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Catch (music)
In music, a catch is a type of round or canon at the unison. That is, it is a musical composition in which two or more voices (usually at least three) repeatedly sing the same melody, beginning at different times. Generally catches have a secular theme, though many collections included devotional rounds and canons. In early collections the terms "catch" and "round" were interchangeable and, with part-songs and multi-voice canons, were all indexed as "songs". The catch and round differ from the canon in having a cadence on which the song can terminate after a specified number of repeats or when the leader gives a signal. A catch does not necessarily require the lines of lyrics to interact so that a word or phrase is produced from one part in the rests of another. This view became prevalent in the later part of the eighteenth century under the influence of the competitions sponsored by the Noblemen and Gentlemen's Catch Club. Catches were originally written out at length as one cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glee (music)
A glee is a type of English part song composed during the Late Baroque, Classical, and early Romantic periods, that is to say, the Georgian era. The respectable and artistic character of glees contrasts with the bawdiness of the many catches which continued to be composed and sung well into the early years of the 19th century. The use of the countertenor voice on the upper part(s) in glees composed for men's voices, and on the Alto part(s) in those for mixed voices, is a particular characteristic of the form (the most famous exponent, known for his elegant ornamentation, was William Knyvett) and serves to distinguish glees from other male voice partsongs, which usually lack countrapuntal writing and have the top part taken by a tenor. This gives them a highest note around a major third below that of men's voice glees. Some care is required in interpreting the intended voicing of glees in contemporary editions, due to the gradual replacement, taking place at this time, of the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hayes (composer)
William Hayes (1706 – 27 July 1777) was an English composer, organist, singer and conductor. Life Hayes was born in Gloucester. He trained at Gloucester Cathedral where the cathedral account books record his name amongst the choristers from 1717. He spent the early part of his working life as organist of St Mary's Church, Shrewsbury, St Mary's, Shrewsbury (1729) and Worcester Cathedral (1731). The majority of his career was spent at the University of Oxford where he was appointed organist of Magdalen College, Oxford, Magdalen College in 1734, and established his credentials with the degrees of B.Mus in 1735 and D.Mus in 1749. (He was painted by John Cornish in his doctoral robes around 1749.) In 1741 he was unanimously elected Heather Professor of Music and organist of the University Church of St Mary the Virgin, Oxford, University Church of St Mary the Virgin. He presided over Oxford's concert life for the next 30 years, and was instrumental in the building of the Holywell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bononcini
Giovanni Bononcini (or Buononcini) (18 July 1670 – 9 July 1747) (sometimes cited also as Giovanni Battista Bononcini) was an Italian Baroque composer, cellist, singer and teacher, one of a family of string players and composers. Biography Early years Bononcini was born in Modena, Italy, the oldest of three sons. His father, Giovanni Maria Bononcini (1642–1678), was a violinist and a composer, and his younger brother, Antonio Maria Bononcini, was also a composer. An orphan from the age of 8, Giovanni Battista studied in the music school of Giovanni Paolo Colonna at San Petronio Basilica in Bologna (perhaps in 1680 or 1681). In 1685, at the age of 15, he published three collections of instrumental works (in two of which he gave his age as 13). On 30 May 1686, he was accepted as a member of the prestigious Accademia Filarmonica di Bologna. His services were already much in demand: he worked at San Petronio as a string player and singer, published further collections of instru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Greene (composer)
Maurice Greene (12 August 1696 – 1 December 1755) was an English composer and organist. Biography Born in London, the son of a clergyman, Greene became a choirboy at St Paul's Cathedral under Jeremiah Clarke and Charles King. He studied the organ under Richard Brind, and after Brind died, Greene became organist at St Paul's. With the death of William Croft in 1727, Greene became organist at the Chapel Royal, and in 1730 he became Professor of Music at Cambridge University. In 1735 he was appointed Master of the King's Musick. At his death, Greene was working on the compilation ''Cathedral Music'', which his student and successor as Master of the King's Musick, William Boyce, was to complete. Many items from that collection are still used in Anglican services today. He wrote very competent music in the Georgian style, particularly long Verse Anthems. His acknowledged masterpiece, ''Lord, let me know mine end'', is a representative example. Greene sets a text full of pathos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Eccles (composer)
John Eccles (1668 – 12 January 1735) was an English composer. Born in London, eldest son of professional musician Solomon Eccles and brother of fellow composer Henry Eccles, John Eccles was appointed to the King's Private Music in 1694, and in 1700 became Master of the King's Musick. Also in 1700 he finished second in a competition to write music for William Congreve's masque '' The Judgement of Paris'' ( John Weldon won). Eccles was very active as a composer for the theatre, and from the 1690s wrote a large amount of incidental music including music for Congreve's ''Love for Love'', John Dryden's ''The Spanish Friar'' and William Shakespeare's '' Macbeth''. Jointly with Henry Purcell he wrote incidental music for Thomas d'Urfey's ''Don Quixote''. He became a composer to Drury Lane theatre in 1693 and when some of the actors broke off to form their own company at Lincoln's Inn Fields in 1695, he composed music for them as well including for John Dennis's '' Rinaldo and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Wise (musician)
Michael Wise (1648–1687) was an English organist and composer. He sang as a child in the choir of the Chapel Royal and served as a countertenor in St George's Chapel, Windsor, from 1666 until, in 1668, he was appointed organist and choirmaster at Salisbury Cathedral. In 1676 he became a Gentleman of the Chapel Royal, and in the last year of his life was Master of the Children at St Paul's Cathedral. He was killed during a confrontation with a Salisbury night watchman: "He had quarrelled with his wife on some trivial matter, and rushed out of his house. The watchman met him while he was yet boiling with rage, and commanding him to stand and give an account of himself, he struck the guardian of the peace to the ground, who in return aimed a blow at his assailant with his bill, which broke his skull, of the consequence whereof he died." Music As well as Service Settings, his compositions include anthems such as: *''How are the mighty fallen'' *''Awake up, my glory'' *''The way ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Blow
John Blow (baptised 23 February 1649 – 1 October 1708) was an English composer and organist of the Baroque music, Baroque period. Appointed organist of Westminster Abbey in late 1668,John Blow Westminster Abbey. Retrieved 30 December 2019. his pupils included William Croft, Jeremiah Clarke and Henry Purcell. In 1685 he was named a private musician to James II of England, James II. His only stage composition, ''Venus and Adonis (opera), Venus and Adonis'' (ca. 1680–1687), is thought to have influenced Henry Purcell's later opera ''Dido and Aeneas''. In 1687, he became choirmaster at St Paul's Cathedral, where many of his pieces were performed. In 1699 he was appointed to the newly created post of Composer to the Chapel Royal. Early life and education Blow was probably born in the village of Collingham, ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Aldrich
Henry Aldrich (15 January 1648 – 14 December 1710) was an English theologian, philosopher, and composer. Life Aldrich was educated at Westminster School under Dr Richard Busby. In 1662, he entered Christ Church, Oxford, and in 1689 was made Dean in succession to the Roman Catholic John Massey, who had fled to the Continent. In 1692, he became Vice-Chancellor of the University of Oxford until 1695. In 1702, he was appointed Rector of Wem in Shropshire, but continued to reside at Oxford, where he died on 14 December 1710. He was buried in Christ Church Cathedral without any memorial, at his own request. Works Henry Aldrich was a man of unusually varied gifts. A classical scholar of fair merits, he is best known as the author of a little book on logic (''Artis Logicæ Compendium''). Although not innovative in the field of Logic itself (it closely follows Peter of Spain's ''Summulae Logicales''), its insistent use by generations of Oxford students has shown it to be of grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Restoration (England)
The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be known as the Interregnum (1649–1660). The term ''Restoration'' is also used to describe the period of several years after, in which a new political settlement was established. It is very often used to cover the whole reign of King Charles II (1660–1685) and often the brief reign of his younger brother King James II (1685–1688). In certain contexts it may be used to cover the whole period of the later Stuart monarchs as far as the death of Queen Anne and the accession of the Hanoverian King George I in 1714. For example, Restoration comedy typically encompasses works written as late as 1710. The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and John ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
