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Boast
Boasting or bragging is speaking with excessive pride and self-satisfaction about one's achievements, possessions, or abilities. Boasting occurs when someone feels a sense of satisfaction or when someone feels that whatever occurred proves their superiority and is recounting accomplishments so that others will feel admiration or envy. Individuals construct an image of themselves, a personal identity, and present themselves in a manner that is consistent with that image. Theodore Millon theorized that in self-presentation, individuals seek to balance boasting against discrediting themselves with excessive self-promotion or being caught blatantly misrepresenting themselves. Studies show that people often have a limited ability to perceive how their efforts at self-presentation are actually impacting their acceptance and likeability by others. Forms of bragging Although a brag can be as straightforward as a simple claim to riches or greatness, it often assumes a variety of more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gab (song)
A ''gab'' or ''gap'' (, "boast") is a troubadour boasting song. It is often considered related to the ''tenso'' and ''partimen'', two types of debate poem. Sometimes the ''gab'' is not considered a separate genre of poetry but simply a boast found within another genre, commonly the ''sirventes''.Veronica M. Fraser (2006), ''The Songs of Peire Vidal: Translation and Commentary'' (New York: Peter Lang, ), 153. The Occitan word ''gab'' means "boast" and comes from the verb ''gabar'' (to open the mouth wide, i.e. gape). The song is innately competitive and the boast is often presented as a challenge, which may generate poetical responses. The boasting, however, is made in good fun and typically follows a formula ensuring it will be well-received (unlike a real boast). Often it is heavily ironic, and the boasts are intended specifically to entertain the audience that knows better. The first ''gab'' was "Ben vuelh", composed by William IX of Aquitaine (died 1126).Don A. Monson (1999), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beot
A is Old English for a ritualized boast, vow, threat, or promise. Clark Hall, John R. ''A Concise Anglo-Saxon Dictionary''. Cambridge University Press, 1960, p. 42. The principle of a ''bēot'' is to proclaim one's acceptance of a seemingly impossible challenge in order to gain tremendous glory for actually accomplishing it. Anglo-Saxon warriors would usually deliver ''bēot''s in the mead hall the night before a military engagement or during the battle itself. For example, a typical warrior may boast that he will be the first to strike a blow in a battle, that he would claim a renowned sword from an enemy warrior as spoil of battle, that he will slay a particular monster that has been wreaking havoc on a town or village, and so on. ''Bēot''s were usually accompanied by grand stories of one's past glorious deeds. Although other cultures and times might disdain boasting as a sign of arrogance, or sinful pride, the pagan Anglo-Saxons highly regarded such behaviour as a positive sig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodomontade
''Rodomontade'' () is a mass noun meaning boastful talk or behavior. The term is a reference to Rodomonte, a character in the Italian Renaissance epic poem ''Orlando innamorato'' and its sequel ''Orlando furioso''. Henry Fielding in ''History of Tom Jones'' writes, “In fact, the good squire was a little too apt to indulge that kind of pleasantry which is generally called rhodomontade. . .” Examples of use *A 17th-century example of the term exists in ''Don Tomazo'' by Thomas Dangerfield, albeit with a slight alteration of spelling. As the titular protagonist heads towards Cairo with a number of stolen treasures, he is informed by an acquaintance that: ::''. . . he could, in that heathenish city, command a thousand pound – which was at that time no rodomontado, in regard the jewels were worth above four times the value.'' *The German composer Georg Philipp Telemann composed a Suite in b minor (in German, h moll) for violin solo, strings and continuo (TWV 55: h4), which e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Furioso
''Orlando furioso'' (; ''The Frenzy of Orlando'', more loosely ''Raging Roland'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. ''Orlando furioso'' is a continuation of Matteo Maria Boiardo's unfinished romance ''Orlando innamorato'' (''Orlando in Love'', published posthumously in 1495). In its historical setting and characters, it shares some features with the Old French ''Chanson de Roland'' of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French (and subsequently English) as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Sarace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodomonte
Rodomonte (or Rodamonte) is a major character in the Italian romantic epic poems ''Orlando innamorato'' by Matteo Maria Boiardo and ''Orlando furioso'' by Ludovico Ariosto. He is the King of Sarza and Algiers and the leader of the Saracen army which besieges Charlemagne in Paris. He is in love with Doralice, Princess of Granada, but she elopes with his rival Mandricardo. He tries to seduce Isabella but she tricks him into killing her by mistake. In remorse, Rodomonte builds a bridge in her memory and forces all who cross it to pay tribute. When the "naked and mad" Orlando arrives at the bridge, it is Rodomonte, the pagan, who throws him into the river below. They both swim ashore, but Orlando who is naked and is unimpeded by heavy armor gets to the shore first. Finally, Rodomonte appears at the wedding of Bradamante and Ruggiero and accuses Ruggiero of treason for converting to Christianity and abandoning the Saracen cause. The two fight a duel and Rodomonte is killed. Rodomonte's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Gloriosus
''Alazṓn'' ( grc, ἀλαζών) is one of three stock characters in comedy of the theatre of ancient Greece. He is the opponent of the '' eirôn''. The ''alazṓn'' is an impostor that sees himself as greater than he actually is. The ''senex iratus'' (the angry father) and the ''miles gloriosus'' (the braggart soldier) are two types of ''alazṓn''. ''Miles Gloriosus'' ''Miles Gloriosus'' (literally, "braggart-soldier", in Latin) is a stock character of a boastful soldier from the comic theatre of ancient Rome, and variations on this character have appeared in drama and fiction ever since.Frye, Northrop. 1957. ''Anatomy of Criticism: Four Essays''. London: Penguin, 1990. . The character derives from the ''alazṓn'' or "braggart" of the Greek Old Comedy (e.g. Aristophanes). The term "Miles Gloriosus" is occasionally applied in a contemporary context to refer to a posturing and self-deceiving boaster or bully. Literary instances In the play ''Miles Gloriosus'' ("Boastful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baron Munchausen
Baron Munchausen (; ) is a fictional German nobleman created by the German writer Rudolf Erich Raspe in his 1785 book '' Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia''. The character is loosely based on a real baron, Hieronymus Karl Friedrich, Freiherr von Münchhausen. Born in Bodenwerder, Electorate of Hanover, the real-life Münchhausen fought for the Russian Empire in the Russo-Turkish War of 1735–1739. Upon retiring in 1760, he became a minor celebrity within German aristocratic circles for telling outrageous tall tales based on his military career. After hearing some of Münchhausen's stories, Raspe adapted them anonymously into literary form, first in German as ephemeral magazine pieces and then in English as the 1785 book, which was first published in Oxford by a bookseller named Smith. The book was soon translated into other European languages, including a German version expanded by the poet Gottfried August Bürger. The real-life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Twelve Idle Servants
The Twelve Idle Servants (''Die zwölf faulen Knechte'') is a fairy tale by The Brothers Grimm, published in Kinder- und Hausmärchen as KHM151a. Plot The plot concerns twelve lazy servants who don't feel like working and instead boast about how lazy they are. Each one tells his story. The first one says he only takes care of himself and just eats, drinks and gets up late. The second goes so far that he ignores the fact that he has to take care of his master's horse, by simply claiming the animal has already eaten. The third servant once went to sleep in the sun and kept dreaming despite the fact that heavy rain suddenly came down and made a hole in his skull. The fourth servant claims he never starts quickly and always asks others to help him out. The fifth one only works one cart load a day. The sixth servant boasts that he never changes clothes for three weeks and has no buckles on his shoes. He counts the stairs so that he knows when to take a rest. The seventh servant claim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pride
Pride is defined by Merriam-Webster as "reasonable self-esteem" or "confidence and satisfaction in oneself". A healthy amount of pride is good, however, pride sometimes is used interchangeably with "conceit" or "arrogance" (among other words) which are negative. Oxford defines it as "the quality of having an excessively high opinion of oneself or one's own importance." This may be related to one's own abilities or achievements, positive characteristics of friends or family, or one's country. Richard Taylor defined pride as "the justified love of oneself", as opposed to false pride or narcissism. Similarly, St. Augustine defined it as "the love of one's own excellence", and Meher Baba called it "the specific feeling through which egoism manifests." Philosophers and social psychologists have noted that pride is a complex secondary emotion which requires the development of a sense of self and the mastery of relevant conceptual distinctions (e.g. that pride is distinct from happi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', where he is a companion to Prince Hal, the future King Henry V of England. Falstaff is also featured as the buffoonish suitor of two married women in '' The Merry Wives of Windsor''. Though primarily a comic figure, Falstaff embodies a depth common to Shakespeare's major characters. A fat, vain, and boastful knight, he spends most of his time drinking at the Boar's Head Inn with petty criminals, living on stolen or borrowed money. Falstaff leads the apparently wayward Prince Hal into trouble, and is ultimately repudiated after Hal becomes king. Falstaff has since appeared in other media, including operas by Giuseppe Verdi, Ralph Vaughan Williams, and Otto Nicolai, and in Orson Welles' 1966 film ''Chimes at Midnight''. The operas focus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scaramouche
Scaramouche () or Scaramouch (; from Italian Scaramuccia , literally "little skirmisher") is a stock clown character of the 16th-century commedia dell'arte (comic theatrical arts of Italian literature). The role combined characteristics of the ''Zanni'' (servant) and the '' Capitano'' (masked henchman), with some assortment of villainous traits. Usually attired in black Spanish dress and burlesquing a Don, he was often beaten by Harlequin for his boasting and cowardice. History Although Tiberio Fiorillo (1608–1694) was not the first to play the role, he greatly developed and popularized it. He removed the mask, used white powder on his face, and employed grimaces. He was small , long beard, and wore a predominantly black costume with a white ruff. In France he became known as Scaramouche. In the 19th century, the English actor Joseph Grimaldi and his son J. S. Grimaldi made numerous appearances as Scaramouche. Character Scaramouche influences the audience to do his biddi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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