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Campanology
Campanology () is the scientific and musical study of bells. It encompasses the technology of bells – how they are founded, tuned and rung – as well as the history, methods, and traditions of bellringing as an art. It is common to collect together a set of tuned bells and treat the whole as one musical instrument. Such collectionssuch as a Flemish carillon, a Russian ''zvon'', or an English "ring of bells" used for change ringinghave their own practices and challenges; and campanology is likewise the study of perfecting such instruments and composing and performing music for them. In this sense, however, the word ''campanology'' is most often used in reference to relatively large bells, often hung in a tower. It is not usually applied to assemblages of smaller bells, such as a glockenspiel, a collection of tubular bells, or an Indonesian gamelan. Etymology and definition ''Campanology'' is a hybrid word. The first half is derived from the Late Latin , meaning 'bell'; the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carillon
A carillon ( , ) is a pitched percussion instrument that is played with a keyboard and consists of at least 23 cast-bronze bells. The bells are hung in fixed suspension and tuned in chromatic order so that they can be sounded harmoniously together. They are struck with clappers connected to a keyboard of wooden batons played with the hands and pedals played with the feet. Often housed in bell towers, carillons are usually owned by churches, universities, or municipalities. They can include an automatic system through which the time is announced and simple tunes are played throughout the day. Carillons come in many designs, weights, sizes, and sounds. They are among the world's heaviest instruments, and the heaviest carillon weighs over . Most weigh between . To be considered a carillon, a minimum of 23 bells are needed; otherwise, it is called a chime. Standard-sized instruments have about 50, and the world's largest has 77 bells. The appearance of a carillon depends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hybrid Word
A hybrid word or hybridism is a word that etymologically derives from at least two languages. Common hybrids The most common form of hybrid word in English combines Latin and Greek parts. Since many prefixes and suffixes in English are of Latin or Greek etymology, it is straightforward to add a prefix or suffix from one language to an English word that comes from a different language, thus creating a hybrid word. Hybridisms were formerly often considered to be barbarisms., ''s.v.'' 'barbarism' English examples * Antacid – from Greek () 'against' and Latin acidus 'acid'; this term dates back to 1732. *Aquaphobia – from Latin 'water' and Greek () 'fear'; this term is distinguished from the non-hybrid word '' hydrophobia'', which can refer to symptoms of rabies. * Asexual – from Greek prefix 'without' and the Latin 'sex' * Automobile – a wheeled passenger vehicle, from Greek () 'self' and Latin 'moveable' * Beatnik – a 1950s counterculture movement centered on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Full Circle Ringing
Full circle ringing is a technique of ringing a tower bell such that it swings in a complete circle from mouth upwards to mouth upwards and then back again repetitively. Technique Full-circle tower bell ringing in England developed in the early 17th century when bell ringers found that swinging a bell through a much larger arc than that required for swing-chiming gave control over the time between successive strikes of the clapper. A bell swinging through a small arc acts as a simple pendulum, at a time interval governed by its size and shape. By swinging it through a much larger arc approaching a full circle, control of the strike interval can be exercised by the ringer. This culminated in the technique of full circle ringing, which enabled ringers to control the speeds of their individual bells accurately to sound them in orderly sequences. From this was born the art of change ringing. Speed control is exerted by the ringer only when each bell is nearly mouth upwards and m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell (instrument)
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and instal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bellfounding
Bellfounding is the casting and tuning of large bronze bells in a foundry for use such as in churches, clock towers and public buildings, either to signify the time or an event, or as a musical carillon or chime. Large bells are made by casting bell metal in moulds designed for their intended musical pitches. Further fine tuning is then performed using a lathe to shave metal from the bell to produce a distinctive bell tone by sounding the correct musical harmonics. Bellfounding in East Asia dates from about 2000 BCE and in Europe from the 4th or 5th century CE. In Britain, archaeological excavations have revealed traces of furnaces, showing that bells were often cast on site in pits in a church or its grounds. Centralised foundries became common when railways allowed easy transportation of bells, leading to the dominance of founders such as the Whitechapel Bell Foundry and John Taylor & Co of Loughborough. Elsewhere in the world a number of foundries are still activ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ring Of Bells
A "ring of bells" is the name bell ringers give to a set of bell (instrument), bells hung for English full circle ringing. The term "peal of bells" is often used, though peal also refers to a change ringing performance of more than about 5,000 Method ringing, changes. By ringing a bell in a full circle, it was found in the early 17th century that the speed of the bell could be easily altered and the interval between successive soundings (strikes) of the bell could be accurately controlled. A set of bells rung in this manner can be made to strike in different sequences. This ability to control the speed of bells soon led to the development of change ringing where the striking sequence of the bells is changed to give variety and musicality to the sound. The vast majority of "rings" are in bell tower, church towers in the Anglican church in England and can be three to sixteen bells, though six and eight bell towers are the most common. They are musical tuning, tuned to the notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Change Ringing
Change ringing is the art of ringing a set of tuned bells in a tightly controlled manner to produce precise variations in their successive striking sequences, known as "changes". This can be by method ringing in which the ringers commit to memory the rules for generating each change, or by call changes, where the ringers are instructed how to generate each change by instructions from a conductor. This creates a form of bell music which cannot be discerned as a conventional melody, but is a series of mathematical sequences. Change ringing originated following the invention of English full-circle tower bell ringing in the early 17th century, when bell ringers found that swinging a bell through a much larger arc than that required for swing-chiming gave control over the time between successive strikes of the clapper. Ordinarily a bell will swing through a small arc only at a set speed governed by its size and shape in the nature of a simple pendulum, but by swinging through a larg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dove's Guide For Church Bell Ringers
''Dove's Guide for Church Bell Ringers'' (known to ringers as ''Dove's Guide'' or simply ''Dove'') is the standard reference to the rings of bells hung for English-style full circle ringing. The vast majority of these "towers" are in England and Wales but the guide includes towers from the rest of the British Isles as well as a few from around the world (including the United States, Australia, Canada, Africa and New Zealand). The latest edition is ''Dove’s Guide for Church Bell Ringers to the Rings of Bells of the World'' (11th Edition). History The guide was first published in 1950 by Ronald Hammerton Dove (1 June 1906 – 19 March 2001) under the title ''A Bellringer's Guide to the Church Bells of Britain and Ringing Peals of the World''. Previously the location of rings of bells was a matter only of local knowledge and hearsay. Dove produced eight editions of his guide between 1950 and 1994, managing to visit and ring at nearly all the ringable towers himself (a never- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Ringer
A bell-ringer is a person who rings a bell, usually a church bell, by means of a rope or other mechanism. Despite some automation of bells for random swinging, there are still many active bell-ringers in the world, particularly those with an advanced ringing tradition such as full-circle or Russian ringing, which are artistic and skilled performances which are difficult to automate. The term campanologist is popularly misused to refer to a bell-ringer, but this properly refers to someone who studies bells, which is known as campanology. Although in some places carillons are used to sound bells, they are "played" by carillonneurs, not by bell-ringers, and are associated with the ringing of tunes in the Western musical tradition. Full-circle ringing English full-circle ringing In England, it is estimated there are about 40,000 bell-ringers ringing on rings of bells in the English full-circle style. This type of ringing cannot be automated because of the large rotating masse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Scale
In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale. This pattern ensures that, in a diatonic scale spanning more than one octave, all the half steps are Maximal evenness, maximally separated from each other (i.e. separated by at least two whole steps). The seven pitch (music), pitches of any diatonic scale can also be obtained by using a Interval cycle, chain of six perfect fifths. For instance, the seven natural (music), natural pitch classes that form the C-major scale can be obtained from a stack of perfect fifths starting from F: :F–C–G–D–A–E–B Any sequence of seven successive natural notes, such as C–D–E–F–G–A–B, and any Transposition (music), transposition thereof, is a diatonic scale. Modern musical keyboards are des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic Scale
The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the chromatic scale, while other instruments capable of continuously variable pitch, such as the trombone and violin, can also produce microtones, or notes between those available on a piano. Most music uses subsets of the chromatic scale such as diatonic scales. While the chromatic scale is fundamental in western music theory, it is seldom directly used in its entirety in musical compositions or improvisation. Definition The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
