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Changüí
''Changüí'' is a style of Cuban music which originated in the early 19th century in the eastern region of Guantánamo Province, specifically Baracoa. It arose in the sugar cane refineries and in the rural communities populated by slaves. ''Changüí'' combines the structure and elements of Spain's ''canción'' and the Spanish guitar with African rhythms and percussion instruments of Bantu origin. Changüí is considered a predecessor of ''son montuno'' (the ancestor of modern salsa), which has enjoyed tremendous popularity in Cuba throughout the 20th century. Changüí is related to the other regional genres of ''nengón'' and ''kiribá'' and is descended from ''nengón.'' Technically, the changüi ensemble consists of: marímbula, bongos, tres, güiro (or guayo) and one or more singers. Changüi does not use the Cuban ''key pattern'' (or guide pattern) known as ''clave''.Lapidus, Ben (2008) p. 140. The tres typically plays offbeat guajeos (ostinatos), while the guayo plays on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tres (instrument)
The tres (Spanish for ''three'') is a three- course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres. In the 1930s, the instrument was adapted into the Puerto Rican tres, which has nine strings and a body similar to that of the cuatro. The tres developed in the second half of the 19th century in the eastern region of Guantánamo, where it was used to play changüí, a precursor of son cubano. Its exact origins are not known, but it is assumed to have developed from the 19th century Spanish guitar, which it resembles in shape, as well as the laúd and bandola, two instruments used in punto cubano since at least the 18th century. Tres playing revolves around the ''guajeo'', an '' ostinato'' pattern found in many Afro-Cuban music styles. Tres players are commonly known as ''treseros'' (in C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drum
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guajeo
A guajeo (Anglicized pronunciation: ''wa-hey-yo'') is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term ''guajeo'' for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones. Piano guajeos are one of the most recognizable elements of modern-day salsa. Piano guajeos are also known as ''montunos'' in North America, or ''tumbaos'' in the contemporary Cuban dance music timba. History The guajeo shares rhythmic, melodic and harmonic similarities with the short ostinato figures played on marimbas, lamellophones, and string instruments in sub-Saharan Africa. The guajeo is a seamless blend of African and European musical sensibilities, and was first played as accompaniment on the tres in the Afro-Cuban son and related music. The tres is a Cuban guitar-like instrument, consisting of three sets of double strings. Changüí The guajeo emerged in Cuba duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marímbula
The marímbula () is a plucked box musical instrument of the Caribbean. In Cuba it is common in the changüí genre, as well as old styles of son. In Mexico, where it is known as marimbol is played in son jarocho; in the Dominican Republic, where it is known as marimba, it is played in merengue típico, and in Jamaica it is known as rumba box and played in mento. Unlike typical African lamellophones, such as the mbira, used to produce complex polyphony and polyrhythms, the marimbula usually plays the role of a bass guitar, i.e. providing the rhythmic and harmonic support for a band, although it can produce a simple melody as well. Designs of marimbulas vary greatly, in terms of the material of resonator, the number and arrangement of keys, the overall arrangement and size of the instrument and the way it is played. Characteristics It consists of a wood box with a sound hole cut in the center of it. Across this hole, a number of metal strips are attached at one end to the res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Changüí
''Changüí'' is a style of Cuban music which originated in the early 19th century in the eastern region of Guantánamo Province, specifically Baracoa. It arose in the sugar cane refineries and in the rural communities populated by slaves. ''Changüí'' combines the structure and elements of Spain's ''canción'' and the Spanish guitar with African rhythms and percussion instruments of Bantu origin. Changüí is considered a predecessor of ''son montuno'' (the ancestor of modern salsa), which has enjoyed tremendous popularity in Cuba throughout the 20th century. Changüí is related to the other regional genres of ''nengón'' and ''kiribá'' and is descended from ''nengón.'' Technically, the changüi ensemble consists of: marímbula, bongos, tres, güiro (or guayo) and one or more singers. Changüi does not use the Cuban ''key pattern'' (or guide pattern) known as ''clave''.Lapidus, Ben (2008) p. 140. The tres typically plays offbeat guajeos (ostinatos), while the guayo plays on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salsa Music
Salsa music is a style of Latin American music. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno, with elements of Mambo (music), mambo, Latin jazz, Bomba (Puerto Rico), bomba, plena and guaracha. All of these elements are adapted to fit the basic son montuno template when performed within the context of salsa. Originally the name salsa was used to label commercially several styles of Latin dance music, but nowadays it is considered a musical style on its own and one of the staples of Latin American culture. The first self-identified salsa bands were predominantly assembled by Cubans, Cuban and Puerto Ricans, Puerto Rican musicians in New York City in the '70s. The music style was based on the late son montuno of Arsenio Rodríguez, Conjunto Chappottín and Roberto Faz. These musicians included Celia Cruz, Willie ColónRuben Blade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Music
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th-century Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Montuno
Son montuno is a subgenre of son cubano developed by Arsenio Rodríguez in the 1940s. Although ''son montuno'' ("mountain sound") had previously referred to the ''sones'' played in the mountains of eastern Cuba, Arsenio repurposed the term to denote a highly sophisticated approach to the genre in which the montuno section contained complex horn arrangements. He also incorporated piano solos and often subverted the structure of songs by starting with the montuno in a cyclic fashion. For his approach, Arsenio had to expand the existing ''septeto'' ensemble into the ''conjunto'' format which became the norm in the 1940s alongside big bands. Arsenio's developments eventually served as the template for the development of genres such as salsa, songo and timba. Background Son cubano developed in the late 19th century and soon became the most important genre of Cuban popular music. In addition, it is perhaps the most flexible of all forms of Latin American music, and is the foundation o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bantu People
The Bantu peoples, or Bantu, are an ethnolinguistic grouping of approximately 400 distinct List of ethnic groups of Africa, ethnic groups who speak Bantu languages. They are native to 24 countries spread over a vast area from Central Africa to Southeast Africa and into Southern Africa. There are several hundred Bantu languages. Depending on the definition of Dialect#Dialect or language, "language" or "dialect", it is estimated that there are between 440 and 680 distinct languages. The total number of speakers is in the hundreds of millions, ranging at roughly 350 million in the mid-2010s (roughly 30% of the demographics of Africa, population of Africa, or roughly 5% of world population, the total world population). About 60 million speakers (2015), divided into some 200 ethnic or tribal groups, are found in the Democratic Republic of the Congo alone. The larger of the individual Bantu groups have populations of several million, e.g. the people of Rwanda and Burundi (25 million), th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guantánamo Province
Guantánamo is the easternmost province of Cuba. Its capital is also called Guantánamo. Other towns include Baracoa. The province has the only land border of the U.S. Navy base at Guantánamo Bay. Overview Guantánamo's architecture and culture is unlike the rest of Cuba. The province is only away from Haiti at its closest point, across the Windward Passage (close enough to see lights on Haiti on a clear night). Guantánamo also has a high number of immigrants from Jamaica. Many buildings are comparable to those of the French Quarter of New Orleans in the U.S. state of Louisiana. The Nipe-Sagua-Baracoa mountains dominate the province, dividing both climate and landscape. The northern coast, battered by prevailing winds, is the wettest part of the country, while the south, sheltered and dry, is the hottest. The north is characterized by rainforests, while the south is arid and has many cacti. Municipalities #Baracoa #Caimanera #El Salvador #Guantánamo # Imías #Maisí (La M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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