Canjunxi
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Canjunxi
''Canjunxi'' () or ''nongcanjun'' was a popular form of Chinese performing art during the Tang (618–907), Five Dynasties (907–960), and Song (960–1279) periods. Initially a comedy duet, ''canjunxi'' became more complex and by the late Tang dynasty featured a combination of music, dance, and storytelling. Wang Guowei (1877–1927) believed it to be a primitive precursor of Chinese opera, while other scholars consider it to be more similar to certain forms of ''quyi'', such as ''xiangsheng''. Origin According to a passage from ''Zhao Shu'' (; "Book of Zhao") quoted in the 983 book ''Taiping Yulan'', ''canjunxi'' originated from the Later Zhao dynasty (319–351) during the Sixteen Kingdoms period. The adjutant () Zhou Yan () once embezzled several hundred bolts of official silk as the magistrate of Guantao and ended up in prison. Later Zhao's emperor Shi Le pardoned him, but humiliated him whenever there was a gathering. At these banquets, Zhou had to wear yellow silk clothes a ...
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Performing Art
The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which are the use of paint, canvas or various materials to create physical or static art objects. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance. Theatre, music, dance, object manipulation, and other kinds of performances are present in all human cultures. The history of music and dance date to pre-historic times whereas circus skills date to at least Ancient Egypt. Many performing arts are performed professionally. Performance can be in purpose-built buildings, such as theatres and opera houses, on open air stages at festivals, on stages in tents such as circuses or on the street. Live performances before an audience are a form of entertainment. The development of audio and video recording has allowed for private consumption of the performing arts. The ...
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Grave Figures Of Ladies In Waiting, Dancers And Musicians 3
A grave is a location where a dead body (typically that of a human, although sometimes that of an animal) is buried or interred after a funeral. Graves are usually located in special areas set aside for the purpose of burial, such as graveyards or cemeteries. Certain details of a grave, such as the state of the body found within it and any objects found with the body, may provide information for archaeologists about how the body may have lived before its death, including the time period in which it lived and the culture that it had been a part of. In some religions, it is believed that the body must be burned or cremated for the soul to survive; in others, the complete decomposition of the body is considered to be important for the rest of the soul (see bereavement). Description The formal use of a grave involves several steps with associated terminology. ;Grave cut The excavation that forms the grave.Ghamidi (2001)Customs and Behavioral Laws Excavations vary from a sha ...
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Chinese Storytelling
Chinese can refer to: * Something related to China * Chinese people, people of Chinese nationality, citizenship, and/or ethnicity **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of various ethnicities in contemporary China ** Han Chinese, the largest ethnic group in the world and the majority ethnic group in Mainland China, Hong Kong, Macau, Taiwan, and Singapore ** Ethnic minorities in China, people of non-Han Chinese ethnicities in modern China ** Ethnic groups in Chinese history, people of various ethnicities in historical China ** Nationals of the People's Republic of China ** Nationals of the Republic of China ** Overseas Chinese, Chinese people residing outside the territories of Mainland China, Hong Kong, Macau, and Taiwan * Sinitic languages, the major branch of the Sino-Tibetan language family ** Chinese language, a group of related languages spoken predominantly in China, sharing a written script (Chinese c ...
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Tang Dynasty Culture
Tang or TANG most often refers to: * Tang dynasty * Tang (drink mix) Tang or TANG may also refer to: Chinese states and dynasties * Jin (Chinese state) (11th century – 376 BC), a state during the Spring and Autumn period, called Tang (唐) before 8th century BC * Tang dynasty (唐; 618–907), a major Chinese dynasty * Later Tang (唐; 923–937), a state during the Five Dynasties and Ten Kingdoms period * Southern Tang (唐; 937–975), a state during the Five Dynasties and Ten Kingdoms period Food * Tang (drink mix), a brand name of instant fruit flavored drinks, produced by Mondelēz International * Guk, soup or stew in Korean cuisine, sometimes known as "tang" Places Europe * Tang, County Westmeath, a village in Ireland * Tang, North Yorkshire, a settlement in England Asia * Tang, Ardabil, a village in Ardabil Province, Iran * Tang, Badakhshan, a village in Afghanistan * Tang, a village in Bumthang District, Bhutan * Tang (唐镇), a town in Pudong, Shanghai, China * ...
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Southern Song
The Song dynasty (; ; 960–1279) was an Dynasties in Chinese history, imperial dynasty of China that began in 960 and lasted until 1279. The dynasty was founded by Emperor Taizu of Song following his usurpation of the throne of the Later Zhou. The Song conquered the rest of the Ten Kingdoms, ending the Five Dynasties and Ten Kingdoms period. The Song often came into conflict with the contemporaneous Liao dynasty, Liao, Western Xia and Jin dynasty (1115–1234), Jin dynasties in northern China. After retreating to southern China, the Song was eventually conquered by the Mongols, Mongol-led Yuan dynasty. The dynasty is divided into History of the Song dynasty, two periods: Northern Song and Southern Song. During the Northern Song (960–1127), Northern Song (; 960–1127), the capital was in the northern city of Kaifeng, Bianjing (now Kaifeng) and the dynasty controlled most of what is now Eastern China. The #Southern Song, 1127–1279, Southern Song (; 1127–1279) refers to the ...
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Zaju
''Zaju'' was a form of Chinese opera which provided entertainment through a synthesis of recitations of prose and poetry, dance, singing, and mime, with a certain emphasis on comedy (or, happy endings). Although with diverse and earlier roots, ''zaju'' has particularly been associated with the time of the Yuan dynasty (1271–1368), and ''zaju'' remains important in terms of the historical study of the theater arts as well as Classical Chinese literature and poetry. ''Zaju'' is known to have been performed during the earlier Song (960–1279) and Jin (1115–1234) dynasties. The various particulars of the ''zaju'' multimedia performance were derived from many and diverse sources of musical, dance, poetry, and theater traditions. Characteristics The Yuan ''zaju'' were poetic music dramas comprising four acts, with the "act" (齣, ''chu'') defined as a set of songs following and completing a certain musical modal progression. Occasionally one or two "wedges" (楔子, ''xiezi''), or s ...
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Jin Dynasty (1115–1234)
The Jin dynasty (, ; ) or Jin State (; Jurchen: Anchun Gurun), officially known as the Great Jin (), was an imperial dynasty of China that existed between 1115 and 1234. Its name is sometimes written as Kin, Jurchen Jin, Jinn, or Chin in English to differentiate it from an earlier Jìn dynasty whose name is rendered identically in Hanyu Pinyin without the tone marking. It is also sometimes called the "Jurchen dynasty" or the "Jurchen Jin", because members of the ruling Wanyan clan were of Jurchen descent. The Jin emerged from Wanyan Aguda's rebellion against the Liao dynasty (916–1125), which held sway over northern China until the nascent Jin drove the Liao to the Western Regions, where they became known in historiography as the Western Liao. After vanquishing the Liao, the Jin launched a century-long campaign against the Han-led Song dynasty (960–1279), which was based in southern China. Over the course of their rule, the ethnic Jurchen emperors of the Jin dynas ...
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Yuanben
''Yuanben'' () was an early form of Chinese opera which thrived in northern China during the Jin dynasty (1115–1234) and early Yuan dynasty (1271–1368). Unlike the contemporary '' nanxi'', which flourished in East China, no ''yuanben'' play has survived. Nevertheless, 691 ''yuanben'' titles are listed in a 1366 book by Tao Zongyi. ''Yuanben'' might have been very similar to the ''zaju'' in the Song dynasty which controlled southern China, and it eventually evolved into the ''zaju'' of the Yuan dynasty. Role types There were five role types in ''yuanben'', namely:Mackerras, p. 20. *''Fujing'' (), derived from the ''canjun'' role type in ''canjunxi ''Canjunxi'' () or ''nongcanjun'' was a popular form of Chinese performing art during the Tang (618–907), Five Dynasties (907–960), and Song (960–1279) periods. Initially a comedy duet, ''canjunxi'' became more complex and by the late Tang dy ...'', a clown *''Fumo'' (), derived from the ''canghu'' role type in ''canjunxi'', a j ...
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Lu Yu
Lu Yu (; 733–804) or Lu Ji (陆疾), courtesy name Jici (季疵) was a Chinese tea master and writer. He is respected as the Sage of Tea for his contribution to Chinese tea culture. He is best known for his monumental book ''The Classic of Tea,'' also known as ''Ch'a Ching'' (simplified Chinese: 茶经), the first definitive work on cultivating, making and drinking tea. Biography Lu Yu was born in 733 in Tianmen, Hubei. For six years, Lu Yu stayed in Huomen mountain studying under the guidance of master Zou Fuzi. During this period, Lu Yu often brewed tea for his teacher. He also took care of fellow students' health using his remarkable knowledge in tea and herbs that he learned while at the Longgai Monastery. Whenever time permitted between his studies Lu Yu often went to the countryside to gather tea leaves and herbs. In one of those trips Lu Yu stumbled upon a spring underneath a 6-foot round rock and the water from the spring was extremely clear and clean. When Lu Yu ...
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Shinjitai
are the simplified forms of kanji used in Japan since the promulgation of the Tōyō Kanji List in 1946. Some of the new forms found in ''shinjitai'' are also found in Simplified Chinese characters, but ''shinjitai'' is generally not as extensive in the scope of its modification. ''Shinjitai'' were created by reducing the number of strokes in ''kyūjitai'' ("old character form") or , which is unsimplified kanji (usually similar to Traditional Chinese characters). This simplification was achieved through a process (similar to that of simplified Chinese) of either replacing the ''onpu'' (, "sound mark") indicating the ''On'' reading with another ''onpu'' of the same ''On'' reading with fewer strokes, or replacing a complex component of a character with a simpler one. There have been a few stages of simplifications made since the 1950s, but the only changes that became official were the changes in the Jōyō Kanji List in 1981 and 2010. Background The following forms were establ ...
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Gagaku
is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794-1185) around the 10th century.History of gagaku
Nihon gagakukai
Today, it is performed by the in the . Gagaku consists of three primary repertoires: #Native
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University Of Michigan Press
The University of Michigan Press is part of Michigan Publishing at the University of Michigan Library. It publishes 170 new titles each year in the humanities and social sciences. Titles from the press have earned numerous awards, including Lambda Literary Awards, the PEN/Faulkner Award, the Joe A. Callaway Award, and the Nautilus Book Award. The press has published works by authors who have been awarded the Pulitzer Prize, the National Humanities Medal and the Nobel Prize in Economics. History From 1858 to 1930, the University of Michigan had no organized entity for its scholarly publications, which were generally conference proceedings or department-specific research. The University Press was established in 1930 under the university's Graduate School, and in 1935, Frank E. Robbins, assistant to university president Alexander G. Ruthven, was appointed as the managing editor of the University Press. He would hold this position until 1954, when Fred D. Wieck was appointed as ...
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