Cantes Libres
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Cantes Libres
Cantes libres is a Spanish expression that literally means "free songs''"''. It is applied on any flamenco palos (musical forms) in which there is no recognisable metre (music) or rhythmic pattern. The melody thus flows freely, unconstructed by metre, so singers can shorten or lengthen musical phrases at will, as long as they respect the basic melodic line of the style they are singing. The meaning of this expression should not be confused with concepts like rubato or ad libitum which usually refer to a relative freedom of the musician in following the time signature. In this type of singing there is no time signature at all, so freedom is absolute, and the only restrictions are those imposed by the traditional basic melody. Roles of guitar and dance When these palos are played in the guitar, either as accompaniment or as solo, they are known as ''toques libres'', meaning ''free guitar playing''. The guitar accompaniment used for most of this ''palos'' (when they are accompanied) c ...
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Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ...
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Bandurria
The bandurria is a plucked chordophone from Spain, similar to the mandolin and bandola, primarily used in Spanish folk music, but also found in former Spanish colonies. Instrument development Prior to the 18th century, the bandurria had a round back, similar or related to the mandore. It had become a flat-backed instrument by the 18th century, with five double courses of strings, tuned in fourths. The original bandurrias of the Medieval period had three strings. During the Renaissance they gained a fourth string. During the Baroque period the bandurria had 10 strings (5 pairs). The modern bandurria has 12 strings (6 pairs). The strings are tuned in unison pairs, going up in fourths from the low G#. The lowest four strings are a major-third above those of a standard guitar and the highest two strings are a fourth above a standard guitar, i.e. G, c, f, b, e and a. File:bandurria1.jpg, Bandurria (front view) File:Bandurria2.JPG, Bandurria (back view) File:bandurria3.jpg, Bandurri ...
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Minera
Minera ( cy, Mwynglawdd; ) is a village and community in Wrexham County Borough, Wales. It adjoins the village of Coedpoeth. The community, which in addition to Minera village includes a number of smaller hamlets such as Gwynfryn and New Brighton and large areas of farmland, had a total population of 1,608 at the 2001 census,Minera
Office for National Statistics
increasing slightly to 1,617 at the 2011 Census.


History

The name Minera has an unusual source, being derived from the for "mine" or "ore".Palmer, A. N. ''A History of Ancient Tenures of Land ...
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Cartageneras
''Cartageneras'' () are a flamenco palo belonging to the category of the '' cantes de las minas'' (in English, songs of the mines) or ''cantes minero-levantinos'' (eastern miner songs). As the rest of the songs in this category, it derives from older folkloric fandango styles. The origin of this particular style is attributed to traditional fandango from the miner area of Cartagena in the province of Murcia, in southern Spain. Although earlier singers like Rojo el Alpargatero contributed to its development, it was Antonio Chacón who determined its definite flamenco form and made it popular in other areas. The stanza of the Cartagenera is the usual for Fandango. Originally, it was played in the same key and mode as the rest of fandangos. But since Ramón Montoya Ramón Montoya (November 2, 1879, Madrid, Spain – July 20, 1949, Madrid, Spain), Flamenco guitarist and composer. Born into a family of Gitano (Romani) cattle traders, Ramón Montoya used earnings from working in th ...
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Tarantas (flamenco Palo)
''Tarantas'' and ''Taranto'' are two related styles ('' palos'') of Flamenco music, that originated in the ''Andalusian'' province of Almería. Each is characterized by a shared modality (F-sharp Phrygian) and harmonic progression (Bm–A7–G–F-sharp), but differ significantly with respect to rhythm and meter. ''Tarantas'' is a cante libre (or toque libre, if played as a solo), meaning that it lacks both a regular rhythmic pattern ( ''compás'', in flamenco terminology) and a regular rhythmic unit (or beat). It can be sung or played, but not danced. ''Taranto'', conversely, has a regular 2/4-meter, and is danceable. When played on, or accompanied by, the guitar The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected stri ..., both ''palos'' have a unique and characteristic sound that ...
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Media Granaína
Media may refer to: Communication * Media (communication), tools used to deliver information or data ** Advertising media, various media, content, buying and placement for advertising ** Broadcast media, communications delivered over mass electronic communication networks ** Digital media, electronic media used to store, transmit, and receive digitized information ** Electronic media, communications delivered via electronic or electromechanical energy ** Hypermedia, media with hyperlinks ** Interactive media, media that is interactive ** Mass media, technologies that reach a large audience via mass communication ** MEDIA Programme, a European Union initiative to support the European audiovisual sector ** Multimedia, communications that incorporate multiple forms of information content and processing ** New media, the combination of traditional media and computer and communications technology ** News media, mass media focused on communicating news ** Print media, communications ...
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Granaína
Granaína () is a flamenco style of singing and guitar playing from Granada. It is a variant of the Granada fandangos. It was originally danceable, but now has lost its rhythm, is much slower, and is usually only sung or played as a guitar solo, reflecting its Arab-Moorish heritage more strongly than other fandangos. The famous singer ''Don'' Antonio Chacón Antonio Chacón (1869–1929) was a Spanish flamenco singer antaor Chacón was born in Jerez de la Frontera, Cádiz Province. He began earning a living by performing flamenco around 1884. He toured Andalucia with his two friends, the Molin ... (1869–1929) is attributed with freeing the granaína from its rhythmic ties and making it popular. Singers usually finish their rendering of the granaína with a ''media granaína'', a similar tune but rising to a higher pitch. Manuel Vallejo (1891–1960) was a famous exponent of this latter '' cante''. References Granada Spanish styles of music {{music-genr ...
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Malagueñas (flamenco Style)
''Malagueñas'' () is one of the traditional styles of Andalusian music (flamenco), derived from earlier types of fandango from the area of Málaga, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century. It is not normally used for dance, as it is generally interpreted with no regular rhythmic pattern, as a "cante libre". It has a very rich melody with virtuous flourishes and use of microtones. Its guitar accompaniment is normally played in open position first inversion giving E for the tonic, which can be transposed by using a capo. History Origins Malagueñas derive from local variety of the Fandangos, a type of dance that, with different regional variations and even different names, became very popular in great part of Spain in the 18th century. Although nowadays malagueñas are a typical instance of "cante libre", performed at libitum and normally not used for the dance, folkloric fandangos were originally sung an ...
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Ramón Montoya
Ramón Montoya (November 2, 1879, Madrid, Spain – July 20, 1949, Madrid, Spain), Flamenco guitarist and composer. Born into a family of Gitano (Romani) cattle traders, Ramón Montoya used earnings from working in the trade to purchase his first guitar. He began playing in the cafés de cante before he was twenty years of age. He formed a partnership with the great flamenco cantaor (singer) Antonio Chacón that started in 1912 and lasted more than a decade. Both participated in the Concurso de Cante Jondo of 1922 held in Granada. These two were largely responsible for establishing the form of the various traditional flamenco cantes that are recognized today. In traditional flamenco, the guitar was relegated to a supporting role. Cante (singing) and baile (dance) were the main performers whom the guitarist supported. Montoya was one of the first to challenge this role. His strong playing often overpowered the singer whom he accompanied. He eventually took the next logical step and ...
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