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Chanson D'aventure
The chanson d'aventure (, en, song of adventure) is a genre of medieval poetry originating in France, but which had a substantial influence on poetry in Middle English. Structure The ''chanson d'aventure'' (plural ''chansons d'aventure'') is essentially a framing device, where the singer (or poet) wanders into a wild or rural setting and has a chance encounter, usually in the form of a dialogue; it originates in Old French lyrics usually with an erotic or amorous theme.Strohm, P. ''Middle English'', Oxford: OUP, 2007, p.227-8 Sometimes, the ''chanson'' may focus on an overheard dialogue, or lover's complaint. In either way, the chief feature is that of a chance encounter. It likely evolved from two earlier ''chanson'' subtypes, the ''chanson dramatique'' and the ''chanson pastourelle''.Davidoff, J. M. ''Beginning Well: Framing Fictions in Late Middle English Poetry'', Fairleigh Dickinson University Press, 1988, p.36 Poets in Middle English adopted the trope for themes other than lo ...
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Medieval Poetry
Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours and the minnesänger are known for their lyric poetry about courtly love. Among the most famous of secular poetry is ''Carmina Burana'', a manuscript collection of 254 poems. Twenty-four poems of ''Carmina Burana'' were later set to music by German composer Carl Orff in 1936. Examples of medieval poetry Old English religious poetry includes the poem ''Christ'' by Cynewulf and the poem ''The Dream of the Rood'', preserved in both manuscript form and on the Ruthwell Cross. We do have some secular poetry; in fact a great deal of medieval literature was written in verse, including the Old English epic '' Beowulf''. Scholars are fairly sure, based on a few fragments and on references in historic texts, that much lost secular poetry was set to music, and was spread by traveling minstrels, or bards, across Europe. Thus, the few poems written eventually became ballads or lays, and never ma ...
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France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of Overseas France, overseas regions and territories in the Americas and the Atlantic Ocean, Atlantic, Pacific Ocean, Pacific and Indian Oceans. Its Metropolitan France, metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Due to its several coastal territories, France has the largest exclusive economic zone in the world. France borders Belgium, Luxembourg, Germany, Switzerland, Monaco, Italy, Andorra, and Spain in continental Europe, as well as the Kingdom of the Netherlands, Netherlands, Suriname, and Brazil in the Americas via its overseas territories in French Guiana and Saint Martin (island), ...
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Middle English
Middle English (abbreviated to ME) is a form of the English language that was spoken after the Norman conquest of 1066, until the late 15th century. The English language underwent distinct variations and developments following the Old English period. Scholarly opinion varies, but the ''Oxford English Dictionary'' specifies the period when Middle English was spoken as being from 1150 to 1500. This stage of the development of the English language roughly followed the High to the Late Middle Ages. Middle English saw significant changes to its vocabulary, grammar, pronunciation, and orthography. Writing conventions during the Middle English period varied widely. Examples of writing from this period that have survived show extensive regional variation. The more standardized Old English language became fragmented, localized, and was, for the most part, being improvised. By the end of the period (about 1470) and aided by the invention of the printing press by Johannes Gutenberg in 14 ...
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Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ...
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Lyric Poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equivalent to Ancient Greek lyric poetry, which ''was'' principally limited song lyrics, or chanted verse, hence the confusion. The term for both modern lyric poetry and modern song lyrics both derive from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is also one of the earliest forms of literature. Meters Much lyric poetry depends on regular meter based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long ...
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Chanson
A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the '' ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ''bergerette'', ''brunette'', ''chanson pour boire'', ''pastourelle'', and vaudeville; art song of the ...
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Dream Vision
A dream vision or ''visio'' is a literary device in which a dream or vision is recounted as having revealed knowledge or a truth that is not available to the dreamer or visionary in a normal waking state. While dreams occur frequently throughout the history of literature, visionary literature as a genre began to flourish suddenly, and is especially characteristic in early medieval Europe. In both its ancient and medieval form, the dream vision is often felt to be of divine origin. The genre reemerged in the era of Romanticism, when dreams were regarded as creative gateways to imaginative possibilities beyond rational calculation. This genre typically follows a structure whereby a narrator recounts their experience of falling asleep, dreaming, and waking, with the story often an allegory. The dream, which forms the subject of the poem, is prompted by events in their waking life that are referred to early in the poem. The ‘vision’ addresses these waking concerns through the pos ...
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Chanson De Geste
The ''chanson de geste'' (, from Latin 'deeds, actions accomplished') is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.Hasenohr, 242. Composed in verse, these narrative poems of moderate length (averaging 4000 lines) were originally sung, or (later) recited, by minstrels or jongleurs. More than one hundred ''chansons de geste'' have survived in approximately three hundred manuscripts''La Chanson de Roland,'' 12. that date from the 12th to the 15th century. Origins Since the 19th century, much critical debate has centered on the origins of the ''chansons de geste'', and particularly on explaining the length of time between the composition of the ''chansons'' a ...
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Medieval Debate Poetry
Medieval debate poetry refers to a genre of poems popular in England and France during the late medieval period (although broadly the same type of debate poems existed in the ancient and medieval Near Eastern literatures, as noted below). Essentially, a debate poem depicts a dialogue between two natural opposites (e.g. sun vs. moon, winter vs. summer).Conlee pg XII Although the particulars can vary considerably, this can function as a general definition of the literary form. The debates are necessarily emotionally charged, highlighting the contrasting values and personalities of the participants, and exposing their essentially opposite natures. On the surface, debate poems typically appear didactic, but under this often lies a genuine dialogue between two equally paired opponents. History and precedents Debate poems were common in Mesopotamian Sumerian-language literature (first half of the 3rd millennium BC) and were part of the tradition of Arsacid and Sassanid Persian liter ...
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Medieval Poetry
Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours and the minnesänger are known for their lyric poetry about courtly love. Among the most famous of secular poetry is ''Carmina Burana'', a manuscript collection of 254 poems. Twenty-four poems of ''Carmina Burana'' were later set to music by German composer Carl Orff in 1936. Examples of medieval poetry Old English religious poetry includes the poem ''Christ'' by Cynewulf and the poem ''The Dream of the Rood'', preserved in both manuscript form and on the Ruthwell Cross. We do have some secular poetry; in fact a great deal of medieval literature was written in verse, including the Old English epic '' Beowulf''. Scholars are fairly sure, based on a few fragments and on references in historic texts, that much lost secular poetry was set to music, and was spread by traveling minstrels, or bards, across Europe. Thus, the few poems written eventually became ballads or lays, and never ma ...
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Medieval French Literature
Medieval French literature is, for the purpose of this article, Medieval literature written in Oïl languages (particularly Old French and early Middle French) during the period from the eleventh century to the end of the fifteenth century. The material and cultural conditions in France and associated territories around the year 1100 unleashed what the scholar Charles Homer Haskins termed the " Renaissance of the 12th century" and, for over the next hundred years, writers, " jongleurs", "clercs" and poets produced a profusion of remarkable creative works in all genres. Although the dynastic struggles of the Hundred Years' War and the Black Death pandemic of the fourteenth century in many ways curtailed this creative production, the fifteenth century laid the groundwork for the French Renaissance. Language Up to roughly 1340, the Romance languages spoken in the Middle Ages in the northern half of what is today France are collectively known as "ancien français" ("Old French") ...
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