Calypso-style Baila
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Calypso-style Baila
{{Short description, Sri Lankan music genre Calypso-style baila is a genre of Sri Lankan music. It grew out of Sri Lankan musicians' fascination with the music of the Caribbean in the 1960s, particularly Harry Belafonte and calypso music. It typically uses acoustic guitars, rhumba shakers and conga/ bongo drums. Sri Lankan groups such as Los Cabelleros led by Neville Fernando (first ever Sinhala pop group), Las Bambas, The Humming Birds, Los Muchachos, and The Moonstones (whose members included Annesley Malewana and Clarence Wijewardane) practiced this music, which melded Caribbean rhythms to traditional Sri Lankan ''baila'' music. Noel Ranasinghe's Le Ceylonians became the most famous group of this genre. See also * Bayila Baila (also known as bayila; from the Portuguese verb ''bailar'', meaning ''to dance'') is a form of music, popular in Sri Lanka and among Goan Catholics. The genre originated centuries ago among the Portuguese Burghers and Sri Lankan Kaffirs. B ... Ext ...
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Baila
Baila (also known as bayila; from the Portuguese verb ''bailar'', meaning ''to dance'') is a form of music, popular in Sri Lanka and among Goan Catholics. The genre originated centuries ago among the Portuguese Burghers and Sri Lankan Kaffirs. Baila songs are played during parties and weddings in Sri Lanka, Goa, Mangalore and Portugal accompanied by dancing. Baila music, as a form of folk art, has been popular for centuries in Sri Lanka. During the early 1960s, it entered into Sri Lanka's mainstream culture, primarily through the work of police officer turned singer Wally Bastiansz. He began adapting the 6/8 "''kaffirhina''" rhythms to accommodate Sinhala lyrics. By the 1970s musicians, including MS Fernando and Maxwell Mendis, had helped Baila grow into a well known and respected style of Sri Lankan popular music. It is primarily considered dance music. History After their arrival in 1505, the Portuguese began to convert the Sinhalese to Roman Catholicism, building their weal ...
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The Humming Birds
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ...
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Bayila
Baila (also known as bayila; from the Portuguese verb ''bailar'', meaning ''to dance'') is a form of music, popular in Sri Lanka and among Goan Catholics. The genre originated centuries ago among the Portuguese Burghers and Sri Lankan Kaffirs. Baila songs are played during parties and weddings in Sri Lanka, Goa, Mangalore and Portugal accompanied by dancing. Baila music, as a form of folk art, has been popular for centuries in Sri Lanka. During the early 1960s, it entered into Sri Lanka's mainstream culture, primarily through the work of police officer turned singer Wally Bastiansz. He began adapting the 6/8 "''kaffirhina''" rhythms to accommodate Sinhala lyrics. By the 1970s musicians, including MS Fernando and Maxwell Mendis, had helped Baila grow into a well known and respected style of Sri Lankan popular music. It is primarily considered dance music. History After their arrival in 1505, the Portuguese began to convert the Sinhalese to Roman Catholicism, building their wealt ...
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Clarence Wijewardane
Vithana Kuruppu Arachchilage Clarence Arthur Somasinghe Wijewardena Justice of the peace#Sri Lanka, JP ( si, ක්ලැරන්ස් විජේවර්ධන, ta, கிளாரன்ஸ் விஜேவர்தன; 3 August 1943 – 13 December 1996), known professionally as Clarence Wijewardena, was a Sri Lankan singer, composer and musician. Considered one of the most respected musicians in Sri Lanka, Wijewardena revolutionized Sri Lankan Sinhala Pop Music with the use of the electric guitar in Sinhala music, in the 1960s. Due to his influence on Sinhala pop music, he is often named as the "Honorific nicknames in popular music, father of Sri Lankan pop music". Personal life Clarence Wijewardena was born on 3 August 1943, in Haputale, Sri Lanka, to an estate medical practitioner. His family moved to Batugedara, Ratnapura, and Clarence abandoned a budding career as a planter to pursue music full-time. He completed education from Weeraparakrama College, Yatawatta a ...
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Annesley Malewana
Annesley Malewana () ( Sinhala: ඇනස්ලි මාලේවන) is a Sri Lankan musician. Often considered "The Prince of Sinhala Pop", Malewana is well known for being a master of contemporary Baila worked with popular musical bands The Moonstones and Super Golden Chimes. Personal life Malewana was born on June 13, 1947 in Ratnapura, Sri Lanka and attended St. Joseph's College, Colombo. He is married to Swarnamali and the couple has one son and one daughter. Musical career Upon leaving school, he met Clarence Wijewardena, and the two formed the group Moonstones in 1966. In the early 1960s, the Moonstones began performing songs composed by Wijewardena and sung by Malewana. Their first hit was ''Mango Nanda'', a song written about the maid who once worked at the home of Clarence's wife in the early days of their relationship. The Moonstones were managed by the advertising man Sri Sangabo Corea and were mentored by the Radio Ceylon broadcaster Vernon Corea and his cous ...
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The Moonstones
The Moonstones was an influential Sri Lankan band, led by Clarence Wijewardene and Annesley Malewana Annesley Malewana () ( Sinhala: ඇනස්ලි මාලේවන) is a Sri Lankan musician. Often considered "The Prince of Sinhala Pop", Malewana is well known for being a master of contemporary Baila worked with popular musical bands The M .... It also included Mangala Rodrigo on lead guitar and Sunil Malawana on bass guitar. Originating in Ratnapura, the group was one of the most popular Sri Lankan bands during the 1960s. History Formation Wijewardene formed the group in 1966 after finding a fitting lead vocalist in friend Annesley Malawana. His earlier choice for the position, another friend, had failed to please his manager Sri Sangabo Corea. Corea named the group "The Moonstones" after the leading export of the group's hometown and for how talented he considered the band.
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Los Muchachos
LOS, or Los, or LoS may refer to: Science and technology * Length of stay, the duration of a single episode of hospitalisation * Level of service, a measure used by traffic engineers * Level of significance, a measure of statistical significance * Line-of-sight (other) * LineageOS, a free and open-source operating system for smartphones and tablet computers * Loss of signal ** Fading **End of pass (spaceflight) * Loss of significance, undesirable effect in calculations using floating-point arithmetic Medicine and biology * Lipooligosaccharide, a bacterial lipopolysaccharide with a low-molecular-weight * Lower oesophageal sphincter Arts and entertainment * ''The Land of Stories'', a series of children's novels by Chris Colfer * Los, or the Crimson King, a character in Stephen King's novels * Los (band), a British indie rock band from 2008 to 2011 * Los (Blake), a character in William Blake's poetry * Los (rapper) (born 1982), stage name of American rapper Carlos ...
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Music Of Sri Lanka
The music of Sri Lanka has its roots in five primary influences: ancient folk rituals, Hindu religious traditions, Buddhist religious traditions, the legacy of European colonisation, and the commercial and historical influence of nearby Indian culture—specifically, Kollywood cinema and Bollywood cinema. The Portuguese were the first Europeans to arrive in Sri Lanka, landing in the mid-15th century. They brought with them traditional cantiga ballads, ukuleles and guitars, as well as conscripted Africans (referred to, historically, as ''kaffrinhas''), who spread their own style of music known as baila. The influence of both European and African traditions served to further diversify the musical roots of contemporary Sri Lankan music. Folk music -based folk poems, ''Jana Kavi'', originated as communal song shared within individual groups as they engaged in daily work. Today, they remain a popular form of cultural expression. Folk poems were sung by ancient people of Sri Lanka ...
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Bongo Drums
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ...
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Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ...
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