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Color Suite
A color suite (also called a color bay, telecine suite, or color correction bay) is the control room for color grading video in a post-production environment. Technology and specifications The video source could be from: a telecine, a video tape recorder (VTR), a motion picture film scanner, virtual telecine or a Direct to Disk Recording (DDR) or the older system called a film chain. A high end broadcast color suite may use a Da Vinci Systems or Pandora International color corrector. If a VTR is the source for the video the room is often called a ''tape to tape'' suite. Many suites are designed to operate as a telecine suite or a tape to tape suite by changing the configuration of the suite. The operator of the suite is usually called a ''Colorist''. If a telecine is the source this is called a ''Film to Tape'' operation. A color suite may use one video standard or be able to change configuration to a number of standards like: high-definition video, NTSC, or PAL or a DI workflow. C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Control Room
A control room or operations room is a central space where a large physical facility or physically dispersed service can be monitored and controlled. It is often part of a larger command center. Overview A control room's purpose is production control, and serves as a central space where a large physical facility or physically dispersed service can be monitored and controlled. Central control rooms came into general use in factories during the 1920s. Control rooms for vital facilities are typically tightly secured and inaccessible to the general public. Multiple electronic displays and control panels are usually present, and there may also be a large wall-sized display area visible from all locations within the space. Some control rooms are themselves under continuous video surveillance and recording, for security and personnel accountability purposes. Many control rooms are occupied on a "24/7/365" basis, and may have multiple people on duty at all times (such as imple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Cinema
Digital cinema refers to adoption of digital technology within the film industry to distribute or project motion pictures as opposed to the historical use of reels of motion picture film, such as 35 mm film. Whereas film reels have to be shipped to movie theaters, a digital movie can be distributed to cinemas in a number of ways: over the Internet or dedicated satellite links, or by sending hard drives or optical discs such as Blu-ray discs. Digital movies are projected using a digital video projector instead of a film projector, are shot using digital movie cameras and edited using a non-linear editing system (NLE). The NLE is often a video editing application installed in one or more computers that may be networked to access the original footage from a remote server, share or gain access to computing resources for rendering the final video, and to allow several editors to work on the same timeline or project. Alternatively a digital movie could be a film reel that ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Special Effect
Special effects (often abbreviated as SFX, F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the imagined events in a story or virtual world. Special effects are traditionally divided into the categories of mechanical effects and optical effects. With the emergence of digital film-making a distinction between special effects and visual effects has grown, with the latter referring to digital post-production and optical effects, while "special effects" refers to mechanical effects. Mechanical effects (also called practical or physical effects) are usually accomplished during the live-action shooting. This includes the use of mechanized props, scenery, scale models, animatronics, pyrotechnics and atmospheric effects: creating physical wind, rain, fog, snow, clouds, making a car appear to drive by itself and blowing up a building, etc. Mechanical effects are also often inco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vision Mixer
A vision mixer is a device used to select between several different live video sources and, in some cases, compositing live video sources together to create visual effects. In most of the world, both the equipment and its operator are called a vision mixer or video mixer; however, in the United States, the equipment is called a video switcher, production switcher or video production switcher, and its operator is known as a technical director (TD). The role of the vision mixer for video is similar to what a mixing console does for audio. Typically a vision mixer would be found in a video production environment such as a production control room of a television studio, production truck or post-production facility. Capabilities and usage Besides hard cuts (switching directly between two input signals), mixers can also generate a variety of transitions, from simple dissolves to pattern wipes. Additionally, most vision mixers can perform keying operations (called mattes in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear Editing
Linear video editing is a video editing post-production process of selecting, arranging and modifying images and sound in a predetermined, ordered sequence. Regardless of whether it was captured by a video camera, tapeless camcorder, or recorded in a television studio on a video tape recorder (VTR) the content must be accessed sequentially. For the most part video editing software has replaced linear editing. In the past, film editing was done in linear fashion, where film reels were literally cut into long strips divided by takes and scenes, and then glued or taped back together to create a logical sequence of film. Linear video editing is more time consuming and highly specialised and tedious work. Still, it is relevant today because of these reasons: * The method is simple and inexpensive. * Mandatory for some jobs: for example if only two sections of video clips are to be joined together in sequence it is often the quickest and easiest way. * If video editors learn linear editin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-linear Editing System
Non-linear editing is a form of offline editing for audio, video, and image editing. In offline editing, the original content is not modified in the course of editing. In non-linear editing, edits are specified and modified by specialized software. A pointer-based playlist, effectively an edit decision list (EDL), for video and audio, or a directed acyclic graph for still images, is used to keep track of edits. Each time the edited audio, video, or image is rendered, played back, or accessed, it is reconstructed from the original source and the specified editing steps. Although this process is more computationally intensive than directly modifying the original content, changing the edits themselves can be almost instantaneous, and it prevents further generation loss as the audio, video, or image is edited. A non-linear editing system (NLE) is a video editing (NLVE) program or application, or an audio editing (NLAE) digital audio workstation (DAW) system. These perform non-des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telecine Site 1
Telecine ( or ) is the process of transferring film into video and is performed in a color suite. The term is also used to refer to the equipment used in the post-production process. Telecine enables a motion picture, captured originally on film stock, to be viewed with standard video equipment, such as television sets, video cassette recorders (VCR), DVD, Blu-ray Disc or computers. Initially, this allowed television broadcasters to produce programs using film, usually 16mm stock, but transmit them in the same format, and quality, as other forms of television production. Furthermore, telecine allows film producers, television producers and film distributors working in the film industry to release their productions on video and allows producers to use video production equipment to complete their filmmaking projects. Within the film industry, it is also referred to as a TK, because TC is already used to designate timecode. Motion picture film scanners are similar to telecines. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vectorscope
A vectorscope is a special type of oscilloscope used in both audio and video applications. Whereas an oscilloscope or waveform monitor normally displays a plot of signal vs. time, a vectorscope displays an X-Y plot of two signals, which can reveal details about the relationship between these two signals. Vectorscopes are highly similar in operation to oscilloscopes operated in X-Y mode; however those used in video applications have specialized graticules, and accept standard television or video signals as input ( demodulating and demultiplexing the two components to be analyzed internally). Applications Video In video applications, a vectorscope supplements a waveform monitor for the purpose of measuring and testing television signals, regardless of format (NTSC, PAL, SECAM or any number of digital television standards). While a waveform monitor allows a broadcast technician to measure the overall characteristics of a video signal, a vectorscope is used to visualize chromina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waveform Monitor
A waveform monitor is a special type of oscilloscope used in television production applications. It is typically used to measure and display the level, or voltage, of a video signal with respect to time. The level of a video signal usually corresponds to the brightness, or luminance, of the part of the image being drawn onto a regular video screen at the same point in time. A waveform monitor can be used to display the overall brightness of a television picture, or it can zoom in to show one or two individual lines of the video signal. It can also be used to visualize and observe special signals in the vertical blanking interval of a video signal, as well as the colorburst between each line of video. Waveform monitors are used for the following purposes: * To assist with the calibration of professional video cameras, and to "line up" multiple-camera setups being used at the same location in order to ensure that the same scene shot under the same conditions will produce the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Monitor
A display device is an output device for presentation of information in visual or tactile form (the latter used for example in tactile electronic displays for blind people). When the input information that is supplied has an electrical signal the display is called an ''electronic display''. Common applications for ''electronic visual displays'' are television sets or computer monitors. Types of electronic displays In use These are the technologies used to create the various displays in use today. * Liquid crystal display (LCD) ** Light-emitting diode (LED) backlit LCD ** Thin-film transistor (TFT) LCD ** Quantum dot (QLED) display * Light-emitting diode (LED) display ** OLED display ** AMOLED display ** Super AMOLED display Segment displays Some displays can show only digits or alphanumeric characters. They are called segment displays, because they are composed of several segments that switch on and off to give appearance of desired glyph. The segments are usuall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Production Control Room
The production control room (PCR) or studio control room (SCR) is the place in a television studio in which the composition of the outgoing program takes place. The production control room is occasionally also called an SCR or a gallerythe latter name comes from the original placement of the director on an ornately carved bridge spanning the BBC's first studio at Alexandra Palace which was once referred to as like a minstrels' gallery. Video of features of Alexandra Palace Master control is the technical hub of a broadcast operation common among most over-the-air television stations and television networks. Master control is distinct from a PCR in television studios where the activities such as switching from camera to camera are coordinated. A transmission control room (TCR) is usually smaller in size and is a scaled-down version of centralcasting. Production control room facilities Facilities in a production control room include: * A video monitor wall, with monitors for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
