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Contra Dance Choreography
:''This article supplements the main Contra dance article.'' Contra dance choreography specifies the dance formation, the figures, and the sequence of those figures in a contra dance. The figures repeat, ideally, in a graceful flowing pattern, aligned with the phrasing of the music. Contra dance figures (with a few exceptions) do not have defined footwork; within the limits of the music and the comfort of their fellow dancers, individuals move to the beat and embellish according to their own taste. Much of the dance is done as a walking movement, one step for each ''count'' of the music, while the arms and hands do most of the changing, most of these involving connecting with others' hands. Most contra dances consist of a sequence of about six to twelve individual figures, prompted by the caller in time to the music as the figures are danced. As the sequence repeats, the caller should be able to cut down his or her prompting, sometimes to a single word for every figure, and even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contra Dance
Contra dance (also contradance, contra-dance and other variant spellings) is a form of folk dancing made up of long lines of couples. It has mixed origins from English country dance, Scottish country dance, and French dance styles in the 17th century. Sometimes described as New England folk dance or Appalachian folk dance, contra dances can be found around the world, but are most common in the United States (periodically held in nearly every state), Canada, and other Anglophone countries. A contra dance event is a social dance that one can attend without a partner. The dancers form couples, and the couples form sets of two couples in long lines starting from the stage and going down the length of the dance hall. Throughout the course of a dance, couples progress up and down these lines, dancing with each other couple in the line. The dance is led by a caller who teaches the sequence of figures in the dance before the music starts. Callers describe the series of steps called "fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contra Corners-simple
Contra may refer to: Places * Contra, Virginia * Contra Costa Canal, an aqueduct in the U.S. state of California * Contra Costa County, California * Tenero-Contra, a municipality in the district of Locarno in the canton of Ticino in Switzerland People * Cosmin Contra (born 1975), Romanian football player * Contra (writer) (real name Margus Konnula; born 1974), Estonian poet and translator * Contra (rapper) (real name Çağdaş Terzi; born 1989), Turkish rapper and songwriter Arts, entertainment, and media Games * Contra (card game), an historical German card game also known as Kontraspiel * Contra (cards), a bid to double the stakes in many card games * ''Contra'' (series), a line of run and gun video games created by Konami ** ''Contra'' (video game), the original game, released in 1987 Music and dance * ''Contra'' (album), the second album by Vampire Weekend * Contra (band), a band from Cleveland * "Contra" (song), a song by Logic * Contra dance, several folk dance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Promenade (dance Move)
{{hatnote, For other uses, see Promenade position in ballroom dance, and Promenade (other)#Dance. Promenade is a basic dance move in a number of dances such as English Country Dance, contra dance, and square dance. The name comes from the French word for "walk", and is a good basic description of the dance action. Dance position and handholds When executing the move, partners stand side-by-side in a promenade position, and act as a single unit. Customarily the man (or gent) stands to the left of the lady, his right hip touching or almost touching her left hip. Note that ''this'' promenade position is not the same as that promenade position defined in ballroom dances. They might take any of a number of different promenade handholds. These are generally determined by the specific dance or local dance traditions. Some of these different handholds are: * Basic promenade or Skirt Skater's handhold: The lady extends her left hand horizontally, palm down, across the front ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contra Dance Choreography
:''This article supplements the main Contra dance article.'' Contra dance choreography specifies the dance formation, the figures, and the sequence of those figures in a contra dance. The figures repeat, ideally, in a graceful flowing pattern, aligned with the phrasing of the music. Contra dance figures (with a few exceptions) do not have defined footwork; within the limits of the music and the comfort of their fellow dancers, individuals move to the beat and embellish according to their own taste. Much of the dance is done as a walking movement, one step for each ''count'' of the music, while the arms and hands do most of the changing, most of these involving connecting with others' hands. Most contra dances consist of a sequence of about six to twelve individual figures, prompted by the caller in time to the music as the figures are danced. As the sequence repeats, the caller should be able to cut down his or her prompting, sometimes to a single word for every figure, and even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gypsy
The Romani (also spelled Romany or Rromani , ), colloquially known as the Roma, are an Indo-Aryan ethnic group, traditionally nomadic itinerants. They live in Europe and Anatolia, and have diaspora populations located worldwide, with significant concentrations in the Americas. In the English language, the Romani people are widely known by the exonym Gypsies (or Gipsies), which is considered pejorative by many Romani people due to its connotations of illegality and irregularity as well as its historical use as a racial slur. For versions (some of which are cognates) of the word in many other languages (e.g., , , it, zingaro, , and ) this perception is either very small or non-existent. At the first World Romani Congress in 1971, its attendees unanimously voted to reject the use of all exonyms for the Romani people, including ''Gypsy'', due to their aforementioned negative and stereotypical connotations. Linguistic and genetic evidence suggests that the Roma originated in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dosado
Do-si-do is a dance move. Description It is a circular movement where two people, who are initially facing each other, walk around each other without or almost without turning, i.e., facing in the same direction (same wall) all the time. In most cases it takes 6–8 counts to complete. The movement is basically defined by as follows: * dancers advance and pass right shoulders, * without turning each dancer moves to the right passing in back of the other dancer. At this moment the partners face away from each other, * then moving backwards dancers pass left shoulders returning to starting position. The actual steps vary in specific dances. Considering the amount of space in which to accomplish the figure, the partners might adjust their shoulders slightly diagonally to allow for less sideways movement during the shoulder passes. The advancing pass may also be by the left shoulders, although it will be called as a "left do-si-do" or a "see-saw". While executing this move, women ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caller (dance)
A caller is a person who prompts dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance this is rare. In round dance a person who performs this function is called a cuer. Their role is fundamentally the same as a caller, in that they tell dancers what to do in a given dance, though they differ on several smaller points. In northern New England contra dancing, the caller is also known as the prompter. Comparing callers and cuers Callers and cuers serve slightly different functions in different types of dance. Improvisation in modern Western square dance calling distinguishes it from the calling in many other types of dance. Callers in many dance types are expected to sing and to be entertaining, but round dance cuers do not sing and are expected to be as unobtrusive as possible. Standardized dances such as round dance, modern western square dance, and Salsa Rueda consi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allemande
An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel. It is often the first movement of a Baroque suite of dances, paired with a subsequent courante, though it is sometimes preceded by an introduction or prelude. A quite different, later, Allemande, named as such in the time of Mozart and Beethoven, still survives in Germany and Switzerland and is a lively triple-time social dance related to the waltz and the ''Ländler''.Scholes P., 1970, article: ''Allemande''. History The allemande originated in the 16th century as a duple metre dance of moderate tempo, already considered very old, with a characteristic "double-knocking" upbeat of two or occasionally three sixteenth notes.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext It appears to have derived from a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contra Dance Form
Contra dance form describes the arrangement of dancers into contra dance sets and minor sets. There are various forms, and each dance's choreography specifies its formation. A caller's first instructions for each dance are usually to move the dancers into their starting positions according to the choreography for that dance. Formations Standard Contra dances are arranged in long paired lines of couples. A pair of lines is called a ''set''. Sets are generally arranged so they run the length of the hall, with the ''top'' or ''head'' of the set being the end closest to the band and caller. Correspondingly, the ''bottom'' or ''foot'' of the set is the end furthest from the caller. Couples consist of two people, traditionally but not necessarily one male and one female, referred to as the gent or gentleman and lady. Couples interact primarily with an adjacent couple for each round of the dance. Each sub-group of two interacting couples is known to choreographers as a ''minor se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreography (dance)
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreography involves the specification of human ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
