|
Chitra (art)
Chitra, also spelled as Citra, is an Indian genre of art that includes painting, sketch and any art form of delineation. The earliest mention of the term ''Chitra'' in the context of painting or picture is found in some of the ancient Sanskrit texts of Hinduism and Pali texts of Buddhism. Nomenclature ''Chitra'' (IAST: ''Citra'', चित्र) is a Sanskrit word that appears in the Vedic texts such as hymns 1.71.1 and 6.65.2 of the ''Rigveda''. There, and other texts such as ''Vajasaneyi Samhita'', ''Taittiriya Samhita'', ''Satapatha Brahmana'' and ''Tandya Brahmana'', ''Chitra'' means "excellent, clear, bright, colored, anything brightly colored that strikes the eye, brilliantly ornamented, extraordinary that evokes wonder". In the ''Mahabharata'' and the ''Harivamsa'', it means "picture, sktech, dilineation", and is presented as a genre of ''kala'' (arts). Many texts generally dated to the post-4th-century BCE period, use the term ''Chitra'' in the sense of painting, and ''Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Clemenceau, Le Tigre Et L'Asie (MNAA-Guimet, Paris) (13888446659)
{{disambig ...
Exposition (also the French for exhibition) may refer to: *Universal exposition or World's Fair *Expository writing **Exposition (narrative) *Exposition (music) *Trade fair * ''Exposition'' (album), the debut album by the band Wax on Radio *Expository preaching See also *Expo (other) *Expose (other) *Expos The Montreal Expos (french: link=no, Les Expos de Montréal) were a Canadian professional baseball team based in Montreal, Quebec. The Expos were the first Major League Baseball (MLB) franchise located outside the United States. They played in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitabhinji Group Of Rock Shelters
The Sitabhinji Group of Rock Shelters, also referred to as the Ravanachhaya Mural Rocks, is a 4th to 6th century CE rock-cut monument with a major painted mural and inscriptions near Danguapasi village of Kendujhar (Keonjhar) district of Odisha. Archaeological excavations after the 1950s have unearthed boulder sections with additional inscriptions in Sanskrit and early Odiya, coins and parts of pre-8th-century Hindu temple and artwork from the Bhanja dynasty.T. N. Ramachandran (1951), ''Find of Tempera Painting in Sītābhiñji, District Keoñjhār, Orissa'', Artibus Asiae, Volume 14, Number 1/2, pp. 4-25, The 4th-century Ravanachhaya painted mural is notable for one of the earliest tempera painting ('' chitra'') in India, for its non-religious portrayal of a king's procession, as well as its Sanskrit inscription in the emerging eastern branch of the northern script. The other notable discoveries here include the late-Gupta ''chaturmukha'' (four faced) Shiva Linga dated to aroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Indian Music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient ''Natyashastra'', the classic Sanskrit text on performing arts by Bharata Muni., Quote: "The tradition of Indian classical music and dance known as ''Sangeeta'' is fundamentally rooted in the sonic and musical dimensions of the Vedas (Sama veda), Upanishad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa (aesthetics)
In Indian aesthetics, a rasa ( sa, रस) literally means "nectar, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It connotes a concept in Indian arts about the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience but cannot be described.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by ''bhavas'': the state of mind. The ''rasa'' theory has a dedicated section (Chapter 6) in the |
KALAMKARI HAND PAINTED CLOTH SRIKALAHASTI AP - Panoramio
''Kalamkari'' is a type of hand-painted cotton textile produced in the Indian state of Andhra Pradesh. Only natural dyes are used in ''Kalamkari'', which involves twenty-three steps. There are two distinctive styles of Kalamkari art in India – Srikalahasti style and the Machilipatnam style. The Srikalahasti style of'' Kalamkari'', where the "''kalam''" or pen is used for freehand drawing of the subject and filling in the colors, is entirely hand worked. This style flourished in temples centered on creating unique religious identities, appearing on scrolls, temple hangings, chariot banners as well as depictions of deities and scenes taken from the Hindu epics (e.g. Ramayana, Mahabharata and Purana). The style owes its present status to Kamaladevi Chattopadhyay who popularized the art as the first chairperson of the All India Handicrafts Board. Etymology Historically, Kalamkari used to be termed as ''Pattachitra'', an art form still found in neighboring Odisha and other part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brihadisvara Temple, Thanjavur
Brihadishvara Temple, called Rajarajesvaram () by its builder, and known locally as ''Thanjai Periya Kovil'' ("Thanjavur Big Temple") and ''Peruvudaiyar Kovil'', is a Shaivite Hindu temple built in a Chola architectural style located on the south bank of the Cauvery river in Thanjavur, Tamil Nadu, India.Thanjavur Encyclopaedia Britannica It is one of the largest Hindu temples and an exemplar of . It is also called ''Dakshina Meru'' (" |
Thirunadhikkara Cave Temple
Thirunandikkara Cave Temple, also referred to as Thirunanthikarai rock-cut Shiva temple, is a 9th-century rock-cut Hindu cave temple in Kanyakumari district, Tamil Nadu, India. It is dedicated to Shiva, with murals and inscriptions. It is attributed to the Ay king Vikramaditya Varaguna by Archaeological Survey of India, but to Pandya rulers (Nedunjadaiyan) a few decades earlier by Ajit Kumar, an archaeologist.Ajit Kumar (2016), ''A Review of Thirunanthikarai Rock-cut Shiva Temple with Special Reference to its Paintings'', Heritage, University of Kerala, Volume 4, pp. 160–172 It is part of a larger active temple complex named the Thirunanthikarai Shri Nandeeswara temple, Thirunanthikarai and is carved out of the side of a rocky hillock to the north of the temple complex. According to Rao, one of the inscriptions suggests that this may be a late 8th-century cave temple or early 9th.TA Gopinatha Rao (1908), Travancore Archaeological Series, Volume II, Trivandrum: Government of Ker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sittanavasal Cave
Sittanavasal Cave (also, Arivar Koil) is a 2nd-century Tamil Śramaṇa complex of caves in Sittanavasal village in Pudukottai district of Tamil Nadu, India. Its name is a distorted form of ''Sit-tan-na-va-yil'', a Tamil word which means "the abode of great saints" (Tamil: சித்தன்னவாசல்). The monument is a rock-cut monastery or temple. Created by Tamil Śramaṇa, it is called the Arivar Koil, and is a rock cut cave temple of the Arihants. It contains remnants of notable frescoes from the 7th century. The murals have been painted with vegetable and mineral dyes in black, green, yellow, orange, blue, and white. Paintings have been created by applying colours over a thin wet surface of lime plaster. Ancient structures such as Gol Gumbaz, Talagirisvara temple and this one are claimed to be relatively unappreciated. Archaeological Survey of India has listed Sittanavasal Cave in the list of "Must See" Indian Heritage. The Sittanavasal Cave are listed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellora Caves
Ellora is a UNESCO World Heritage Site located in the Aurangabad district of Maharashtra, India. It is one of the largest rock-cut Hindu temple cave complexes in the world, with artwork dating from the period 600–1000 CE., Quote: "These 34 monasteries and temples, extending over more than 2 km, were dug side by side in the wall of a high basalt cliff, not far from Aurangabad, in Maharashtra. Ellora, with its uninterrupted sequence of monuments dating from A.D. 600 to 1000, brings the civilization of ancient India to life. Not only is the Ellora complex a unique artistic creation and a technological exploit but, with its sanctuaries devoted to Hinduism, it illustrates the spirit of tolerance that was characteristic of ancient India." Cave 16 features the largest single monolithic rock excavation in the world, the Kailash temple, a chariot-shaped monument dedicated to the god Shiva. The Kailash temple excavation also features sculptures depicting various Hindu deities as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bagh Caves
The Bagh Caves are a group of nine rock-cut monuments, situated among the southern slopes of the Vindhyas in Bagh town of Dhar district in Madhya Pradesh state in central India. These monuments are located at a distance of 97 km from Dhar town. These are renowned for mural paintings by master painters of ancient India. The use of the word "cave" is a bit of a misnomer, since these are not natural, but instead examples of Indian rock-cut architecture. The Bagh caves, like those at Ajanta, were excavated by master craftsmen on perpendicular sandstone rock face of a hill on the far bank of a seasonal stream, the Baghani. Buddhist in inspiration, of the nine caves, only five have survived. All of them are ' viharas' or resting places of monks monasteries having quadrangular plan. A small chamber, usually at the back, forms the 'chaitya', the prayer hall. Most significant of these five extant caves is the Cave 4, commonly known as the ''Rang Mahal'' (Palace of Colors). The Bagh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badami Cave Temples
The Badami cave temples are a complex of Hindu and Jain cave temples located in Badami, a town in the Bagalkot district in northern part of Karnataka, India. The caves are important examples of Indian rock-cut architecture, especially Badami Chalukya architecture, and the earliest date from the 6th century. Badami is a modern name and was previously known as Vataapinagara, the capital of the early Chalukya dynasty, which ruled much of Karnataka from the 6th to the 8th century. Badami is situated on the west bank of a man-made lake ringed by an earthen wall with stone steps; it is surrounded on the north and south by forts built in later times. These caves were discovered by Stella Kramrisch in 1924. The Badami cave temples represent some of the earliest known examples of Hindu temples in the Deccan region. They along with the temples in Aihole transformed the Mallaprabha River valley into a cradle of temple architecture that influenced the components of later Hindu temples e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(13888446659).jpg "Click for more on -> Chitra (art)")
