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Clapping
A clap is the percussive sound made by striking together two flat surfaces, as in the body parts of humans or animals. Humans clap with the palms of their hands, often quickly and repeatedly to express appreciation or approval (see applause), but also in rhythm as a form of body percussion to match the sounds in music, dance, chants, hand games, and clapping games. Some people slap the back of one hand into the palm of the other hand to signify urgency or enthusiasm. This act may be considered uncouth by others. Clapping is used in many forms of music. In American music, clapping is popular in Gospel, Doo-wop and early Pop. In flamenco and sevillanas, two Spanish musical genres, clapping is called '' palmas'' and often sets the rhythm and is an integral part of the songs. A sampled or synthesized clap is also a staple of electronic and pop music. Musical works that include clapping Classical works performed entirely by clapping * Steve Reich, ''Clapping Music'' (1972) * ...
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Clapping Hand
A clap is the percussive sound made by striking together two flat surfaces, as in the body parts of humans or animals. Humans clap with the palms of their hands, often quickly and repeatedly to express appreciation or approval (see applause), but also in rhythm as a form of body percussion to match the sounds in music, dance, chants, hand games, and clapping games. Some people slap the back of one hand into the palm of the other hand to signify urgency or enthusiasm. This act may be considered uncouth by others. Clapping is used in many forms of music. In American music, clapping is popular in Gospel, Doo-wop and early Pop. In flamenco and sevillanas, two Spanish musical genres, clapping is called '' palmas'' and often sets the rhythm and is an integral part of the songs. A sampled or synthesized clap is also a staple of electronic and pop music. Musical works that include clapping Classical works performed entirely by clapping * Steve Reich, ''Clapping Music'' (1972) * ...
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Clapping Music
''Clapping Music'' is a minimalist piece written by Steve Reich in 1972. It is written for two performers and is performed entirely by clapping. Reich and his ensemble were on tour in Europe in 1972. After a concert in Brussels, the promoter asked him if they would like to go see some flamenco music. They ended in a club and watched a pair of musicians who by Reich's account were terrible guitarists and singers. However, when they started clapping very loudly, Reich and his group, who were mainly percussionists, joined in. After the concert Reich realised that he could use this as the basis for work, not least as it could be performed with only a few people rather than taking two trucks of equipment. A development of the phasing technique from Reich's earlier works such as '' Piano Phase'', it was written when Reich wanted to (in his own words) "create a piece of music that needed no instruments beyond the human body". However, he quickly found that the mechanism of phasing s ...
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Clapping Game
A clapping game (or hand game) is a type of usually cooperative (i.e., non-competitive) game which is generally played by two players and involves clapping as a rhythmic accompaniment to a singing game or reciting of a rhyme, often nursery rhymes. Clapping games are found throughout the world and similar games may be known throughout large areas with regional variation. Nature of the games Due to the communication skills and coordination required, simple clapping games are age appropriate for children age 24 months and above. In many cultures clapping games are played by both sexes and all ages, but in many European and European-influenced cultures, they are largely the preserve of girls. Claps commonly included in patterns are clapping one's own hands, clapping both hands of a partner, and clapping one hand of a partner, generally across such as the right hand of each player. The clapping may include other activities such as thigh slapping, or a final move such as touchi ...
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Steve Reich
Stephen Michael Reich ( ; born October 3, 1936) is an American composer known for his contribution to the development of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." To do so, his music employs the technique of phase shifting, in which a phrase is slightly altered over time, in a flow that is clearly perceptible to the listener. His innovations include using tape loops to create phasing patterns, as on the early compositions ''It's Gonna Rain'' (1965) and '' Come Out'' (1966), and the use of simple, audible processes, as on ''Pendulum Music'' (1968) and ''Four Organs'' (1970). The 1978 recording ''Music for 18 Musicians'' would help entrench minimalism as a movement. Reich's work took o ...
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Applause
Applause (Latin ''applaudere,'' to strike upon, clap) is primarily a form of ovation or praise expressed by the act of clapping, or striking the palms of the hands together, in order to create noise. Audiences usually applaud after a performance, such as a musical concert, speech, or play, as a sign of enjoyment and approval. History The age of the custom of applauding is uncertain, but it is widespread among human cultures. The variety of its forms is limited only by the capacity for devising means of making a noise (e.g., stomping of feet or rapping of fists or hands on a table). Within each culture, however, it is usually subject to conventions. The ancient Romans had set rituals at public performances to express degrees of approval: snapping the finger and thumb, clapping with the flat or hollow palm, and waving the flap of the toga. Emperor Aurelian substituted the waving of napkins ('' orarium'') that he had distributed to the Roman people for the toga flapping. In Roma ...
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Body Percussion
Body percussion may be performed on its own or as an accompaniment to music and/or dance. Examples of countries' folk traditions that incorporate body percussion include Indonesian saman, Ethiopian armpit music, palmas in flamenco, and the hambone from the United States. Body percussion is a subset of "body music". Body percussion sounds Percussion instruments produce their sound when a player hits, scrapes, rubs or shakes them to produce vibrations. These techniques can also be applied to the human body. The body also presents several unique possibilities including the use of inhaled or exhaled air and vocal sounds. Traditionally the four main body percussion sounds (in order from lowest pitch to highest in pitch) are: #Stomping: Striking left, right, or both feet against the floor or other resonant surface #Patting: Patting either the left, right, or both thighs or cheeks with hands #Clapping hands together #Snapping fingers However, there are numerous other possibilities inc ...
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Hand Game
Hand games are games played using only the hands of the players. Hand games exist in a variety of cultures internationally, and are of interest to academic studies in ethnomusicology and music education. Hand games are used to teach music literacy skills and socio-emotional learning in elementary music classrooms internationally. Examples of hand games * Chopsticks (sticks) * Clapping games * Mercy * Morra (finger counting) * Odds and evens * Pat-a-cake and variations: ** Mary Mack * Red hands (or hand-slap game) * Rock paper scissors * Thumb war (or thumb wrestling) * " Where are your keys?" (language acquisition game) Less strictly, the following may be considered hand games: * Bloody knuckles * Fingers (drinking game) * Jacks * Knife game * Spellbinder * Stick gambling * String games, such as cat's cradle Cat's cradle is a game involving the creation of various string figures between the fingers, either individually or by passing a loop of string back and forth b ...
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Fitz And The Tantrums
Fitz and the Tantrums are an American indie pop and neo soul band from Los Angeles, California, that formed in 2008. The band consists of Michael Fitzpatrick (lead vocals), Noelle Scaggs (co-lead vocals and percussion), James King (saxophone, flute, keyboard, percussion and guitar), Joseph Karnes (bass guitar), Jeremy Ruzumna (keyboards) and John Wicks (drums and percussion). Their debut studio album, '' Pickin' Up the Pieces'', was released in August 2010 on indie label Dangerbird Records and received critical acclaim. It reached No. 1 on the ''Billboard'' Heatseekers chart. The band signed to their current label Elektra Records in early 2013 and went on to release their second LP, ''More Than Just a Dream,'' the same year. Their self-titled third album was released in 2016, which contains their most notable song "HandClap". Their fourth studio album, ''All the Feels'', was released in 2019. History Early history Fitz and the Tantrums was founded by Michael Fitzpat ...
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Robert Paterson (composer)
Robert Paterson (born April 29, 1970) is an American composer of contemporary classical music, as well as a conductor and percussionist. His catalog includes over 100 compositions. He has been called a "modern day master" and is primarily known for his colorful orchestral works, large body of chamber music and clear vocal writing in his operas, choral works, vocal chamber works and song cycles. Early years Paterson was born on the West Side of Buffalo, New York. He is the son of Tony Paterson, an award-winning sculptor who was a Professor of Sculpture at the University at Buffalo, and Eleanor Paterson, a painter and bilingual education director at Erie Community College who received her Ph.D. in bilingual education from the University at Buffalo. Although Paterson was surrounded by sculptors and painters while growing up,Schulslaper, Robert, Giving a Voice to American Music: A Conversation with Composer Robert Paterson, Fanfare Magazine, March 28, 2011. his father enjoyed contemp ...
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Pascal Zavaro
Pascal Zavaro (born 3 October 1959) is a French composer. Life Zavaro studied at the Conservatoire de Paris. In his music, rhythmic thinking is predominant. The sources are very broad, from rock, Bartók, Stravinsky or some scores of Steve Reich, resulting in a very personal and innovative expression. Main works * ''Stratus'', for large orchestra, * ''Flashes'', for large orchestra, * ''The Meeting'', for large orchestra, * ''Alia'', for orchestra, * ''Concerto'', for cello and orchestra, * ''Silicon Music'', concerto for electric violin and ensemble, * ''Tag'', for string quartet, * ''Remiix'', for string quartet, * ''La Grève'', for clarinet, bass clarinet, percussion, piano and string quintet (music for the eponymus film by Sergei Eisenstein), * ''Trois Danses en sextuor'', for clarinet, piano and string quartet, * ''Three Studies for a Crucufixion'', for orchestra, * ''Densha Otoko'', for piano trio, External links Pascal Zavaro's websitePascal Zavaroon France Musiq ...
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Carlos Surinach
Carlos Lund (or Carles Suriñach)
i Wrokona (; March 6, 1915 – November 12, 1997) was a Spanish-born and conductor.


Early life

Carlos Suriñach was born in , Spain on March 6 of 1915. His Austrian-Polish mother was a house pianist, introducing him to music at a young age. He began playing the piano between ages 5–6 and started studying music around age 10. His father was involved in business as a stockbroker. He did not approve of Suriñach pursuing music and ...
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David Chesky
David Chesky is an American pianist, composer, producer, arranger, and co-founder of the independent, audiophile label Chesky Records. He is also co-founder and CEO of HDtracks, an online music store that sells high-resolution digital music. Chesky is considered a technological and musical innovator with eclectic interests. He has won Independent Music Awards and received Grammy Award nominations. He has written jazz tunes, orchestral and chamber music, opera, ballet, and a rap symphony. Beginnings At his mother's insistence, Chesky started piano lessons at the age of 5. In his teens he had less interest in rock and roll music, with its verse-chorus structure, than in classical and jazz. He liked Oscar Peterson, the Buddy Rich Big Band, George Gershwin, and the Latin music he heard while growing up in Miami. In 1974, at the age of 17, he moved to New York City to pursue a career as a musician. He studied privately with classical composer David Del Tredici and jazz pianist John Lew ...
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