Cello étude
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Cello étude
A cello étude (or study) is a piece of music written for the solo cello that zeroes in on specific techniques. Cello études are most often written by cellists to help other cellists improve their playing ability. Music that is written for performance generally does not focus on instrumental technique. Performance music is written to convey a certain sound, mood, set of emotions or ideas. Some cello etudes, while focusing on cello techniques, also focus on musical ideas. Some rise to the level of performance pieces. However, it is rare to find cello etudes programmed in recital. The last set of cello etudes which had such universal cellistic appeal was the "High School of Cello Playing" written by David Popper (1843–1913). His etudes are widely considered a pre-requisite to becoming a professional cellist. There are several other composers whose cello etudes are widely studied by cellists. These composers include Dotzauer, Duport, Piatti, Lee, Merk, Grűtzmacher, and Fran ...
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Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ...
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étude
An étude (; ) or study is an instrumental musical composition, usually short, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones (György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in scope fro ...
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David Popper
David Popper (June 16, 1843 – August 7, 1913) was a Bohemian cellist and composer. Some other sources list his date of birth as December 9, 1843. Life Popper was born in Prague, and studied music at the Prague Conservatory. His family was Jewish. He studied the cello under Julius Goltermann (1825–1876), and soon attracted attention. He made his first tour in 1863; in Germany he was praised by Hans von Bülow, son-in-law of Franz Liszt, who recommended him as Chamber Virtuoso in the court of Prince von Hohenzollern-Hechingen in Löwenberg. In 1864, he premiered Robert Volkmann's Cello Concerto in A minor, Op. 33, with Hans von Bülow conducting the Berlin Philharmonic. He lost this job a couple of years later due to the prince's death. He made his debut in Vienna in 1867, and was made principal cellist at the Hofoper. From 1868 to 1870 he was also a member of the Hellmesberger Quartet. In 1872, he married pianist Sophie Menter, a pupil of Liszt. She later joined the staff ...
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Friedrich Dotzauer
Justus Johann Friedrich Dotzauer (20 January 1783 – 6 March 1860) was a German cellist and composer. Life Early life and career Dotzauer was born in 1783 in , near Hildburghausen. His father, a pastor, encouraged his interest in music. In early years he played piano, violin and cello, also horn and clarinet, and studied theory and composition with the organist , a pupil of Johann Christian Kittel. In Meiningen he studied the cello with , Konzertmeister of the Meiningen Court Orchestra; from 1801 Dotzauer was a member of the orchestra."The Dresden School" (from ''History of the Violoncello'' by Lev Ginsburg (Paginiana Publications, 1983))
www.celloheaven.com. Retrieved 22 April 2021.

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Jean-Louis Duport
Jean-Louis Duport (4 October 17497 September 1819), sometimes known as Duport the Younger to distinguish him from his older brother (and teacher) Jean-Pierre (1741-1818), was a cellist, pedagogue, and composer. He is perhaps best known today for his 21 études for solo cello that constitute the final part of the "Essai sur le doigté du violoncelle et sur la conduite de l'archet" ("Essay on the fingering of the violoncello and on the conduct of the bow") (1806), a seminal work of cello technique. He also wrote six cello concertos and his '' Études pour violoncello''. In 1812, Jean-Louis returned to Paris, where he encountered Napoleon, who insisted on trying out Duport's Stradivarius cello, exclaiming, "How the devil do you hold this thing, Monsieur Duport?" Duport was so obviously afraid that Napoleon would damage it, that Napoleon laughingly returned it to the cellist's more careful hands. Actually, Napoleon had made a small dent in the ribs of the cello, which may still be ...
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Carlo Alfredo Piatti
Carlo Alfredo Piatti (8 January 182218 July 1901) was an Italian cellist, teacher and composer. Biography Piatti was born at via Borgo Canale, in Bergamo and died in Mozzo, 4 miles from Bergamo. The son of a violinist, Antonio Piatti, he originally began his studies on the violin before switching to the cello. As a cellist, he studied under his great-uncle, Gaetano Zanetti, a great cellist. After two years of studying, he joined the theater orchestra, where he played for three months - for ten shillings, half of which his grandfather took. After Zanetti's death, he became a pupil at the ''conservatorio'' of Milan under Vincenzo Merighi. He made his concert debut at 15 and started touring at 16. No one doubted the young virtuoso's skill on the instrument, but he did not draw large crowds. As a result, when Piatti fell ill during an engagement, he was forced to sell his cello to cover the medical costs. Franz Liszt invited him to appear as a guest performer at one of his recita ...
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Sebastian Lee
Sebastian Lee (24 December 1805 – 4 January 1887) was a German cellist and pedagogue active in France and Germany. Biography He studied under Johann Nikolaus Prell. In 1832, he debuted in the Theatre Italien in Paris. From 1837 to 1843, he was a soloist at the Paris Opéra. He also taught the cello at the Paris Conservatory until 1868, when he returned to his birthplace, Hamburg. In both, his playing and teaching styles, he displayed a combination of the German and French schools. He published a method for the violoncello (''Méthode pratique pour le violoncelle'', Op. 30) in 1845, with the distinction of being accepted as a manual at the Paris Conservatory. The method has been republished in various countries and Lee's studies and duets A duet is a musical composition or piece for two performers. Duets or The Duets may also refer to: Films and television * ''Duets'' (film), a 2000 film, starring Gwyneth Paltrow, Paul Giamatti and Huey Lewis * "Duets" (''Glee''), a 2010 ...
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Joseph Merk
Joseph Merk (18 January 179516 July 1852) was a noted Austrian cellist, often described as one of the most influential of the first half of the 19th century. He also wrote a number of compositions for the cello. Career Joseph (or Josef) Merk was born in Vienna in 1795. He first studied singing, the guitar and the violin,''Grove's Dictionary of Music and Musicians'', 5th ed (1954), Vol. V, p. 716 but at the age of 15 he was bitten so severely on his left arm by a dog, that he could no longer play the violin adequately even after the wound had healed. He then turned to the cello and had lessons with the principal cellist of the Vienna Court Opera, Philipp Schindlöker (1753-1827), making such rapid progress that after only a year he was engaged by a Hungarian aristocrat to play in his string quartet, where he remained for two years. In 1815 the guitarist Mauro Giuliani appeared with Joseph Merk, Johann Nepomuk Hummel and the violinist Joseph Mayseder in a series of chamber conce ...
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Friedrich Grützmacher
Friedrich Wilhelm Ludwig Grützmacher (1 March 1832 – 23 February 1903) was a noted German cellist and composer in the second half of the 19th century. He composed mostly for cello (including several concertos and many technical studies), but also wrote orchestral pieces, chamber music, piano music and songs. Life Grützmacher was born in Dessau, Anhalt, and was first taught by his father. Soon he began studying cello with Justus Johann Friedrich Dotzauer, Dotzauer's pupil, Karl Drexler (1800–1873). In 1848, he was discovered in Leipzig by the famous violinist, Ferdinand David (musician), Ferdinand David, who arranged some concerts for him. In 1850, he became solo cellist in the Leipzig theatre orchestra, the Gewandhaus Concerts, and professor at the Felix Mendelssohn College of Music and Theatre, Leipzig Conservatory. He played in the David String Quartet. In 1860, Grützmacher moved to Dresden to be principal cellist of the court orchestra, and head of the Dresden Musical ...
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Auguste Franchomme
Auguste-Joseph Franchomme (10 April 180821 January 1884) was a French cellist and composer. For his contributions to music, he was decorated with the Légion d'honneur in 1884. Life and career Born in Lille, Franchomme studied at the local conservatoire with M. Mas and Pierre Baumann, before continuing his education with Jean-Henri Levasseur and Louis-Pierre Norblin at the Conservatoire de Paris, where he won his first prize only after one year. He began his career playing with various orchestras and was appointed solo cello at the Sainte-Chapelle in 1828. Along with the violinist Jean-Delphin Alard, teacher of Pablo de Sarasate, and the pianist Charles Hallé, creator of the The Hallé, Hallé Orchestra, he was a founder and member of the Alard Quartet. The Quartet was rare for a Musical ensemble#Classical chamber music, chamber ensemble of its time because it consisted of professional musicians. Franchomme also belonged to the founding ranks of the Orchestre de la Société ...
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Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition resulted in more than List of compositions by Wolfgang Amadeus Mozart, 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphony, symphonic, concerto, concertante, chamber music, chamber, operatic, and choir, choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Prince-Archbishopric of Salzburg, Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on Keyboard instrument, keyboard and violin, he composed from the age of fi ...
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Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bo ...
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