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Canzone
Literally 'song' in Italian, a canzone (; : ''canzoni''; cognate with English ''to chant'') is an Italian or Provençal song or ballad. It is also used to describe a type of lyric which resembles a madrigal. Sometimes a composition which is simple and songlike is designated as a canzone, especially if it is by a non-Italian; a good example is the aria "Voi che sapete" from Mozart's Marriage of Figaro. The term ''canzone'' is also used interchangeably with canzona, an important Italian instrumental form of the late 16th and early 17th century. Often works designated as such are ''canzoni da sonar''; these pieces are an important precursor to the sonata. Terminology was lax in the late Renaissance and early Baroque music periods, and what one composer might call "canzoni da sonar" might be termed "canzona" by another, or even " fantasia". In the work of some composers, such as Paolo Quagliati, the terms seem to have had no formal implication at all. Derived from the Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson
A (, ; , ) is generally any Lyrics, lyric-driven French song. The term is most commonly used in English to refer either to the secular polyphonic French songs of late medieval music, medieval and Renaissance music or to a specific style of French pop music which emerged in the 1950s and 1960s. The genre had origins in the monophony, monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the ''ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word ''chanson'' literally means "song" in French and can thus less commonly refer to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' (, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of the 20 operas featured, with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Language
Italian (, , or , ) is a Romance language of the Indo-European language family. It evolved from the colloquial Latin of the Roman Empire. Italian is the least divergent language from Latin, together with Sardinian language, Sardinian. It is spoken by about 68 million people, including 64 million native speakers as of 2024. Italian is an official language in Languages of Italy, Italy, Languages of San Marino, San Marino, Languages of Switzerland, Switzerland (Ticino and the Grisons), and Languages of Vatican City, Vatican City; it has official Minority language, minority status in Minority languages of Croatia, Croatia, Slovene Istria, Romania, Bosnia and Herzegovina, and the municipalities of Santa Teresa, Espírito Santo, Santa Tereza, Encantado, Rio Grande do Sul, Encantado, and Venda Nova do Imigrante in Languages of Brazil#Language co-officialization, Brazil. Italian is also spoken by large Italian diaspora, immigrant and expatriate communities in the Americas and Austral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Quagliati
Paolo Quagliati (c. 1555 – 16 November 1628) was an Italian composer of the early Baroque era and a member of the Roman School of composers. He was a transitional figure between the late Renaissance style and the earliest Baroque and was one of the first to write solo madrigals in the conservative musical center of Rome. Life Quagliati was born in Chioggia to an aristocratic family. Most of his life he spent in the service of various royal and aristocratic families. In 1594 he became a Roman citizen, and between 1605 and 1608 Quagliati was employed by Cardinal Odoardo Farnese. Most likely he was organist at Santa Maria Maggiore from around 1608 until his death. During that time he also served as organist for various formal occasions around the city, and eventually he became private chamberlain to Pope Gregory XV. Towards the end of his life he was much respected, if not renowned, by his fellow composers, as can be judged from dedications of collections of music to him; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music Genres
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empire—came un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Language
French ( or ) is a Romance languages, Romance language of the Indo-European languages, Indo-European family. Like all other Romance languages, it descended from the Vulgar Latin of the Roman Empire. French evolved from Northern Old Gallo-Romance, a descendant of the Latin spoken in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French (Francien language, Francien) largely supplanted. It was also substratum (linguistics), influenced by native Celtic languages of Northern Roman Gaul and by the Germanic languages, Germanic Frankish language of the post-Roman Franks, Frankish invaders. As a result of French and Belgian colonialism from the 16th century onward, it was introduced to new territories in the Americas, Africa, and Asia, and numerous French-based creole languages, most notably Haitian Creole, were established. A French-speaking person or nation may be referred to as Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle High German
Middle High German (MHG; or ; , shortened as ''Mhdt.'' or ''Mhd.'') is the term for the form of High German, High German language, German spoken in the High Middle Ages. It is conventionally dated between 1050 and 1350, developing from Old High German (OHG) into Early New High German (ENHG). High German is defined as those varieties of German which were affected by the High German consonant shift, Second Sound Shift; the Middle Low German (MLG) and Middle Dutch languages spoken to the North and North West, which did not participate in this sound change, are not part of MHG. While there is no ''standard'' MHG, the prestige of the Hohenstaufen court gave rise in the late 12th century to a supra-regional literary language () based on Swabian dialect, Swabian, an Alemannic German, Alemannic dialect. This historical interpretation is complicated by the tendency of modern editions of MHG texts to use ''normalised'' spellings based on this variety (usually called "Classical MHG"), which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minnesang
(; "love song") was a tradition of German lyric- and song-writing that flourished in the Middle High German period (12th to 14th centuries). The name derives from '' minne'', the Middle High German word for love, as that was ''Minnesang'''s main subject. People who wrote and performed ''Minnesang'' were known as ''Minnesänger'' (), and a single song was called a ''Minnelied'' (). The ''Minnesänger'' are comparable to the Occitan troubadours and northern French ''trouvères,'' but they are "an original German contribution to courtly lyric." Social status In the absence of reliable biographical information, there has been debate about the social status of the ''Minnesänger''. Some clearly belonged to the higher nobility – the 14th-century Codex Manesse includes songs by dukes, counts, kings, and the Emperor Henry VI. Some ''Minnesänger'', as indicated by the title ''Meister'' (master), were clearly educated commoners, such as Meister Konrad von Würzburg. It is thought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophe
A strophe () is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. Strophic poetry is to be contrasted with poems composed line-by-line non-stanzaically, such as Greek epic poems or English blank verse, to which the term '' stichic'' applies. In its original Greek setting, "strophe, antistrophe and epode were a kind of stanza framed only for the music", as John Milton wrote in the preface to '' Samson Agonistes'', with the strophe chanted by a Greek chorus as it moved from right to left across the scene. Etymology Strophe (from Greek στροφή, "turn, bend, twist") is a concept in versification which properly means a turn, as from one foot to another, or from one side of a chorus to the other. Poetic structure In a more general sense, the strophe is a pair of stanzas of alte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canso (song)
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza. The sequence can be extremely simple, as in ''Can vei la l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Provençal Dialect
Provençal (, , , ; or ) is a variety of Occitan, spoken by people in Provence and parts of Drôme and Gard. The term Provençal used to refer to the entire Occitan language, but more recently it has referred only to the variety of Occitan spoken in Provence. However, it can still be found being used to refer to Occitan as a whole, ''e.g.'' Merriam-Webster states that it can be used to refer to general Occitan, though this is going out of use. Provençal is also the customary name given to the older version of the Occitan language used by the troubadours of medieval literature, when Old French or the ' was limited to the northern areas of France. Thus, the ISO 639-3 code for Old Occitan is [pro]. In 2007, all the ISO 639-3 codes for Occitan dialects, including [prv] for Provençal, were retired and merged into [oci] Occitan. The old codes ([prv], [auv], [gsc], ms nc are no longer in active use, but still have the meaning assigned to them when they were established in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
