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Cul-de-four
In architecture, a semi-dome (or half-dome) is a half dome that covers a semi-circular area in a building. Architecture Semi-domes are a common feature of apses in Ancient Roman and traditional church architecture, and in mosques and iwans in Islamic architecture. A semi-dome, or the whole apse, may also be called a conch after the scallop shell often carved as decoration of the semi-dome (all shells were conches in Ancient Greek), though this is usually used for subsidiary semi-domes, rather than the one over the main apse. Small semi-domes have been often decorated in a shell shape from ancient times, as in Piero della Francesca's ''Throned Madonna with saints and Federigo da Montefeltro'', and the example in the gallery below. Islamic examples may use muqarnas decorative corbelling, while in Late Antique, Byzantine and medieval church architecture the semi-dome is the classic location for a focal mosaic, or later fresco. Found in many Ancient Greek exedras, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Architecture
Church architecture refers to the architecture of buildings of churches, convents, seminaries etc. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the birth of Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. While a few are counted as sublime works of architecture to equal the great cathedrals and churches, the majority developed along si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sedefkar Mehmed Agha
Sedefkar Mehmed Agha Biçakçiu or Sedefqar Mehmeti of Elbasan (Modern Turkish: ''Sedefkâr Mehmet Ağa'', about 1540–1617) is recorded as the Ottoman architect of the Sultan Ahmed Mosque (the "Blue Mosque") in Istanbul. Biography Mehmed Agha was born around 1540. According to the biographer Cafer Efendi, he was believed to have been originally from the city of Elbasan in what is now Albania. He brought to Istanbul in 1563 as a "Devshirme" to join the janissary corps or palace schools. After six years as a cadet (''acemioğlan'') he began the study of music. During a period of twenty years he specialized with inlay in mother-of-pearl, giving him the surname ''Sedefkâr'' (worker in mother-of-pearl). Later he also switched to architecture. He became a pupil of architect Mimar Sinan, Turkey's most celebrated architect,Mehmed Aga in Encyclopædia Britannica online,LINK becoming his first assistant in charge of the office in the absence of Sinan. In January 1586 he was appoint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mimar Sinan
Mimar Sinan ( ota, معمار سينان, translit=Mi'mâr Sinân, , ) ( 1488–1490 – 17 July 1588) also known as Koca Mi'mâr Sinân Âğâ, ("Sinan Agha (title), Agha the Grand Architect" or "Grand Sinan") was the chief Ottoman Empire, Ottoman architect ( tr, links=no, mimar) and civil engineer for sultans Suleiman the Magnificent, Selim II and Murad III. He was responsible for the construction of more than 300 major structures and other more modest projects, such as schools. His apprentices would later design the Sultan Ahmed Mosque in Istanbul and Stari Most in Mostar. The son of a stonemason, he received a technical education and became a military engineer. He rose rapidly through the ranks to become first an officer and finally a Janissary commander, with the honorific title of Sinan.Goodwin (2001), p. 87 He refined his architectural and engineering skills while on campaign with the Janissaries, becoming expert at constructing fortifications of all kinds, as well ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Architecture
Ottoman architecture is the architectural style that developed under the Ottoman Empire. It first emerged in northwestern Anatolia in the late 13th century and developed from earlier Seljuk architecture, Seljuk Turkish architecture, with influences from Byzantine architecture, Byzantine and Iranian architecture, Iranian architecture along with other architectural traditions in the Middle East.: "The grand tradition of Ottoman architecture, established in the 16th century, differed markedly from that of the earlier Moors. It was derived from both the Byzantine Christian tradition, outlined above, and native Middle Eastern forms used by the Islamic Seljuk Turks, who preceded the Ottomans. The Byzantine tradition, particularly as embodied in Hagia Sophia, was perhaps the major source of inspiration." "The mosques of the classical period are more elaborate than those of earlier times. They derive from a fusion of a native Turkish tradition with certain elements of the plan of Haghia S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Christian
Eastern Christianity comprises Christian traditions and church families that originally developed during classical and late antiquity in Eastern Europe, Southeastern Europe, Asia Minor, the Caucasus, Northeast Africa, the Fertile Crescent and the Malabar coast of South Asia, and ephemerally parts of Persia, Central Asia, the Near East and the Far East. The term does not describe a single communion or religious denomination. Major Eastern Christian bodies include the Eastern Orthodox Church and the Oriental Orthodox Churches, along with those groups descended from the historic Church of the East, as well as the Eastern Catholic Churches (which have either re-established or always retained communion with Rome and maintain Eastern liturgies), and the Eastern Protestant churches (which are Protestant in theology but Eastern in cultural practice). The various Eastern churches do not normally refer to themselves as "Eastern", with the exception of the Assyrian Church of the East a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-in-square
A cross-in-square or crossed-dome floor plan, plan was the dominant architectural form of middle- and late-period Byzantine Empire, Byzantine church architecture, churches. It featured a square centre with an internal structure shaped like a cross, topped by a dome. The first cross-in-square churches were probably built in the late 8th century, and the form has remained in use throughout the Eastern Orthodox Church, Orthodox world unto the present day. In the West, Donato Bramante's first design (1506) for St. Peter's Basilica was a centrally planned cross-in-square under a dome and four subsidiary domes. In German, such a church is a , or ‘cross-dome church’. In French, it is an , ‘church with an inscribed figure, inscribed cross’. Architecture Architectural form A cross-in-square church is centered around a quadratic cella, naos (the ‘square’) which is divided by four columns or piers into nine bay (architecture), bays (divisions of space). The inner five divisi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triconch
A tetraconch, from the Greek for "four shells", is a building, usually a church or other religious building, with four apses, one in each direction, usually of equal size. The basic ground plan of the building is therefore a Greek cross. They are most common in Byzantine, and related schools such as Armenian and Georgian architecture. It has been argued that they were developed in these areas or Syria, and the issue is a matter of contention between the two nations in the Caucasus. Apart from churches, the form is suitable for a mausoleum or baptistery. Normally, there will be a higher central dome over the central space. Overview The Basilica of San Lorenzo, Milan (370) is possibly the first example of a grander type, the "aisled tetraconch", with an outer ambulatory. In middle Byzantine architecture, the cross-in-square plan was developed, essentially filling out the tetraconch to form a square-ish exterior. Either of these types may also be described less precisely as "cross-do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetraconch
A tetraconch, from the Greek for "four shells", is a building, usually a church or other religious building, with four apses, one in each direction, usually of equal size. The basic ground plan of the building is therefore a Greek cross. They are most common in Byzantine, and related schools such as Armenian and Georgian architecture. It has been argued that they were developed in these areas or Syria, and the issue is a matter of contention between the two nations in the Caucasus. Apart from churches, the form is suitable for a mausoleum or baptistery. Normally, there will be a higher central dome over the central space. Overview The Basilica of San Lorenzo, Milan (370) is possibly the first example of a grander type, the "aisled tetraconch", with an outer ambulatory. In middle Byzantine architecture, the cross-in-square plan was developed, essentially filling out the tetraconch to form a square-ish exterior. Either of these types may also be described less precisely as "cros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hagia Sophia
Hagia Sophia ( 'Holy Wisdom'; ; ; ), officially the Hagia Sophia Grand Mosque ( tr, Ayasofya-i Kebir Cami-i Şerifi), is a mosque and major cultural and historical site in Istanbul, Turkey. The cathedral was originally built as a Greek Orthodox church which lasted from 360 AD until the conquest of Constantinople by the Ottoman Empire in 1453. It served as a mosque until 1935, when it became a museum. In 2020, the site once again became a mosque. The current structure was built by the eastern Roman emperor Justinian I as the Christian cathedral of Constantinople for the state church of the Roman Empire between 532 and 537, and was designed by the Greek geometers Isidore of Miletus and Anthemius of Tralles. It was formally called the Church of the Holy Wisdom () and upon completion became the world's largest interior space and among the first to employ a fully pendentive dome. It is considered the epitome of Byzantine architecture and is said to have "changed the history o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exedra
An exedra (plural: exedras or exedrae) is a semicircular architectural recess or platform, sometimes crowned by a semi-dome, and either set into a building's façade or free-standing. The original Greek sense (''ἐξέδρα'', a seat out of doors) was applied to a room that opened onto a stoa, ringed with curved high-backed stone benches, a suitable place for conversation. An exedra may also be expressed by a curved break in a colonnade, perhaps with a semicircular seat. The exedra would typically have an apsidal podium that supported the stone bench. The free-standing (open air) exedra, often supporting bronze portrait sculpture, is a familiar Hellenistic structure, characteristically sited along sacred ways or in open places in sanctuaries, such as at Delos or Epidaurus. Some Hellenistic exedras were built in relation to a city's agora, as in Priene. Monument architects have also used this free-standing style in modern times. Rise The exedra achieved particular populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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