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Caudate Sonnet
A caudate sonnet is an expanded version of the sonnet. It consists of 14 lines in standard sonnet forms followed by a coda (Latin ''cauda'' meaning "tail", from which the name is derived). The invention of the form is credited to Francesco Berni. However, Burchiello (1404–1449) used the same form with over 150 of his paradoxical (sometimes referred to as nonsensical) sonnets nearly 50 years before Berni was born. Burchiello's "popularity was not limited to Florence or the fifteenth century" and "in the sixteenth century Italian Renaissance" ... there were "several narratives about the poet-barber written by well-known figures such as Antonfrancesco Grazzini, Anton Francesco Doni, Angelo Colocci, and Tommaso Costo." Berni was not only familiar with Burchielo's work, but was an admirer of it. Berni wrote: S'i' avessi l'ingegno del Burchiello, Io vi farei volentieri un sonetto; Ché non ebbi già mai tèma e subietto Piú dolce, piú piacevol né piú bello. 1 f I had Burchiello' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () ( Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Berni
Francesco Berni Francesco Berni (1497/98 – 26 May 1535) was an Italian poet. He is credited for beginning what is now known as " Bernesque poetry", a serio-comedic type of poetry with elements of satire. Biography Life Berni was born 1497 or 1498 in Lamporecchio (Tuscany). His father Nicolò was a doctor of a long-established Florentine family, but excessively poor. At an early age he was sent to Florence, where he remained until his nineteenth year and wrote a pastoral play, ''Catrina''. In 1517 he set out for Rome, in the service of Bernardo Dovizi, Cardinal Bibbiena. After the cardinal's death (1520), he was thrown on his own devices. At the time of the election of Adrian VI he circulated witty lampoons, for which he was obliged for a time to leave Rome. Later he returned to accept a situation as clerk or secretary to Gian Matteo Giberti, datary to Clement VII. The duties of his office, for which Berni was in every way unfit, were exceedingly irksome to the poet, who, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burchiello
Burchiello (1404–1449) was the pen name of an Italian poet, born Domenico di Giovanni. He is notable for his paradoxical style and the apparently absurd usages of his sonnets, which founded a school of writing and were much imitated. Life and career Born in Florence, his father Giovanni was a carpenter and his mother Antonia a spinner. He did not attend school and worked as a barber on via Calimala - as such he belonged to the Corporazione dei Medici e degli Speziali, the same guild as Dante Alighieri. A literary and artistic circle including Leon Battista Alberti attended his barbershop, also frequented by those who opposed the excessive power of the Medici family. In 1434, the same year as Cosimo il Vecchio's return from his Venetian exile, Burchiello fled Florence, most probably due to financial problems and to escape loan sharks, although some critics state he was exiled by Cosimo for his hostility to the Medici. He traveled to Sienna, where he was imprisoned for a few mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem ''Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Manley Hopkins
Gerard Manley Hopkins (28 July 1844 – 8 June 1889) was an English poet and Jesuit priest, whose posthumous fame placed him among leading Victorian poets. His prosody – notably his concept of sprung rhythm – established him as an innovator, as did his praise of God through vivid use of imagery and nature. Only after his death did Robert Bridges publish a few of Hopkins's mature poems in anthologies, hoping to prepare for wider acceptance of his style. By 1930 Hopkins's work was seen as one of the most original literary advances of his century. It intrigued such leading 20th-century poets as T. S. Eliot, Dylan Thomas, W. H. Auden, Stephen Spender and Cecil Day-Lewis. Early life and family Gerard Manley Hopkins was born in Stratford, EssexW. H. Gardner (1963), ''Gerard Manley Hopkins: Poems and Prose'' Penguin p. xvi. (now in Greater London), as the eldest of probably nine children to Manley and Catherine Hopkins, née Smith. He was christened at the Anglican churc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtal Sonnet
The curtal sonnet is a form invented by Gerard Manley Hopkins, and used in three of his poems. It is an eleven-line (or, more accurately, ten-and-a-half-line) sonnet, but rather than the first eleven lines of a standard sonnet it consists of precisely ¾ of the structure of a Petrarchan sonnet shrunk proportionally.Pitchford, "The Curtal Sonnets of Gerard Manley Hopkins". ''Modern Language Notes'', Vol. 67, No. 3. (Mar., 1952), pp. 165–169. The octave of a sonnet becomes a sestet and the sestet a quatrain plus an additional "tail piece". That is, the first eight lines of a sonnet are translated into the first six lines of a curtal sonnet and the last six lines of a sonnet are translated into the last four and a half lines of a curtal sonnet. Hopkins describes the last line as half a line, though in fact it can be shorter than half of one of Hopkins's standard sprung rhythm lines. In the preface to his ''Poems'' (1876–89), Hopkins describes the relationship between the Petra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarchan Sonnet
The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, although it was not developed by Petrarch himself, but rather by a string of Renaissance poets.Spiller, Michael R. G. The Development of the Sonnet: An Introduction. London: Routledge, 1992. 5 Dec. 2015. Because of the structure of Italian, the rhyme scheme of the Petrarchan sonnet is more easily fulfilled in that language than in English. The original Italian sonnet form consists of a total of fourteen hendecasyllabic lines (in English sonnets, iambic pentameter is used) in two parts, the first part being an octave and the second being a sestet. Form The rhyme scheme for the octave is typically ABBAABBA. The sestet is more flexible. Petrarch typically used CDECDE or CDCDCD for the sestet. Some other possibilities for the sestet include CDDCDD, CDDECE, or CDDCCD (as in Wordsworth's "Nuns Fret Not at Their Convent's Narrow Room," a sonnet about sonnets). This for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enjambment
In poetry, enjambment ( or ; from the French ''enjamber'') is incomplete syntax at the end of a line (poetry), line; the meaning 'runs over' or 'steps over' from one poetic line to the next, without punctuation. Lines without enjambment are end-stopping, end-stopped. The origin of the word is credited to the French word ''enjamber'', which means 'to straddle or encroach'. In reading, the delay of meaning creates a tension that is released when the word or phrase that completes the syntax is encountered (called the rejet); the tension arises from the "mixed message" produced both by the pause of the line-end, and the suggestion to continue provided by the incomplete meaning.Preminger 359 In spite of the apparent contradiction between rhyme, which heightens closure, and enjambment, which delays it, the technique is compatible with rhymed verse. Even in couplets, the closed or heroic couplet was a late development; older is the open couplet, where rhyme and enjambed lines co-exist. En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Bridges
Robert Seymour Bridges (23 October 1844 – 21 April 1930) was an English poet who was Poet Laureate from 1913 to 1930. A doctor by training, he achieved literary fame only late in life. His poems reflect a deep Christian faith, and he is the author of many well-known hymns. It was through Bridges's efforts that Gerard Manley Hopkins achieved posthumous fame. Personal and professional life Bridges was born at Walmer, Kent, in England, the son of John Thomas Bridges (died 1853) and his wife Harriett Elizabeth, daughter of the Rev. Sir Robert Affleck, 4th Baronet. He was the fourth son and eighth child. After his father's death his mother married again, in 1854, to John Edward Nassau Molesworth, vicar of Rochdale, and the family moved there. Bridges was educated at Eton College and Corpus Christi College, Oxford. He went on to study medicine in London at St Bartholomew's Hospital, intending to practise until the age of forty and then retire to write poetry. He practised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Herrnstein Smith
Barbara Herrnstein Smith (born 1932) is an American literary critic and theorist, best known for her work ''Contingencies of Value: Alternative Perspectives for Critical Theory''. She is currently the Braxton Craven Professor of Comparative Literature and English and director of the Center for Interdisciplinary Studies in Science and Cultural Theory at Duke University, and also Distinguished Professor of English at Brown University. Biography Smith briefly studied at City College of New York, studying biology, experimental psychology, and philosophy. She then earned her B.A. (''summa cum laude'') in 1954 and her Ph.D. from Brandeis University. Brandeis University reports Smith earned her doctorate in 1965, and Duke University reports she earned her doctorate in 1963. From 1961 to 1973, Smith taught at Bennington College. She accepted a faculty position at the University of Pennsylvania in 1973. In 1987 she joined the Duke University faculty, and also joined Brown Univers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
