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Catá
The catá or guagua is a Cuban percussion instrument which originated in the eastern region of the island. It is classified as a directly struck idiophone, traditionally made out of a hollowed tree trunk, which the player hits with wooden sticks or mallets. The resulting sound is dry and penetrating, similar to that of the claves, although with a different pitch. Of Congolese origin, it is an essential instrument in tumba francesa, yuka and some rumba ensembles. Use The catá is primarily used in the tumba francesa tradition from eastern Cuba, which originated in the early 19th century. Its role in tumba francesa is to provide the main rhythm in the form of a ''cinquillo'' pattern. In fact, in Saint Domingue (current Haiti), from where the tumba francesa was imported, the word catá (of Bantu origin), denoted this rhythm. The catá is considered a reconstruction of idiophones from the Congo region, brought by slaves to the Caribbean. The catá has been incorporated into Cuban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tumba Francesa
Tumba francesa is a secular Afro-Cuban genre of dance, song, and drumming that emerged in Oriente, Cuba. It was introduced by slaves from the French colony of Saint-Domingue (which would later become the nation of Haiti) whose owners resettled in Cuba's eastern regions following the slave rebellion during the 1790s. The genre flourished in the late 19th century with the establishment of ''sociedades de tumba francesa'' (tumba francesa societies), of which only three survive. Characteristics Tumba francesa combines musical traditions of West African, Bantu, French and Spanish origin. Cuban ethnomusicologists agree that the word "tumba" derives from the Bantu and Mandinka words for drum. In Cuba, the word tumba is used to denote the drums, the ensembles and the performance itself in tumba francesa. Instrumentation Tumbas francesas are directed by a mistress of ceremonies called ''mayora de plaza''. Performances generally begin with improvised solo singing in a mixture of Spa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Rumba
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based ''coros de clave''. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles. Traditionally performed by poor workers of African descent in streets and ''solares'' (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. '' Cajones'' (wooden boxes) were used as drums until the early 20th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Caribbean Idiophones
Historically, idiophones (percussion instruments without membranes or strings) have been widespread throughout the Caribbean music area, which encompasses the islands and coasts of the Caribbean Sea. Some areas of South America that are not geographically part of the Caribbean, but are culturally associated with its traditions, such as Guyana, Suriname, French Guiana and parts of Brazil are also taken into account. Although some idiophones such as the mayohuacán and probably the maraca already existed among the indigenous Taíno population of the Greater Antilles before the Spanish colonization of the Americas, most idiophones were introduced in the Caribbean between the 17th and 19th centuries by enslaved Africans, which were ethnically diverse (Yoruba, Ewe, Fon, Igbo, Efik, Mandinka and Kongo, among others). Because of the different materials present in the islands, African slaves had to construct their instruments differently, and thus new instruments began to be developed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Idiophones By Hornbostel–Sachs Number
The Hornbostel–Sachs system of musical instrument classification defines idiophones as all instruments in which sound is produced primarily by way of the instrument itself vibrating without the use of membranes or strings. Idiophones (1) Struck idiophones (11) Idiophones set in motion by a percussion action: hitting, shaking, or scraping. Also see Struck idiophone. Directly struck idiophones (111) 111.1 Concussion Idiophones or clappers 111.11 Concussion sticks or sticks of clap * Claves 111.12 Concussion plaques or plaque clappers * Clapper * Guban * Paiban * Hyoshigi * Pak * Slapstick 111.13 Concussion troughs or trough clappers * Balingbing 111.14 Concussion vessels or vessel clappers * Spoons 111.141 Castanets - Natural and hollowed-out vessel clappers * Castanets * Coconut shells * Krap 111.142 Cymbals - Vessel clappers with manufactured rim * Chap * Ching * Cymbals, in pairs ** Clash Cymbals in pairs 111.2 Percussion Idiophones 111.21 Percussion sticks or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bantu Language
The Bantu languages (English: , Proto-Bantu: *bantʊ̀) are a large family of languages spoken by the Bantu people of Central, Southern, Eastern africa and Southeast Africa. They form the largest branch of the Southern Bantoid languages. The total number of Bantu languages ranges in the hundreds, depending on the definition of "language" versus "dialect", and is estimated at between 440 and 680 distinct languages."Guthrie (1967-71) names some 440 Bantu 'varieties', Grimes (2000) has 501 (minus a few 'extinct' or 'almost extinct'), Bastin ''et al.'' (1999) have 542, Maho (this volume) has some 660, and Mann ''et al.'' (1987) have ''c.'' 680." Derek Nurse, 2006, "Bantu Languages", in the ''Encyclopedia of Language and Linguistics'', p. 2:Ethnologue report for Southern Bantoid" lists a total of 535 languages. The count includes 13 Mbam languages, which are not always included under "Narrow Bantu". For Bantuic, Linguasphere has 260 outer languages (which are equivalent to languages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiophones Struck Directly
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word is from Ancie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central American And Caribbean Percussion Instruments
Central is an adjective usually referring to being in the center of some place or (mathematical) object. Central may also refer to: Directions and generalised locations * Central Africa, a region in the centre of Africa continent, also known as Middle Africa * Central America, a region in the centre of America continent * Central Asia, a region in the centre of Eurasian continent * Central Australia, a region of the Australian continent * Central Belt, an area in the centre of Scotland * Central Europe, a region of the European continent * Central London, the centre of London * Central Region (other) * Central United States, a region of the United States of America Specific locations Countries * Central African Republic, a country in Africa States and provinces * Blue Nile (state) or Central, a state in Sudan * Central Department, Paraguay * Central Province (Kenya) * Central Province (Papua New Guinea) * Central Province (Solomon Islands) * Central Province, Sri L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Changüí
''Changüí'' is a style of Cuban music which originated in the early 19th century in the eastern region of Guantánamo Province, specifically Baracoa. It arose in the sugar cane refineries and in the rural communities populated by slaves. ''Changüí'' combines the structure and elements of Spain's ''canción'' and the Spanish guitar with African rhythms and percussion instruments of Bantu origin. Changüí is considered a predecessor of ''son montuno'' (the ancestor of modern salsa), which has enjoyed tremendous popularity in Cuba throughout the 20th century. Changüí is related to the other regional genres of ''nengón'' and ''kiribá'' and is descended from ''nengón.'' Technically, the changüi ensemble consists of: marímbula, bongos, tres, güiro (or guayo) and one or more singers. Changüi does not use the Cuban ''key pattern'' (or guide pattern) known as ''clave''.Lapidus, Ben (2008) p. 140. The tres typically plays offbeat guajeos (ostinatos), while the guayo plays on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marímbula
The marímbula () is a plucked box musical instrument of the Caribbean. In Cuba it is common in the changüí genre, as well as old styles of son. In Mexico, where it is known as marimbol is played in son jarocho; in the Dominican Republic, where it is known as marimba, it is played in merengue típico, and in Jamaica it is known as rumba box and played in mento. Unlike typical African lamellophones, such as the mbira, used to produce complex polyphony and polyrhythms, the marimbula usually plays the role of a bass guitar, i.e. providing the rhythmic and harmonic support for a band, although it can produce a simple melody as well. Designs of marimbulas vary greatly, in terms of the material of resonator, the number and arrangement of keys, the overall arrangement and size of the instrument and the way it is played. Characteristics It consists of a wood box with a sound hole cut in the center of it. Across this hole, a number of metal strips are attached at one end to the res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guantánamo
Guantánamo (, , ) is a municipality and city in southeast Cuba and capital of Guantánamo Province. Guantánamo is served by the Caimanera port near the Guantanamo Bay Naval Base, site of a U.S. naval base. The area produces sugarcane and cotton wool. These are traditional parts of the economy. History The city was founded in 1797 in the area of a farm named ''Santa Catalina''. The toponym "Guantánamo" means, in Taíno language, "land between the rivers".Guantánamo on EcuRed Geography The municipality is mountainous in the north, at Alejandro de Humboldt National Park, where it overlays the Sierra Maestra (mountains), and borders the Windward Passage of the Caribbean Sea in the south. It is crossed by the Bano, Guantánamo, Yateras, Guaso, San Andrés, and Sabanalamar rivers. The city is spread with a sq ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palitos
Claves (; ) are a percussion instrument consisting of a pair of short, wooden sticks about 20–25 centimeters (8–10 inches) long and about 2.5 centimeters (1 inch) in diameter. Although traditionally made of wood (typically rosewood, ebony or grenadilla) many modern manufacturers offer claves made of fiberglass or plastic. When struck, claves produce a bright, penetrating clicking noise. This makes them useful when playing in large dance bands. Claves are sometimes hollow and carved in the middle to amplify the sound. History Claves have been very important in the development Afro-Cuban music, such as the son and guaguancó. They are often used to play an ostinato, or repeating rhythmic figure, throughout a piece known as the clave. Many examples of clave-like instruments can be found around the world. Technique The basic principle when playing claves is to allow at least one of them to resonate. The usual technique is to hold one lightly with the thumb and fingerti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaguancó
Guaguancó () is a subgenre of Cuban rumba, combining percussion, voices, and dance. There are two main styles: Havana and Matanzas. Percussion * battery of three conga drummers: the ''tumba'' (lowest), ''tres dos'' (middle, playing a counter-clave), and ''quinto'' (highest, and lead drum). These parts may also be played on cajones, wooden boxes. * claves usually played by a singer * guagua (aka Catà) (hollowed piece of bamboo) * maraca and/or a chekeré playing the main beats Other instruments may be used on occasion, for example spoons, palitos (wooden sticks striking the side of the drum), and tables and walls played like drums. Clave Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. Triple-pulse strokes can be substituted for duple-pulse strokes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
