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Culture Of Cuba
The culture of Cuba is a complex mixture of different, often contradicting, factors and influences. The Cuban people and their customs are based on European, African and Amerindian influences. Music The music of Cuba, including the instruments and the dances, is mostly of European and African origin. Most forms of the present day are creolized fusions and mixtures of these two great sources. Almost nothing remains of the original Native traditions. Fernando OrtÃz, the first great Cuban folklorist, described Cuba's musical innovations as arising from the interplay ('transculturation') between African slaves settled on large sugarcane plantations and Spanish or Canary Islanders who grew tobacco on small farms. The African slaves and their descendants reconstructed large numbers of percussive instruments and corresponding rhythms. The great instrumental contribution of the Spanish was their guitar, but even more important was the tradition of European musical notation and tech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casino Español, Matanzas Cuba
A casino is a facility for certain types of gambling. Casinos are often built near or combined with hotels, resorts, restaurants, retail shopping, cruise ships, and other tourist attractions. Some casinos are also known for hosting live entertainment, such as stand-up comedy, concerts, and sports. and usage ''Casino'' is of Italian language, Italian origin; the root means a house. The term ''casino'' may mean a small country villa, Summerhouse (building), summerhouse, or social club. During the 19th century, ''casino'' came to include other public buildings where pleasurable activities took place; such edifices were usually built on the grounds of a larger Italian villa or palazzo, and were used to host civic town functions, including dancing, gambling, music listening, and sports. Examples in Italy include Villa Farnese and Villa Giulia, and in the US the Newport Casino in Newport, Rhode Island. In modern-day Italian, a is a brothel (also called , literally "closed house"), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabildo (Cuba)
Cabildos de nación were African ethnic associations created in Cuba in the late 16th century based on the Spanish cofradÃas (guilds or fraternities) that were organized in Seville for the first time around the 14th century. The Sevillian cofradÃas had the tutelage of a Catholic saint and were held in the saint’s chapel. "One of the earliest known ''Cabildos de nación'' in Cuba was Mandinga Zape (1568)" The first cabildo on Compostela street in Havana was built in a lot purchased in 1691 by the Arará family. The same lot is still known as ''el solar de los Arará'' (the Arará’s lot). At the time the African population in Cuba was not as significant as it was after the 19th century with the sugar boom. Cabildos were organized by slaves belonging to the same ethnic group and became very popular in the urban areas. Benefits brought by the ''cabildos'' Spanish legislation supported the cabildos as means of entertainment for the slave population, and as social control allevi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Rumba
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based ''coros de clave''. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles. Traditionally performed by poor workers of African descent in streets and ''solares'' (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. '' Cajones'' (wooden boxes) were used as drums until the early 20th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón
Danzón is the official musical genre and dance of Cuba.Urfé, Odilio 1965. ''El danzón''. La Habana. It is also an active musical form in Mexico and Puerto Rico. Written in time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or tÃpica ensemble. The danzón evolved from the Cuban contradanza, or habanera ('Havana-dance'). The contradanza, which had English and French roots in the country dance and contredanse, was probably introduced to Cuba by the Spanish, who ruled the island for almost four centuries (1511–1898), contributing many thousands of immigrants. It may also have been partially seeded during the short-lived British occupation of Havana in 1762, and Haitian refugees fleeing the island's revolution of 1791–1804 brought the French-Haitian kontradans, contributing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaracha
The guaracha () is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word had been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in musical theatres and in low-class dance salons. They became an integral part of bufo comic theatre in the mid-19th century. During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands. Early uses of the word Though the word may be historically of Spanish origin, its use in this context is of indigenous Cuban origin. These are excerpts from reference sources, in date order: A Latin American carol "Convidando esta la noche" dates from at least the mid 17th century and both mentions and is a guaracha. It was composed or collected by Juan Garcia de Zespedes, 1620-1678, Puebla, Mexico. This i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habanera (music)
''Contradanza'' (also called ''contradanza criolla'', ''danza'', ''danza criolla'', or ''habanera'') is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador. In Cuba during the 19th century, it became an important genre, the first written music to be rhythmically based on an African rhythm pattern and the first Cuban dance to gain international popularity, the progenitor of danzón, mambo and cha-cha-cha, with a characteristic "habanera rhythm" and sung lyrics. Outside Cuba, the Cuban contradanza became known as the ''habanera'' – the dance of Havana – and that name was adopted in Cuba itself subsequent to its international popularity in the later 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Cubano
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' (sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SanterÃa
SanterÃa (), also known as Regla de Ocha, Regla LucumÃ, or LucumÃ, is an African diaspora religions, African diasporic religion that developed in Cuba during the late 19th century. It arose through a process of syncretism between the traditional Yoruba religion of West Africa, the Catholic Church, Roman Catholic form of Christianity, and Spiritism. There is no central authority in control of SanterÃa and much diversity exists among practitioners, who are known as ''creyentes'' ("believers"). SanterÃa is polytheism, polytheistic and revolves around deities called ''Orisha, oricha''. Deriving their names and attributes from traditional Yoruba divinities, they are equated with Roman Catholic saints. Each human is believed to have a personal link to a particular oricha who influences their personality. Various myths are told about these oricha, who are regarded as subservient to Olodumare, a transcendent creator deity. Olodumare is believed to be the ultimate source of ''Aá¹£á ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palo (religion)
Palo, also known as Las Reglas de Congo, is an African diasporic religion that developed in Cuba during the late 19th or early 20th century. It arose through a process of syncretism between the traditional Kongo religion of Central Africa, the Roman Catholic branch of Christianity, and Spiritism. Initiates in the religion are termed ''paleros'' (male) or ''paleras'' (female). An initiatory religion, Palo is organised through small autonomous groups called ''munanso congo'', each led by a figure known as a ''tata'' (father) or ''yayi'' (mother). Although teaching the existence of a creator deity, Nsambi or Sambia, Palo regards this entity as being uninvolved in human affairs and thus focuses its attention on the spirts of the dead, collectively known as ''Kalunga''. Central to Palo is the ''nganga'' or ''prenda'', a vessel usually made from an iron cauldron, clay pot, or gourd. Many ''nganga'' are regarded as material manifestations of particular deities known as ''mpungu''. The ''n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoruba Religion
The Yoruba religion (Yoruba: Ìṣẹ̀ṣe), or Isese, comprises the traditional religious and spiritual concepts and practice of the Yoruba people. Its homeland is in present-day Southwestern Nigeria, which comprises the majority of Oyo, Ogun, Osun, Ondo, Ekiti, Kwara and Lagos States, as well as parts of Kogi state and the adjoining parts of Benin and Togo, commonly known as Yoruba land. It shares some parallels with the Vodun practiced by the neighboring Fon and Ewe peoples to the west and to the religion of the Edo people and Igala people to the east. Yoruba religion is the basis for a number of religions in the New World, notably SanterÃa, Umbanda, Trinidad Orisha, and Candomblé. Yoruba religious beliefs are part of Ità n (history), the total complex of songs, histories, stories, and other cultural concepts which make up the Yoruba society. Term The Yoruba name for the Yoruba indigenous religion is Ìṣẹ̀ṣẹ, which also refers to the traditions and ritual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haiti
Haiti (; ht, Ayiti ; French: ), officially the Republic of Haiti (); ) and formerly known as Hayti, is a country located on the island of Hispaniola in the Greater Antilles archipelago of the Caribbean Sea, east of Cuba and Jamaica, and south of The Bahamas and the Turks and Caicos Islands. It occupies the western three-eighths of the island which it shares with the Dominican Republic. To its south-west lies the small Navassa Island, which is claimed by Haiti but is disputed as a United States territory under federal administration."Haiti" ''Encyclopædia Britannica''. Haiti is in size, the third largest country in the Caribbean by area, and has an estimated population of 11.4 million, making it the most populous country in the Caribb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fon People
The Fon people, also called Fon nu, Agadja or Dahomey, are a Gbe ethnic group.Fon people Encyclopædia Britannica, undated, 1.7 million population, Retrieved June 29, 2019 They are the largest ethnic group in found particularly in its south region; they are also found in southwest and . Their total population is estimated to be about 3,500,000 people, and they speak the |
