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Capoeira Toques
In the game of capoeira, toques are the rhythms played on the berimbau. Many toques are associated with a specific game (i.e. style and speed of play), although organizations differ on how to play each toque. Capoeira toques have their roots in African rhythmic music, which was modified and further developed among the slaves of Brazil. Important toques Some of the more important toques are described below, including; traditional toques, and those created or popularised by Mestre Bimba who was responsible for significant developments to modern capoeira. Notation : = Open berimbau tone. The arame is struck with the dobrão open and the cabaça away from the stomach for a low note, or dobrão pressing firmly for a high note. In this notation, notes that are unfilled are played unmuted rather than representing a half note. : = Muted berimbau note (cabaça is held against the body). : = A buzz (strike the arame with the dobrão resting lightly on the arame and the cabaça against the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capoeira
Capoeira () is an Afro-Brazilian martial art that combines elements of dance, acrobatics, music and spirituality. Born of the melting pot of enslaved Africans, Indigenous Brazilians and Portuguese influences at the beginning of the 16th century, capoeira is a constantly evolving art form. It is known for its acrobatic and complex maneuvers, often involving hands on the ground and inverted kicks. It emphasizes flowing movements rather than fixed stances; the '' ginga'', a rocking step, is usually the focal point of the technique. Although debated, the most widely accepted origin of the word ''capoeira'' comes from the Tupi words ''ka'a'' ("forest") ''paũ'' ("round"), referring to the areas of low vegetation in the Brazilian interior where fugitive slaves would hide. A practitioner of the art is called a capoeirista (). Though often said to be a martial art disguised as a dance, capoeira served not only as a form of self defence, but also as a way to maintain spirituality and cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau Angola Variation 2
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The assim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau Iuna Phrase 1
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The assim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau Sao Bento Grande De Mestre Bimba
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The assim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau Samba De Roda
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The assim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau Cavalaria
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The assim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau Santa Maria
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The assim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau Sao Bento Grande
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The assim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Dos Reis Machado
Manuel dos Reis Machado, commonly called Mestre Bimba (; November 23, 1899 – February 5, 1974), was a Brazilian capoeira ''mestre'' (a master practitioner). He founded the '' capoeira regional'' school, one of the art's two main branches. Early life Machado was born in Salvador in the year 1899 but was not officially registered until 1900, resulting in some confusion surrounding his date of birth. Despite him being born in 1899, 1900 is the date most commonly known and published. The son of Luiz Cândido Machado and Maria Martinha do Bonfim, Machado was born at the Bairro do Engenho Velho, Salvador. The nickname "Bimba", whose literal meaning was " phallus", came up as a result of a bet between his mother and the midwife during his birth. His mother bet that he was going to be a girl and the midwife bet he would be a boy; after he was delivered, the midwife revealed that he was a boy by pointing between his legs at his ''bimba''. In the context of Brazil, "Bimba" also meant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capoeira Regional
Capoeira () is an Afro-Brazilian martial art that combines elements of dance, acrobatics, music and spirituality. Born of the melting pot of enslaved Africans, Indigenous Brazilians and Portuguese influences at the beginning of the 16th century, capoeira is a constantly evolving art form. It is known for its acrobatic and complex maneuvers, often involving hands on the ground and inverted kicks. It emphasizes flowing movements rather than fixed stances; the '' ginga'', a rocking step, is usually the focal point of the technique. Although debated, the most widely accepted origin of the word ''capoeira'' comes from the Tupi words ''ka'a'' ("forest") ''paũ'' ("round"), referring to the areas of low vegetation in the Brazilian interior where fugitive slaves would hide. A practitioner of the art is called a capoeirista (). Though often said to be a martial art disguised as a dance, capoeira served not only as a form of self defence, but also as a way to maintain spirituality and cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau Sao Bento Pequeno
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The assim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau Angola Variation 7
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilians, Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell de Aquino, Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous peoples in Brazil, Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
