Comic Jam
A comic jam is a creative process where one or more comics artists collaborates on drawing or painting one single comic. Often the process is that one artist creates the first page, and then another artist creates the second, and a third does the next, and so on. There is no script that the artists work from, and the content of the comics is improvised. Any given artist working on a comic jam makes a page based solely on what happened on the previous page. Variations include each artist contributing a single panel, or set of two or three panels, and then passing it on to the next participant. The cartoonists of the seminal underground anthology ''Zap Comix'' were known for contributing a jam comic to each issue of ''Zap'' from around issue #3 onward. Notable examples * ''Jam-Jar!'' (San Francisco Comic Book Company, 1972) — Larry Bigman, Scott Shaw, David Gibson, John Pound, Roger Freedman, Phil Yeh * ''Zam'' (''Zap Jam'') (Print Mint, 1974) — a whole comic featuring the seve ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Comic
a Media (communication), medium used to express ideas with images, often combined with text or other visual information. It typically the form of a sequence of Panel (comics), panels of images. Textual devices such as speech balloons, Glossary of comics terminology#Caption, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartoonist, Cartooning and other forms of illustration are the most common image-making means in comics; ''Photo comics, fumetti'' is a form that uses photographic images. Common forms include comic strips, Political cartoon, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, Bande d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harvey Kurtzman
Harvey Kurtzman (; October 3, 1924 – February 21, 1993) was an American cartoonist and editor. His best-known work includes writing and editing the parodic comic book '' Mad'' from 1952 until 1956, and writing the ''Little Annie Fanny'' strips in ''Playboy'' from 1962 until 1988. His work is noted for its satire and parody of popular culture, social critique, and attention to detail. Kurtzman's working method has been likened to that of an auteur, and he expected those who illustrated his stories to follow his layouts strictly. Kurtzman began to work on the New Trend line of comic books at EC Comics in 1950. He wrote and edited the ''Two-Fisted Tales'' and ''Frontline Combat'' war comic books, where he also drew many of the carefully researched stories, before he created his most-remembered comic book, ''Mad'', in 1952. Kurtzman scripted the stories and had them drawn by top EC cartoonists, most frequently Will Elder, Wally Wood, and Jack Davis; the earl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Reanimated Collab
A reanimated collaboration (often shortened to reanimated collab or reanimate) is a type of collaborative fan-made animation project wherein each animator recreates one shot of an existing film in their own style. The individual works are then stitched into the original order and published on the internet as a completed collaboration, creating a collaborative tribute to the original film. This differs from a shot-for-shot recreation, as the goal of a reanimate is to display each of the independent animators' unique stylings rather than to produce a unified or identical result. Multiple collaborations focus on media made a decade or more prior that receives renewed interest due to internet memes, nostalgia, or the death of a voice actor. As they are often non-profit tributes to an existing work, animators expect to receive little or no profit. Notable examples * ''Moon Animate Make-Up!'' (2014) — Over 250 animators collaborated to reanimate the 38th episode of the Sailor Moon anim ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Exquisite Corpse
Exquisite corpse (from the original French term ', literally exquisite cadaver), is a method by which a collection of words or images is collectively assembled. Each collaborator adds to a composition in sequence, either by following a rule (e.g. "The ''adjective'' ''noun'' ''adverb'' ''verb'' the ''adjective'' ''noun''." as in "The green duck sweetly sang the dreadful dirge.") or by being allowed to see only the end of what the previous person contributed. History This technique was invented by surrealists and is similar to an old parlour game called consequences in which players write in turn on a sheet of paper, fold it to conceal part of the writing, and then pass it to the next player for a further contribution. Surrealism principal founder André Breton reported that it started in fun, but became playful and eventually enriching. Breton said the diversion started about 1925, but Pierre Reverdy wrote that it started much earlier, at least as early as 1918. Exhibition catalogu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Narrative Corpse
''The Narrative Corpse'' is a chain story, or comic jam, by 69 all-star cartoonists based on ''Le Cadavre Exquis'' (see Exquisite corpse), a popular game played by André Breton and his surrealist friends to break free from the constraints of rational thought. Edited by Art Spiegelman and Robert Sikoryak, ''The Narrative Corpse'' features contributions from some of the most notable cartoonists of its time from the worlds of underground comix, alternative comics, and European comics (as well as Will Eisner and Mort Walker). The ''Narrative Corpse'' graphic novel, co-published by Gates of Heck and Raw Books, had a limited run in 1995 of 9,500 copies. It was the winner of the 1996 Firecracker Alternative Book Award for Best Graphic Novel. Story structure The creative process was designed as follows: a cartoonist would begin the story with three black-and-white comic-book panels, starring an innocent stick figure named "Sticky". This cartoonist passes his or her three panels on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sisterson
''Sisterson!'' was a short-run comic book which ran for three or four issues around 1990 and was circulated among London comic shops. "Sisterson!" was a " jam comic", i.e., a collection of comic strips each of which was an unplanned collaborative effort, with one creator drawing the first panel and then passing it on to another to be continued, usually resulting in a comic strip far more strange and unpredictable than any one artist would be likely to devise. Essentially, the comic was used as a method to teach sequential thinking and for studying the approach of other artists and creators. Notable creators who contributed to ''Sisterson'' included Nick Abadzis, John McCrea, D'Israeli, Hunt Emerson, Woodrow Phoenix, Darryl Cunningham, Charlie Adlard, Roger Langridge, and Simon Fraser. History "Jam comics" have many other origins: "Sisterson" was named after a particular example that took place in the Humour Comic Strip class at the London Cartoon Centre (LCC), a series o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heroes Against Hunger
''Heroes Against Hunger'' is a 1986 all-star benefit comic book for African famine relief and recovery. Published by DC Comics in the form of a "comic jam" or exquisite corpse, the book starred Superman and Batman. Spearheaded by Jim Starlin and Bernie Wrightson, all proceeds from the comic went to hunger relief in Africa. Publication history ''Heroes Against Hunger'' came about in response to the devastating 1983–85 famine in Ethiopia. The concept was nearly identical to the earlier benefit comic, ''Heroes for Hope'', published by Marvel Comics in 1985 (which was also spearheaded by Wrightson and Starlin), and was in the spirit of contemporaneous benefit concert, musical fund-raisers like Band Aid (band), Band Aid's "Do They Know It's Christmas?", USA for Africa's "We Are the World", and the Live Aid concerts. Plot In a story called "A Song of Pain and Sorrow!", Superman, Batman, and Lex Luthor try to curtail the Ethiopian famine. While there, they interact with Peace Corps ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heroes For Hope
''Heroes for Hope: Starring the X-Men'' is a 1985 Marvel comic book designed to raise awareness about hunger in Africa. Proceeds from the comic went to the American Friends Service Committee, to assist in their work on behalf of African famine relief and recovery. Published in the form of a " comic jam" or exquisite corpse, the book featured an all-star lineup of comics creators as well as a few notable authors from outside the comic book industry, such as Stephen King, George R. R. Martin, and Edward Bryant. It also saw a rare Alan Moore Marvel Comics credit outside his early Marvel UK work. ''Heroes for Hope'' featured some memorable artist/writer and penciler/inker pairings, including Stan Lee and John Buscema; Stephen King and Bernie Wrightson; Moore and Richard Corben; Harlan Ellison, Frank Miller, and Bill Sienkiewicz; Mike Baron and Steve Rude, Howard Chaykin inked by Walt Simonson; and John Byrne and Terry Austin reuniting on the X-Men. ''Speakeasy'' magazine reporte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Richard Corben
Richard Corben (October 1, 1940December 2, 2020) was an American illustrator and comic book artist best known for his comics featured in '' Heavy Metal'' magazine, especially the ''Den'' series which was featured in the magazine's first film adaptation in 1981. He was the winner of the 2009 Spectrum Grand Master Award2009 Spectrum Grand Master Announced from '''' and the 2018 Grand Prix at Angoulême. In 2012 he was elected to the Will Eisner Award Hall of Fame. Biography Richard Corben wa ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Byrne (comics)
John Lindley Byrne (; born July 6, 1950) is a British-born American writer and artist of superhero comics. Since the mid-1970s, Byrne has worked on many major superheroes; with noted work on Marvel Comics' ''X-Men'', ''She-Hulk'' and ''Fantastic Four''. Byrne also facilitated the 1986 relaunch of DC Comics' ''Superman'' franchise, the first issue of which featured comics' first variant cover. Coming into the comics profession as penciller, inker, letterer and writer on his earliest work, Byrne began co-plotting the ''X-Men'' comics during his tenure on them, and launched his writing career in earnest with ''Fantastic Four'' (where he also served as penciler and inker). During the 1990s he produced a number of creator-owned works, including ''Next Men'' and ''Danger Unlimited''. He scripted the first issues of Mike Mignola's ''Hellboy'' series and produced a number of ''Star Trek comics'' for IDW Publishing. Hailed as one of the most prolific and influential comic book artists ev ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bill Sienkiewicz
Boleslav William Felix Robert Sienkiewicz ( ; born May 3, 1958) is an American artist known for his work in comic books—particularly for Marvel Comics' ''New Mutants'', '' Moon Knight,'' and '' Elektra: Assassin''. Sienkiewicz's work in the 1980s was considered revolutionary in mainstream US comics due to his highly stylized art that verged on abstraction and made use of oil painting, photorealism, collage, mimeograph, and other forms generally uncommon in comic books. Early life Sienkiewicz was born May 3, 1958, in Blakely, Pennsylvania. When he was five years old, he moved with his family to the Hainesville, New Jersey section of Sandyston Township, New Jersey, where he attended elementary and secondary school. Sienkiewicz began drawing "when ewas about four or five", and continued doing and learning about art throughout his childhood. His early comic book influences include artist Curt Swan Superman comics, and artist Jack Kirby's ''Fantastic Four''. Sienkiewicz received ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brian Bolland
Brian Bolland (; born 26 March 1951)Salisbury, Mark, ''Artists on Comic Art'' (Titan Books, 2000) , p. 11 is a British comics artist. Best known in the United Kingdom as one of the definitive Judge Dredd artists for British comics anthology '' 2000 AD'', he spearheaded the 'British Invasion' of the American comics industry, and in 1982 produced the artwork on ''Camelot 3000'' (with author Mike W. Barr), which was DC Comics' first 12-issue comicbook maxiseriesSalisbury, p. 17 created for the direct market.Salisbury, p. 10 Bolland illustrated the critically acclaimed graphic novel '' Batman: The Killing Joke'', with writer Alan Moore, and a self-penned '' Batman: Black and White'' story. He subsequently concentrated on working as a cover artist, producing the vast majority of his work for DC Comics. Bolland created cover artwork for the '' Animal Man'', ''Wonder Woman'', and '' Batman: Gotham Knights'' superhero comic book series. In DC's Vertigo imprint, Bolland has done covers ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |