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Cantus Firmus Mass
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the ''Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dufay Mass Cantus Firmus
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397(?) – 27 November 1474) was a French composer and music theorist of the early Renaissance music, Renaissance. Considered the leading European composer of his time, his music was widely performed and reproduced. Du Fay was well-associated with composers of the Burgundian School, particularly his colleague Gilles Binchois, but was never a regular member of the Burgundian chapel himself. While he is among the best-documented composers of his time, Du Fay's birth and family is shrouded with uncertainty, though he was probably the illegitimate child of a priest. He was educated at Old Cambrai Cathedral, Cambrai Cathedral, where his teachers included Nicolas Grenon and Richard Loqueville, among others. For the next decade, Du Fay worked throughout Europe: as a subdeacon in Cambrai, under Carlo I Malatesta in Rimini, for the House of Malatesta in Pesaro, and under Louis Aleman in Bologna, where he was ordained priest. As his f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'homme Armé
"L'homme armé" (French for "the armed man") is a secular song from the Late Middle Ages, of the Burgundian School. According to Allan W. Atlas, "the tune circulated in both the Mixolydian mode and Dorian mode (transposed to G)." It was the most popular tune used for musical settings of the Ordinary of the Mass: over 40 separate compositions entitled ''Missa L'homme armé'' survive from the period. Music Origin The origins of the popularity of the song and the importance of the armed man are the subject of various theories. Some have suggested that the 'armed man' represents St Michael the Archangel. The composer Johannes Regis ( – ) seems to have intended that allusion in his ''Dum sacrum mysterium/Missa l'homme armé'' based upon the melody, which incorporates various additional trope texts and cantus firmus plainchants in honour of St Michael the Archangel. Others have suggested it merely represents the name of a popular tavern (Maison L'Homme Arme) near Du Fay's rooms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Westron Wynde
''Westron Wynde'' is an early 16th-century song whose tune was used as the basis (cantus firmus) of Masses by English composers John Taverner, Christopher Tye and John Sheppard. The tune first appears with words in a partbook of around 1530, catalogued by the British Library as Royal Appendix MS 58. Historians believe that the lyrics are a few hundred years older ('Middle English') and the words are a fragment of medieval poetry. Lyrics The lyrics of the original, as transcribed by Charles Frey: : Westron wynde when wyll thow blow : the smalle rayne downe can Rayne : Cryst yf my love were in my Armys : And I yn my bed Agayne. Music Recovering the original tune of ''Westron Wynde'' that was used in these Masses is not entirely straightforward. There is a version that uses the secular words, but with rather different notes: The version used by the three Mass composers can only be inferred by what they put into their Masses. In program notes (see below), Peter Phillips offe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was the most influential European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—the leading European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School. Ockeghem was well associated with other leading composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well known ''Nymphes des bois'' for him. It is thought that Ockeghem's extant works represent only a small part of his entire ''oeuvre'', including around 14 masses, 20 chansons and less than 10 motets—though the exact numbers vary due to attribution uncertainties. His be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fors Seulement
Fors seulement is a French chanson, popular as a basis for variations and as a cantus firmus. An early version, attributed to Johannes Ockeghem, is sometimes called ''Fors seulement l'attente'' to distinguish it from his similarly titled ''Fors seulement contre''. Brumel wrote a polytextual version, combining a tenor setting of '' Du tout plongiet'' with the words and ''superius'' from Ockeghem's ''Fors seulement l'attente'' for baritone. Lyrics Versions and settings Many versions of the chanson were produced including those by Johannes Ockeghem, Josquin des Prez, Pierre de La Rue, Matthaeus Pipelare, Johannes Ghiselin, Jacob Obrecht, Antoine Brumel, Jheronimus Vinders and Alexander Agricola. Mass settings include those by Vinders, Ockeghem, Obrecht, Pipelare, and Carpentras Carpentras (, formerly ; Provençal Occitan: ''Carpentràs'' in classical norm or ''Carpentras'' in Mistralian norm; la, Carpentoracte) is a commune in the Vaucluse department in the Provence-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Busnois
Antoine Busnois (also Busnoys; – before 6 November 1492) was a French composer, singer and poet of early Renaissance music. Busnois and colleague Johannes Ockeghem were the leading European composers of the second half the 15th century, and central figures of the early Franco-Flemish School. While also noted as a composer of motets and other sacred music, he was one of the most renowned 15th-century composers of secular polyphonic chansons. Between Guillaume Du Fay and Claudin de Sermisy, Binchois was the most prolific and important French composer of songs. Life and career The details of his Busnois's early life are largely conjectural, and nothing is certain. He was probably from the vicinity of Béthune in the Pas-de-Calais, possibly the hamlet of Busnes, to which his name seems to refer. He may have been related to the aristocratic family of Busnes; in particular, a Philippe de Busnes, canon of Notre-Dame in Lens, could have been a relative. He clearly received an e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortuna Desperata
Fortuna desperata is a secular Italian song, possibly originally by Busnois (but others credit Antoine Brumel). It was used by many other authors in the following 75 years, for both variations and cantus firmus masses, and over 30 such reworkings are known. Words in the original Italian and in English and German are available at Choral Wik The first verse is :'Fortuna desperata :Iniqua e maledecta :Che de tal dona electa :La fama hai denigrata.' translated as :'Desperate fate, :iniquitous and maledicted :who blackened the good name :of a woman beyond compare.' Amongst the more well-known versions of the song are the three-voice version by Busnois, its reworking for six voices by Alexander Agricola, a three-part instrumental version possibly by Josquin, three-voice version by Heinrich Isaac, and seven settings (including quodlibets) by Ludwig Senfl Ludwig Senfl (born around 1486, died between December 2, 1542 and August 10, 1543) was a Swiss composer of the Renaissance, activ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) // CITED: p. 36 (PDF p. 38/338) also known as the Turkish Empire, was an empire that controlled much of Southeast Europe, Western Asia, and Northern Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Turkoman tribal leader Osman I. After 1354, the Ottomans crossed into Europe and, with the conquest of the Balkans, the Ottoman beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the conquest of Constantinople in 1453 by Mehmed the Conqueror. Under the reign of Suleiman the Magnificent, the Ottoman Empire marked the peak of its power and prosperity, as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fall Of Constantinople
The Fall of Constantinople, also known as the Conquest of Constantinople, was the capture of the capital of the Byzantine Empire by the Ottoman Empire. The city fell on 29 May 1453 as part of the culmination of a 53-day siege which had begun on 6 April. The city's collapse is usually agreed on as marking the end of the Middle Ages. The attacking Ottoman Army, which significantly outnumbered Constantinople's defenders, was commanded by the 21-year-old Sultan Mehmed II (later nicknamed "the Conqueror"), while the Byzantine army was led by Emperor Constantine XI Palaiologos. After conquering the city, Mehmed II made Constantinople the new Ottoman capital, replacing Adrianople. The conquest of Constantinople and the fall of the Byzantine Empire was a watershed of the Late Middle Ages, marking the effective end of the last remains of the Roman Empire, a state which began in roughly 27 BC and had lasted nearly 1500 years. Among many modern historians, the Fall of Constantinop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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