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Chime (bell Instrument)
A chime () or set of chimes is a carillon-like instrument, i.e. a pitched percussion idiophone consisting of 22 or fewer cast bronze bells. Chimes are primarily played with a keyboard, but can also be played with an Ellacombe apparatus. Chimes are often automated, in the past with mechanical drums connected to clocks and in the present with electronic action. Bellfounders often did not attempt to tune chime bells to the same precision as carillon bells. Chimes are defined as specifically having fewer than 23 bells to distinguish them from the carillon. American chimes usually have one to one and a half diatonic octaves. According to a recent count, there are over 1,300 existing chimes throughout the world. Almost all are in the Netherlands and the United States, with most of the remainder in Western European countries. Etymology The word ''chime'' dates back to the 14th-century Middle English word , meaning ' cymbal'. It probably originates from the Old French or directly fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McShane Eight Bell Chime In Its Frame
McShane may refer to: * McShane (name) * McShane Bell Foundry, church bell manufacturer, located in Glen Burnie, Maryland, USA See also * McShane's identity, geometric topology * Shane (other) * MacShane MacShane is a patronymic surname originating in Ireland. The surname evolved from the given name ''Shane'', a derivative of ''John'', of Hebrew origin. Early records spelled the name ''Mac Seáin'' or ''Mac Seagháin''. Historically, the MacShanes ... * O'Shane {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B♭ (musical Note)
B (B-flat) is the eleventh step of the Western chromatic scale (starting from C). It lies a diatonic semitone above A and a chromatic semitone below B, thus being enharmonic to A, even though in some musical tunings, B will have a different sounding pitch than A. B-flat is also enharmonic to C (C-double flat). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the B above middle C is approximately 466.164 Hz. See pitch (music) for a discussion of historical variations in frequency. While orchestras tune to an A provided by the oboist, wind ensembles usually tune to a B-flat provided by a tuba, horn, or clarinet. In Germany, Russia, Poland and Scandinavia, this pitch is designated B, with 'H' used to designate the B-natural. Since the 1990s, B-flat is often denoted Bb or "Bess" instead of B in Swedish music textbooks. Natural B is called B by Swedish jazz and pop musicians, but still denoted H in classical music. See B (mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Scale
In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale. This pattern ensures that, in a diatonic scale spanning more than one octave, all the half steps are Maximal evenness, maximally separated from each other (i.e. separated by at least two whole steps). The seven pitch (music), pitches of any diatonic scale can also be obtained by using a Interval cycle, chain of six perfect fifths. For instance, the seven natural (music), natural pitch classes that form the C-major scale can be obtained from a stack of perfect fifths starting from F: :F–C–G–D–A–E–B Any sequence of seven successive natural notes, such as C–D–E–F–G–A–B, and any Transposition (music), transposition thereof, is a diatonic scale. Modern musical keyboards are des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NewMusicBox
''NewMusicBox'' is an e-zine launched by the American Music Center on May 1, 1999. The magazine includes interviews and articles concerning American contemporary music, composers, improvisers, and musicians. A few interviews include renowned American composers: John Luther Adams, Milton Babbitt, Steve Reich, John Eaton (composer), John Eaton, Annea Lockwood, Frederic Rzewski, George Crumb, Meredith Monk, Elliott Carter, La Monte Young, David Del Tredici, Terry Riley, Tod Machover, Alvin Lucier, Pauline Oliveros, and Peter Schickele. In 1999, ''NewMusicBox'' was awarded ASCAP's Deems Taylor Award. This was the first time an Internet site was awarded the prize. Since inception, founding editor Frank J. Oteri and contributing writers, have received several awards for their articles on ''NewMusicBox''. In March 2000, San Francisco Chronicle's Joshua Kosman hailed ''NewMusicBox'' as, "The Web's smartest and snazziest resource for news, features, reviews and interviews on contemporar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Range (music)
In music, the range, or chromatic range, of a musical instrument is the distance from the lowest to the highest pitch it can play. For a singing voice, the equivalent is vocal range. The range of a musical part is the distance between its lowest and highest note. Compass Among British English speakers, and perhaps others, compass means the same thing as chromatic range—the interval between the lowest and highest note attainable by a voice or musical instrument. Other ranges The terms sounding range, written range, designated range, duration range and dynamic range have specific meanings. The sounding range"Music theory online : musical instrument ranges & names", Brian Blood, Dolmetsch.com, 2009, webpage: Dolmetsch-M29 refers to the pitches produced by an instrument, while the written range refers to the compass (span) of notes written in the sheet music, where the part is sometimes transposed for convenience. A piccolo, for example, typically has a sounding range one oct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonically
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony (melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overtones
An overtone is any resonant frequency above the fundamental frequency of a sound. (An overtone may or may not be a harmonic) In other words, overtones are all pitches higher than the lowest pitch within an individual sound; the fundamental is the lowest pitch. While the fundamental is usually heard most prominently, overtones are actually present in any pitch except a true sine wave. The relative volume or amplitude of various overtone partials is one of the key identifying features of timbre, or the individual characteristic of a sound. Using the model of Fourier analysis, the fundamental and the overtones together are called partials. Harmonics, or more precisely, harmonic partials, are partials whose frequencies are numerical integer multiples of the fundamental (including the fundamental, which is 1 times itself). These overlapping terms are variously used when discussing the acoustic behavior of musical instruments. Alexander J. Ellis (translating Hermann von Helmholtz) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Bronze
Bell metal or bell bronze is an alloy used for making bells and related instruments, such as cymbals. It is a form of bronze with a higher tin content, usually in approximately a 4:1 ratio of copper to tin (typically, 78% copper, 22% tin by mass). The higher tin content increases the rigidity of the metal, and increases the resonance. Historically, it was preferred for early cannons. Today, it also has industrial uses, being specified for valve bodies, piston rings, bearings, and bushings. Metallurgy Tin and copper are relatively soft metals that will deform on striking (though tin to a lesser extent than copper), but alloying creates a metal which is harder and less ductile and also one with more elasticity than either of the two metals. This metal combination produces a tough, long-wearing material that is resistant to oxidation and subject only to an initial surface weathering. Verdigris forms a protective patina on the surface of bells which coats it against further oxidat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guild Of Carillonneurs In North America
The Guild of Carillonneurs in North America (GCNA) is a professional association of carillonneurs in North America, dedicated to the advancement of the art, literature, and science of the carillon. It was founded in Ottawa, Canada, in 1936 by American and Canadian carillonneurs so that they could keep better contact and develop the musicality of the instrument. It publishes sheet music, two periodicals, and instrument design standards; holds an annual congress for members to share ideas and developments; administers music examinations for its members; and offers grants for various activities concerning the carillon. Activities Annual congress The GCNA hosts an annual congress in which attendees can listen to recitals, attend workshops, participate in business meetings, and socialize. It has been hosted annually since 1946, with sporadic scheduling in the years before. The 2020 congress was canceled and the 2021 congress made virtual due to the COVID-19 pandemic. The gatherings h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Westminster Quarters
The Westminster Quarters, from its use at the Palace of Westminster, is a melody used by a set of four quarter bells to mark each quarter-hour. It is also known as the Westminster Chimes, Cambridge Quarters or Cambridge Chimes from its place of origin, the Church of St Mary the Great, Cambridge. Description The Westminster Quarters are sounded by four quarter bells hung next to Big Ben in the Elizabeth Tower belfry in the Palace of Westminster. These are: The quarters consist of five changes, combinations of the four pitches provided by these quarter bells ( G4, F4, E4, B3) in the key E major. This generates five unique changes as follows: # G4, F4, E4, B3 # E4, G4, F4, B3 # E4, F4, G4, E4 # G4, E4, F4, B3 # B3, F4, G4, E4 Each of the five changes is played as three crotchets (quarter note) and a minim (half note) and are always played in the sequence 1, 2, 3, 4, 5. This sequence of five changes is used twice every hour as follows: :First quarter, change 1. :Half hou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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