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Court Ballets Of Louis XIV
''Ballet de cour'' ("court ballet") is the name given to ballets performed in the 16th and 17th centuries at royal court, courts. The court ballet was a gathering of noblemen and women, as the cast and audience were largely supplied by the ruling class. The festivities, which were descendants of festivals, processions and mummeries dating back to the Middle Ages, looked more like a modern-day parade, than what people today would identify as a ballet performance. Where early court ballet differed from its predecessors, is that it was a secular, not religious happening. It was a carefully crafted mixture of art, socializing, and politics, with its primary objective being to exalt the State. Because these celebrations occurred long before the proscenium stage had been invented, and were instead executed in large halls with audience members stacked up on three sides of the performance, early court ballet’s choreography was constructed as a series of patterns and geometric shapes th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balthasar De Beaujoyeulx
Balthasar de Beaujoyeulx (also Balthasar de Beaujoyeux), originally Baldassare de Belgiojoso (died c. 1587 in Paris) was an Italian violinist, composer, and choreographer.Balthasar de Beaujoyeux: Definition from Answers.com Retrieved 27 March 2010.Andros on Ballet - Catherine Medici De Retrieved 27 March 2010. Career Beaujoyeulx moved to Paris in 1555, where he became a servant at the court of Catherine de' Medici. He tutored two of her sons and displayed a talent for arrangin ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Rameau
Pierre Rameau (1674 – 26 January 1748), was the French dancing master to Elisabetta Farnese, and the author of two books that now provide us with valuable information about Baroque dance. Rameau's first book, ''Le Maître à Danser'' (1725, Paris), was a dance manual giving instruction on formal ballroom dancing in the French style. The first part covers posture, reverences, steps, and the ballroom minuet, while the second part is concerned entirely with the use of the arms. His second book, ''Abbregé de la Nouvelle Methode'' (c1725, Paris), described a modified version of Beauchamp–Feuillet notation and included several choreographies by Pécour in the new notation. While Rameau's notation was not generally adopted, his information about the shortcomings of Beauchamp–Feuillet notation provides dance historians with clarifications about the execution of the steps. External links * *Library of Congress ''An American Ballroom Companion'' facsimiles of Rameau's works: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre Romantic Ballet
Pre or PRE may refer to: Places *Preston railway station, UK National Rail code PRE *Prince Edward station, on Hong Kong's MTR People *Steve Prefontaine (1951–1975), an American runner nicknamed "Pre" Arts, entertainment, and media *Pre (band), British band * Public Radio East, regional network for NPR Technology *…, HTML element for pre-formatted text *Microphone preamplifier *Palm Pre, a smartphone * Partial redundancy elimination, computer compiler optimization * Personal Rescue Enclosure, for spacecraft Other uses *Andalusian horse The Andalusian, also known as the Pure Spanish Horse or PRE (Spanish language literally translates to “Spanish pure breed”. This name is sometimes capitalized when used in English-language publications, but is all lower-case in Spanish, wh ... or ''Pura Raza Española'' * Proportionate reduction of error, in statistics See also * {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Europe Galante
''L'Europe galante'' (''Galant Europe'') is an opéra-ballet in a prologue and four entrées by André Campra to a French libretto by Antoine Houdar de la Motte. The opera is regarded as the first opéra-ballet, with the entrées sharing a common theme – in this case 'love' in four countries, France (entrée 1), Spain (entrée 2), Italy (entrée 3) and Turkey (entrée 4) – rather than a common narrative. Performance history ''L'Europe Galante'' was first performed on 24 October 1697 by the Paris Opéra under Marin Marais in the Salle du Palais-Royal in Paris. It was successful and was revived periodically until 1775. In 1997 – on the 300th anniversary of its creation – Istanbul Baroque led by Leyla Pınar staged ''L'Europe Galante'' in Istanbul Dolmabahçe Palace. They then toured it to the Brussels Printemps baroque du Sablon festival the same year. Roles Sources Further reading *Anthony, James R. (1992), "Europe galante, L" in ''The New Grove Dictionary of Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turnout (ballet)
In ballet, turnout (also turn-out) is rotation of the leg at the hips which causes the feet (and knees) to turn outward, away from the front of the body. This rotation allows for greater extension of the leg, especially when raising it to the side and rear. Turnout is an essential part of classical ballet technique. Turnout is measured in terms of the angle between the center lines of the feet when heels are touching, as in first position. Complete turnout (a 180° angle) is rarely attainable without conditioning.Kirstein, Stuart (1952), p. 26. Various exercises are used to improve turnout by increasing hip flexibility (to improve movement range), strengthening buttocks muscles (to enable a dancer to maintain turnout), or both. Physiology In properly executed turnout, the legs must rotate at the hips. If turnout is achieved via lateral rotation in the knee joint (vs. at the hip), the knee will still face forward. This is considered to be less aesthetically pleasing and can caus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thoinot Arbeau
Thoinot Arbeau is the anagrammatic pen name of French cleric Jehan Tabourot (March 17, 1520 – July 23, 1595). Tabourot is most famous for his ''Orchésographie'', a study of late sixteenth-century French Renaissance social dance. He was born in Dijon and died in Langres. ''Orchésographie'' and other work ''Orchésographie'', first published in Langres, 1589,The title page's "Extraict du priuilege" is dated "Novembre 1588". provides information on social ballroom behaviour and on the interaction of musicians and dancers. It is available online in facsimile and in plain text. There is an English translation by Mary Stewart Evans, edited by Julia Sutton, in print with Dover Publications. It contains numerous woodcuts of dancers and musicians and includes many dance tabulations in which extensive instructions for the steps are lined up next to the musical notes, a significant innovation in dance notation at that time. He also published on astronomy: ''Compot et Manuel Kalend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Positions Of The Feet In Ballet
The positions of the feet in ballet is a fundamental part of classical ballet technique that defines standard placements of feet on the floor. There are five basic positions in modern-day classical ballet, known as the first through fifth positions. In 1725, dancing master Pierre Rameau credited the codification of these five positions to choreographer Pierre Beauchamp. Two additional positions, known as the sixth and seventh positions, were codified by Serge Lifar in the 1930s while serving as Ballet Master at the Paris Opéra Ballet, though their use is limited to Lifar's choreographies. The sixth and seventh positions were not Lifar's inventions, but revivals of positions that already existed in the eighteenth century, when there were ten positions of the feet in classical ballet. Five basic positions The first basic position requires the feet to be flat on the floor and turned out (pointing in opposite directions as a result of rotating the legs at the hips). First posi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Royale De Danse
The Académie Royale de Danse, founded by Letters Patent on the initiative of King Louis XIV of France in March 1661, was the first dance institution established in the Western world. As one of King Louis’ first official edicts after the death of royal adviser Jules Mazarin, the “Letters Patent of the King to Establish a Royal Academy of Dance in the City of Paris” represented a critical step towards the young King's wielding of consolidated personal power. Structurally, the Académie consisted of thirteen dancing masters selected by King Louis XIV for being the “most experienced in the Art f dance” This "experience" was determined by each dancer's history of success in previous royal productions of ''ballets de cour''. Most famously, eight of the selected dancing masters performed with King Louis XIV during his portrayal of Apollo, the Sun King, in ''Le'' ''Ballet de la nuit'' (1653). Although the object of the Académie was to reflect, analyze and normalize matters of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-ballet
''Opéra-ballet'' (; plural: ''opéras-ballets'') is a genre of French Baroque lyric theatre that was most popular during the 18th century, combining elements of opera and ballet, "that grew out of the '' ballets à entrées'' of the early seventeenth century".Pitou 1983, p. 278 "''Opéra-ballet''". It differed from the more elevated ''tragédie en musique'' as practised by Jean-Baptiste Lully in several ways. It contained more dance music than the ''tragédie'', and the plots were not necessarily derived from classical mythology and allowed for the comic elements, which Lully had excluded from the ''tragédie en musique'' after ''Thésée'' (1675). The ''opéra-ballet'' consisted of a prologue followed by a number of self-contained acts (also known as ''entrées''), often loosely grouped around a single theme. The individual acts could also be performed independently, in which case they were known as ''actes de ballet''. The first work in the genre is generally held to be Andr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie-ballet
''Comédie-ballet'' is a genre of French drama which mixes a spoken play with interludes containing music and dance. History The first example of the genre is considered to be '' Les fâcheux'', with words by Molière, performed in honour of Louis XIV at Vaux-le-Vicomte, the residence of Nicolas Fouquet, in 1661. The music and choreography were by Pierre Beauchamp, but Jean-Baptiste Lully later contributed a sung courante for Act I, scene 3. Molière, Lully and Beauchamp collaborated on several more examples of ''comédie-ballet'', culminating in the masterpiece of the genre, ''Le Bourgeois gentilhomme'', in 1670, and the scenically spectacular ''Psyché'' of January 1671, a ''tragicomédie et ballet'' which went well beyond the earlier examples of the genre.Gaines 2002, p. 394. After quarrelling with Lully, Molière retained the services of Beauchamp as choreographer. His one-act prose comedy '' La Comtesse d'Escarbagnas'' premiered in December 1671 at the Château de Saint-Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Cessac
Catherine Cessac (born 19 August 1952 in Bordeaux) is a French musicologist and music publisher. Biography Catherine Cessac studied at the University and the Conservatory of Bordeaux, and later studied musicology at the Sorbonne. From 1990 to 2003, she was the editor of the Bulletins of the "Société Marc-Antoine Charpentier". In 2004, she was commissioned by the French Ministry of Culture to organize national festivals for the 300th anniversary of the death of composer Marc-Antoine Charpentier, as well as the creation of a website on the life and work of Charpentier. Catherine Cessac is a research director at the Centre national de la recherche scientifique (CNRS) and of the workshop of the Centre de musique baroque de Versailles (CMBV). French classical music of the seventeenth and eighteenth is the main field of her studies. In 1988, her book ''Marc-Antoine Charpentier'' received the Académie Charles-Cros prize. Distinctions * 1998: Chevalier de l' ordre des Arts et des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
