Chariot Clock
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Chariot Clock
A chariot clock is a type of mantel/table figural clock in the form of a chariot whose dial is set into the wheel or elsewhere, its origins date back to the second half of the 16th century southern Germany. Normally of classical mythology subject matter, it has been made in different periods and styles such as Renaissance, Louis XV, Louis XVI, Empire, Napoleon III, Art Deco, etc. History Origins: 16th century In the historical context of the Renaissance, the so-called chariot clocks born in South Germany, a centre for clockmaking in Europe that flourished between 1550–1650, the leading cities being Augsburg, Nuremberg and Munich. They were self-moving four-wheeled tabletop clocks that included automata figurines and some a musical movement too. The German examples have not the dial inserted in the wheel, but in the seat or some other place. Most of them were fabricated in Augsburg, although several existing clocks cannot be located due to the lack of inscriptions or hallma ...
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Car Of History
A car or automobile is a motor vehicle with Wheel, wheels. Most definitions of ''cars'' say that they run primarily on roads, Car seat, seat one to eight people, have four wheels, and mainly transport private transport#Personal transport, people instead of cargo, goods. The year 1886 is regarded as the birth year of the car, when German inventor Carl Benz patented his Benz Patent-Motorwagen. Cars became widely available during the 20th century. One of the first cars affordable by the masses was the 1908 Ford Model T, Model T, an American car manufactured by the Ford Motor Company. Cars were rapidly adopted in the US, where they replaced Draft animal, animal-drawn carriages and carts. In Europe and other parts of the world, demand for automobiles did not increase until after World War II. The car is considered an essential part of the Developed country, developed economy. Cars have controls for driving, parking, passenger comfort, and a variety of lights. Over the decades, a ...
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Ancien Régime
''Ancien'' may refer to * the French word for "ancient, old" ** Société des anciens textes français * the French for "former, senior" ** Virelai ancien ** Ancien Régime ** Ancien Régime in France {{disambig ...
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Decorative Arts
] The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. The decorative arts are often categorized in distinction to the " fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-Renaissance art of the West, where the distinction is for the most part meaningful. This distinction is much less meani ...
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Clock Designs
A clock or a timepiece is a device used to measure and indicate time. The clock is one of the oldest human inventions, meeting the need to measure intervals of time shorter than the natural units such as the day, the lunar month and the year. Devices operating on several physical processes have been used over the millennia. Some predecessors to the modern clock may be considered as "clocks" that are based on movement in nature: A sundial shows the time by displaying the position of a shadow on a flat surface. There is a range of duration timers, a well-known example being the hourglass. Water clocks, along with the sundials, are possibly the oldest time-measuring instruments. A major advance occurred with the invention of the verge escapement, which made possible the first mechanical clocks around 1300 in Europe, which kept time with oscillating timekeepers like balance wheels., pp. 103–104., p. 31. Traditionally, in horology, the term ''clock'' was used for a stri ...
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Classical Antiquity In Modern Art And Culture
Classical may refer to: European antiquity * Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea * Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity * Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures *Classics, study of the language and culture of classical antiquity, particularly its literature * Classicism, a high regard for classical antiquity in the arts Music and arts * Classical ballet, the most formal of the ballet styles *Classical music, a variety of Western musical styles from the 9th century to the present *Classical guitar, a common type of acoustic guitar * Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 * Classical Indian dance, various codified art forms whos ...
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Faience
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery. The invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding was required to achieve this result, the result of millennia of refined pottery-making traditions. The term is now used for a wide variety of pottery from several parts of the world, including many types of European painted wares, often produced as cheaper versions of porcelain styles. English generally uses various other terms for well-known sub-types of faience. Italian tin-glazed earthenware, at least the early forms, is called maiolica in English, Dutch wares are called Delftware, and their English equivalents English delftware, leaving "faience" as the normal te ...
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Art Deco
Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the United States and Europe during the 1920s and 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners. It got its name after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. Art Deco combined modern styles with fine craftsmanship and rich materials. During its heyday, it represented luxury, glamour, exuberance, and faith in socia ...
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Napoleon III Style
Second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts, which uses elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights. It flourished during the reign of Emperor Napoleon III in France (1852–1871) and had an important influence on architecture and decoration in the rest of Europe and North America. Major examples of the style include the Opéra Garnier (1862–1871) in Paris by Charles Garnier, the Bibliothèque nationale de France, the Church of Saint Augustine (1860–1871), and the Philadelphia City Hall (1871–1901). The architectural style was closely connected with Haussmann's renovation of Paris carried out during the Second Empire; the new buildings, such as the Opéra, were intended as the focal points of the new boulevards. Characteristics The Napoleon III or Second Empire style took its inspiration from ...
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Château De Malmaison
The Château de Malmaison () is a French château situated near the left bank of the Seine, about west of the centre of Paris, in the commune of Rueil-Malmaison. Formerly the residence of Empress Joséphine de Beauharnais, along with the Tuileries it was the headquarters of the French government from 1800 to 1802, and Napoleon's last residence in France at the end of the Hundred Days in 1815. History Joséphine de Beauharnais bought the manor house in April 1799 for herself and her husband, General Napoléon Bonaparte, the future Napoléon I of France, at that time away fighting the Egyptian Campaign. Malmaison was a run-down estate, seven miles (12 km) west of central Paris that encompassed nearly of woods and meadows. Upon his return, Bonaparte expressed fury at Joséphine for purchasing such an expensive house with the money she had expected him to bring back from the Egyptian campaign. The house, for which she had paid well over 300,000 francs, needed extensive reno ...
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French Consulate
The Consulate (french: Le Consulat) was the top-level Government of France from the fall of the Directory in the coup of 18 Brumaire on 10 November 1799 until the start of the Napoleonic Empire on 18 May 1804. By extension, the term ''The Consulate'' also refers to this period of French history. During this period, Napoleon Bonaparte, as First Consul (), established himself as the head of a more authoritarian, autocratic, and centralized republican government in France while not declaring himself sole ruler. Due to the long-lasting institutions established during these years, Robert B. Holtman has called the Consulate "one of the most important periods of all French history." Napoleon brought authoritarian personal rule which has been viewed as military dictatorship. Fall of the Directory government French military disasters in 1798 and 1799 had shaken the Directory, and eventually shattered it in November 1799. Historians sometimes date the start of the political dow ...
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French Empire Mantel Clock
A French Empire-style mantel clock is a type of elaborately decorated mantel clock that was made in France during the Napoleonic Empire (1804–1814/15). Timekeepers manufacturing during the Bourbon Restoration (1814/1815–1830) are also included within this art movement as they share similar subjects, decorative elements, shapes, and style. Precedents By the end of the 18th century, from the mid-1770s on, French clockmakers contributed to a new art movement: Neoclassicism. This style in architecture, painting, sculpture, and the decorative arts, that had come into its own during the last years of Louis XV's life, chiefly as a reaction to the excesses of the Rococo movement but also partly through the popularity of the excavations at ancient Herculaneum and Pompeii, in Italy. Clocks of this style did without the profuse ornamentation and elaborate designs of the preceding Rococo style so typical of the Louis XV reign. The timekeepers manufacturing during the Louis XVI and the Fr ...
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Classical Mythology
Classical mythology, Greco-Roman mythology, or Greek and Roman mythology is both the body of and the study of myths from the ancient Greeks and ancient Romans as they are used or transformed by cultural reception. Along with philosophy and political thought, mythology represents one of the major survivals of classical antiquity throughout later Western culture. The Greek word ''mythos'' refers to the spoken word or speech, but it also denotes a tale, story or narrative. As late as the Roman conquest of Greece during the last two centuries Before the Common Era and for centuries afterwards, the Romans, who already had gods of their own, adopted much mythology directly from the Greeks while preserving their own Roman (Latin) names for the gods. In storytelling and literature, this thereby caused an equivalence between many Roman and Greek deities; some examples include between the Roman sky god Jupiter or Jove and the Greek counterpart Zeus; between the Roman fertility goddess Venu ...
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