michael Bach and Johann Günther Bach, were musicians. Works Only a few of his works have been preserved: *Cantata '' Ich danke dir, Gott'', a church cantata for the 17th Sunday after Trinity conserved in the Altbachisches Archiv *''Ach, dass ich Wassers gnug hätte'' Vocal Conce ...
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Christ Lag In Todesbanden
"" (also ""; "Christ lay in death's bonds") is an Easter hymn by Martin Luther. Its melody is by Luther and Johann Walter. Both the text and the melody were based on earlier examples. It was published in 1524 in the Erfurt ''Enchiridion'' and in Walter's choral hymnal . Various composers, including Pachelbel, Bach and Telemann, have used the hymn in their compositions. Text and melody In early editions the hymn, in seven stanzas, was indicated as an improved (German: ') version of "Christ ist erstanden". The hymn is in bar form. The , that is the repeated first part of the melody, sets two lines of text for each repetition, with the remaining four lines of each stanza set to the remainder of the melody. Text The hymn celebrates the Resurrection of Jesus, with particular reference to a struggle between Life and Death. The third verse quotes from 1 Corinthians 15, saying that Christ's Atonement for sin has removed the "sting" of Death. The fifth verse compares the sacrifice with t ...
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Aus Tiefer Not Schrei Ich Zu Dir
"" (From deep affliction I cry out to you), originally "", later also "", is a Lutheran hymn of 1524, with words written by Martin Luther as a paraphrase of Psalm 130. It was first published in 1524 as one of eight songs in the first Lutheran hymnal, the , which contained four songs by Luther, three by Paul Speratus, and one by Justus Jonas, and also appeared the same year in the Erfurt ''Enchiridion''. It is part of many hymnals, also in translations. The text inspired vocal and organ music from the Renaissance to contemporary, including composers such as Johann Sebastian Bach, who based a chorale cantata on it, Felix Mendelssohn and Max Reger. History and text Luther paraphrased Psalm 130 as his first attempt to make the psalms accessible to Protestant church services in German. He transformed, likely in 1523, the Latin penitential psalm into a hymn.Gerhard Hahn (ed.)299 Aus tiefer Not schrei ich zu dirLiederkunde zum Evangelischen Gesangbuch (in German), Vandenhoeck & Rupr ...
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