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Burnt-in Timecode
Burnt-in timecode (often abbreviated to BITC by analogy to VITC) is a human-readable on-screen version of the timecode information for a piece of material superimposed on a video image. BITC is sometimes used in conjunction with "real" machine-readable timecode, but more often used in copies of original material on to a non-broadcast format such as VHS, so that the VHS copies can be traced back to their master tape and the original time codes easily located. Many professional VTRs can "burn" (overlay) the tape timecode onto one of their outputs. This output (which usually also displays the setup menu or on-screen display) is known as the ''super out'' or ''monitor out''. The ''character'' switch or menu item turns this behaviour on or off. The ''character'' function is also used to display the timecode on the preview monitors in linear editing suites. Videotapes that are recorded with timecode numbers overlaid on the video are referred to as ''window dubs'', named after the "windo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burnt-in Timecode
Burnt-in timecode (often abbreviated to BITC by analogy to VITC) is a human-readable on-screen version of the timecode information for a piece of material superimposed on a video image. BITC is sometimes used in conjunction with "real" machine-readable timecode, but more often used in copies of original material on to a non-broadcast format such as VHS, so that the VHS copies can be traced back to their master tape and the original time codes easily located. Many professional VTRs can "burn" (overlay) the tape timecode onto one of their outputs. This output (which usually also displays the setup menu or on-screen display) is known as the ''super out'' or ''monitor out''. The ''character'' switch or menu item turns this behaviour on or off. The ''character'' function is also used to display the timecode on the preview monitors in linear editing suites. Videotapes that are recorded with timecode numbers overlaid on the video are referred to as ''window dubs'', named after the "windo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timecode/Vertical Interval Timecode
Vertical Interval Timecode (VITC, pronounced "vitsee") is a form of SMPTE timecode encoded on one scan line in a video signal. These lines are typically inserted into the vertical blanking interval of the video signal. With one exception, VITC contains the same payload as SMPTE linear timecode (LTC), embedded in a new frame structure with extra synchronization bits and an error-detection checksum. The exception is that VITC is encoded twice per interlaced video frame, once in each field, and one additional bit (the "field flag") is used to distinguish the two fields. A video frame may contain more than one VITC code if necessary, recorded on different lines. This is often used in production, where different entities may want to encode different sets of time-code metadata on the same tape. As a practical matter, VITC can be more 'frame-accurate' than LTC, particularly at very slow tape speeds on analog formats. LTC readers can lose track of code at slow jog speeds whereas VITC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Human-readable
A human-readable medium or human-readable format is any encoding of data or information that can be naturally read by humans. In computing, ''human-readable'' data is often encoded as ASCII or Unicode text, rather than as binary data. In most contexts, the alternative to a human-readable representation is a '' machine-readable'' format or medium of data primarily designed for reading by electronic, mechanical or optical devices, or computers. For example, Universal Product Code (UPC) barcodes are very difficult to read for humans, but very effective and reliable with the proper equipment, whereas the strings of numerals that commonly accompany the label are the human-readable form of the barcode information. Since any type of data encoding can be parsed by a suitably programmed computer, the decision to use binary encoding rather than text encoding is usually made to conserve storage space. Encoding data in a binary format typically requires fewer bytes of storage and increases e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timecode
A timecode (alternatively, time code) is a sequence of numeric codes generated at regular intervals by a timing synchronization system. Timecode is used in video production, show control and other applications which require temporal coordination or logging of recording or actions. Video and film In video production and filmmaking, SMPTE timecode is used extensively for synchronization, and for logging and identifying material in recorded media. During filmmaking or video production shoot, the camera assistant will typically log the start and end timecodes of shots, and the data generated will be sent on to the editorial department for use in referencing those shots. This shot-logging process was traditionally done by hand using pen and paper, but is now typically done using shot-logging software running on a laptop computer that is connected to the timecode generator or the camera itself. The SMPTE family of timecodes are almost universally used in film, video and audio produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On-screen Display
An on-screen display (OSD) is an image superimposed on a screen picture, commonly used by modern television sets, VCRs, and DVD players to display information such as volume, channel, and time. History In the past, most adjustments on TV sets were performed with analog controls such as potentiometers and switches. This was used more recently also in monochrome portable TVs. After remote controls were invented, digital adjustments became common. They needed an external display, which was LED, LCD, or VFD based. Including this display increased manufacturing costs. When electronics became more advanced, it became clear that adding some extra devices for an OSD was cheaper than adding a second display device. TV screens had become much bigger and could display much more information than a small second display. OSDs display graphical information superimposed over the picture, which is done by synchronizing the reading from OSD video memory with the TV signal. Some of the first O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear Video Editing
Linear video editing is a video editing post-production process of selecting, arranging and modifying images and sound in a predetermined, ordered sequence. Regardless of whether it was captured by a video camera, tapeless camcorder, or recorded in a television studio on a video tape recorder (VTR) the content must be accessed sequentially. For the most part video editing software has replaced linear editing. In the past, film editing was done in linear fashion, where film reels were literally cut into long strips divided by takes and scenes, and then glued or taped back together to create a logical sequence of film. Linear video editing is more time consuming and highly specialised and tedious work. Still, it is relevant today because of these reasons: * The method is simple and inexpensive. * Mandatory for some jobs: for example if only two sections of video clips are to be joined together in sequence it is often the quickest and easiest way. * If video editors learn linear editin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edit Decision List
An edit decision list or EDL is used in the post-production process of film editing and video editing. The list contains an ordered list of reel and timecode data representing where each video clip can be obtained in order to conform the final cut. EDLs are created by offline editing systems, or can be paper documents constructed by hand such as shot logging. These days, linear video editing systems have been superseded by non-linear editing (NLE) systems which can output EDLs electronically to allow autoconform on an online editing system – the recreation of an edited programme from the original sources (usually video tapes) and the editing decisions in the EDL. They are also often used in the digital video editing world, so rather than referring to reels they can refer to sequences of images stored on disk. Some formats, such as CMX3600, can represent simple editing decisions only. Final Cut Pro XML, the Advanced Authoring Format (AAF), and AviSynth scripts are relatively ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Character Recognition
Optical character recognition or optical character reader (OCR) is the electronic or mechanical conversion of images of typed, handwritten or printed text into machine-encoded text, whether from a scanned document, a photo of a document, a scene-photo (for example the text on signs and billboards in a landscape photo) or from subtitle text superimposed on an image (for example: from a television broadcast). Widely used as a form of data entry from printed paper data records – whether passport documents, invoices, bank statements, computerized receipts, business cards, mail, printouts of static-data, or any suitable documentation – it is a common method of digitizing printed texts so that they can be electronically edited, searched, stored more compactly, displayed on-line, and used in machine processes such as cognitive computing, machine translation, (extracted) text-to-speech, key data and text mining. OCR is a field of research in pattern recognition, artificial intellig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear Timecode
Linear (or Longitudinal) Timecode (LTC) is an encoding of SMPTE timecode data in an audio signal, as defined in SMPTE 12M specification. The audio signal is commonly recorded on a VTR track or other storage media. The bits are encoded using the biphase mark code (also known as ''FM''): a 0 bit has a single transition at the start of the bit period. A 1 bit has two transitions, at the beginning and middle of the period. This encoding is self-clocking. Each frame is terminated by a 'sync word' which has a special predefined sync relationship with any video or film content. A special bit in the linear timecode frame, the ''biphase mark correction'' bit, ensures that there are an even number of AC transitions in each timecode frame. The sound of linear timecode is a jarring and distinctive noise and has been used as a sound-effects shorthand to imply ''telemetry'' or ''computers''. Generation and Distribution In broadcast video situations, the LTC generator should be tied into h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vertical Interval Timecode
Vertical Interval Timecode (VITC, pronounced "vitsee") is a form of SMPTE timecode encoded on one scan line in a video signal. These lines are typically inserted into the vertical blanking interval of the video signal. With one exception, VITC contains the same payload as SMPTE linear timecode (LTC), embedded in a new frame structure with extra synchronization bits and an error-detection checksum. The exception is that VITC is encoded twice per interlaced video frame, once in each field, and one additional bit (the "field flag") is used to distinguish the two fields. A video frame may contain more than one VITC code if necessary, recorded on different lines. This is often used in production, where different entities may want to encode different sets of time-code metadata on the same tape. As a practical matter, VITC can be more 'frame-accurate' than LTC, particularly at very slow tape speeds on analog formats. LTC readers can lose track of code at slow jog speeds whereas VITC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SMPTE Time Code
SMPTE timecode ( or ) is a set of cooperating standards to label individual frames of video or film with a timecode. The system is defined by the Society of Motion Picture and Television Engineers in the SMPTE 12M specification. SMPTE revised the standard in 2008, turning it into a two-part document: SMPTE 12M-1 and SMPTE 12M-2, including new explanations and clarifications. Timecodes are added to film, video or audio material, and have also been adapted to synchronize music and theatrical production. They provide a time reference for editing, synchronization and identification. Timecode is a form of media metadata. The invention of timecode made modern videotape editing possible and led eventually to the creation of non-linear editing systems. Basic concepts SMPTE timecode is presented in ''hour:minute:second:frame'' format and is typically represented in 32 bits using binary-coded decimal. There are also ''drop-frame'' and ''color framing'' flags and three extra ''binary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI Timecode
MIDI time code (MTC) embeds the same timing information as standard SMPTE timecode as a series of small 'quarter-frame' MIDI messages. There is no provision for the user bits in the standard MIDI time code messages, and SysEx messages are used to carry this information instead. The quarter-frame messages are transmitted in a sequence of eight messages, thus a complete timecode value is specified every two frames. If the MIDI data stream is running close to capacity, the MTC data may arrive a little behind schedule which has the effect of introducing a small amount of jitter. In order to avoid this it is ideal to use a completely separate MIDI port for MTC data. Larger full-frame messages, which encapsulate a frame worth of timecode in a single message, are used to locate to a time while timecode is not running. Unlike standard SMPTE timecode, MIDI timecode's quarter-frame and full-frame messages carry a two-bit flag value that identifies the rate of the timecode, specifying it as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
