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Children's Magic
Children's magic is a specialized aspect of parlor magic and is meant to entertain children. It is typically performed at birthday parties, churches, preschools, elementary schools, Sunday Schools or libraries. It is often the only type of magic most Westerners experience other than that seen on television. This type of magic is usually comedic in nature.Fiscus, David. Birthday Magician's Handbook. Lee Jacobs Productions. 1980. A distinction should be made between Children's magic and "young magicians." The former is meant for audiences made up of mostly children while the latter refers to performers who are under-aged. The later has organizations dedicated to them including Society of Young Magicians, Magic Youth International and Young Magicians' Club. Not every magician is interested in performing for children both artistically and in terms of patience. When Br. John Hamman, sm, was honored in 1995 during the first St. Louis Magical Heritage Awards, he explained in his accept ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parlor Magic
A parlour (or parlor) is a reception room or public space. In medieval Christian Europe, the "outer parlour" was the room where the monks or nuns conducted business with those outside the monastery and the "inner parlour" was used for necessary conversation between resident members. In the English-speaking world of the 18th and 19th century, having a parlour room was evidence of social status. Etymology In the early 13th century, parlor originally referred to a room where monks could go to talk, derived from the Old French word ''parloir'' or ''parler'' ("to speak"), it entered the English language around the turn of the 16th century. History The first known use of the word to denote a room was in medieval Christian Europe, when it designated the two rooms in a monastery where clergy, constrained by vow or regulation from speaking otherwise in the cloister, were allowed to converse without disturbing their fellows. The "outer parlour" was the room where the monks or nuns c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society Of Young Magicians
The Society of American Magicians (S.A.M.) is the oldest fraternal magic organization in the world. Its purpose is "to advance, elevate, and preserve magic as a performing art, to promote harmonious fellowship throughout the world of magic, and to maintain and improve ethical standards in the field of magic." To promote these endeavors the S.A.M. presents awards and fellowships in recognition of outstanding achievement in the Art of Magic. Membership in the S.A.M. is open to professional magicians, amateur magicians, youth magicians, magic collectors, magic historians, magic inventors, magic manufacturers and magic dealers. Over 30,000 people worldwide have been members, and currently the S.A.M. has 5,000 members worldwide. Despite the word "American" in the name, S.A.M. includes magicians from around the world. Its current National President, Rod Chow (2022–23), is Canadian. History Founded on May 10, 1902, in the back room of Martinka's magic shop in New York City, the Soc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Youth International
International Brotherhood of Magicians (I.B.M.) is an organization for both professional and amateur close-up and stage magicians, with approximately 15,000 members worldwide. The headquarters is in St. Charles, Missouri. There are over 300 local groups, called Rings, in more than 88 countries, largely concentrated in cities of the United States and Canada. The organization publishes a monthly periodical entitled ''The Linking Ring'', which features tricks, coverage of shows and events in the magic community, and interviews with magicians. History The organization was founded February 10, 1922 in Winnipeg, Manitoba by Len Vintus (stage name of Melvin Justus Given McMullen) of Transcona, Manitoba, which would later amalgamate with Winnipeg. Gene Gordon ( Gordon Avery) of Buffalo, New York, and Don Rogers (a.k.a. Ernest Schieldge). Unlike earlier magic clubs, such as the Society of American Magicians (S.A.M.) in the United States and The Magic Circle in England, the I.B.M. wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Young Magicians' Club
The Magic Circle is a British organization dedicated to promoting and advancing the art of magic. Applicants must qualify for membership, either through a performance exam or by a written thesis on a branch of magic, after which they are designated Members of The Magic Circle (M.M.C.). Further distinctions may earn them the titles Associate of the Inner Magic Circle (A.I.M.C.); and Member of The Inner Magic Circle (M.I.M.C), a select group limited to 300 members. The Circle was founded in 1905, and was male-only until 1991. There is a junior branch, the Young Magicians Club. History The Magic Circle was founded in 1905 after a meeting of 23 amateur and professional magicians at London's Pinoli's Restaurant. At this founders meeting, chaired by Servais Le Roy, those present decided upon the name of the Society: it was initially felt that the name of the Society should be the Martin Chapender Club, in memory of the performer and founding member who had recently died at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hamman
Brother John Charles Hamman S.M. (September 3, 1927 – December 5, 2000) was a close-up magician and Marianist Brother. The tricks he invented are still an integral part of many close-up magician's repertoire. Hamman was world-renowned in the magic community. His initial interest in the art started as a child. As he recuperated from polio, he spent hours learning, practicing and inventing card tricks and other magic involving sleight-of-hand. In many cases, he "reinvented" classic maneuvers or streamlined them. He was a member of the International Brotherhood of Magicians, the Catholic Magicians' Guild and the Society of American Magicians. Career Hamman created more than 100 card magic tricks throughout his career. Among the many tricks he invented, he is best known for the Hamman Count, a sleight-of-hand in which cards are falsely counted to give the impression that the magician holds more, or less, than he actually does. He authored many books and videos on magic and was invited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Property
A prop, formally known as (theatrical) property, is an object used on stage or screen by actors during a performance or screen production. In practical terms, a prop is considered to be anything movable or portable on a stage or a set, distinct from the actors, scenery, costumes, and electrical equipment. Term The earliest known use of the term "properties" in English to refer to stage accessories is in the 1425 CE morality play, ''The Castle of Perseverance ''The Castle of Perseverance'' is a c. 15th-century morality play and the earliest known full-length (3,649 lines) vernacular play in existence. Along with ''Mankind'' and ''Wisdom'', ''The Castle of Perseverance'' is preserved in the Macro Manus ...''. The ''Oxford English Dictionary'' finds the first usage of "props" in 1841, while the singular form of "prop" appeared in 1911. During the Renaissance in Europe, small acting troupes functioned as cooperatives, pooling resources and dividing any income. Many performers p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic (illusion)
Magic, which encompasses the subgenres of illusion, stage magic, and close up magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world. Modern entertainment magic, as pioneered by 19th-century magician Jean-Eugène Robert-Houdin, has become a popular theatrical art form. In the late 19th and early 20th centuries, magicians such as Maskelyne and Devant, Howard Thurston, Harry Kellar, and Harry Houdini achieved widespread commercial success during what has become known as "the Golden Age of Magic." During this period, performance magic became a staple of Broadway theatre, vaudeville, and music halls. Magic retained its popularity in the television age, with magicians such as Paul Daniels, David Copperfield ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
