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Berimbao
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The assi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Bow
The musical bow (bowstring or string bow, a subset of bar zithers) is a simple string instrument used by a number of South African peoples, which is also found in the Americas via slave trade. It consists of a flexible, usually wooden, stick 1.5 to 10 feet (0.5 to 3 m) long, and strung end to end with a taut cord, usually metal. It can be played with the hands or a wooden stick or branch. It is uncertain if the musical bow developed from the hunting bow, though the San or Bushmen people of the Kalahari Desert do convert their hunting bows to musical use. Types of bow include mouth-resonated string bow, earth-resonated string bow, and gourd-resonated string bow. History There is speculation that the hunting bow may have been used as a musical instrument from as early as circa 13,000 B.C. Henri Breuil surveyed the Trois Frères in France caves and made an engraving that attempted to reproduce a c. 13,000 B.C. cave painting into a black-and-white lithograph engraving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Bow
The musical bow (bowstring or string bow, a subset of bar zithers) is a simple string instrument used by a number of South African peoples, which is also found in the Americas via slave trade. It consists of a flexible, usually wooden, stick 1.5 to 10 feet (0.5 to 3 m) long, and strung end to end with a taut cord, usually metal. It can be played with the hands or a wooden stick or branch. It is uncertain if the musical bow developed from the hunting bow, though the San or Bushmen people of the Kalahari Desert do convert their hunting bows to musical use. Types of bow include mouth-resonated string bow, earth-resonated string bow, and gourd-resonated string bow. History There is speculation that the hunting bow may have been used as a musical instrument from as early as circa 13,000 B.C. Henri Breuil surveyed the Trois Frères in France caves and made an engraving that attempted to reproduce a c. 13,000 B.C. cave painting into a black-and-white lithograph engraving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belembaotuyan
The eleaotua is a musical bow played in Guam, also spelled ''eluaotuas'', ''eleaotuchan'', and ''elimau-tuyan''. This gourd-resonating musical bow likely has common roots with the Brazilian berimbau, due to constant trade between Asia and South America in the nineteenth century, during which the instrument may have been introduced to the Chamorro people.{{cite web , url=http://www.guampedia.com/belembaotuyan-2/ , title= Belembaotuyan , last=Pangelinan, first=Therese Q. Crisostomo, date=July 14, 2014 , website=guampedia.com, publisher= , accessdate=2015-01-22 The instrument also resembles various zither/boat lutes found throughout Southeast Asia (esp. in the Philippines) called kutiyapi. Description The ''eleaotua'' has traditionally been part of wedding and other ceremonies in Guam, such as the Chamorro Month celebrations in schools, though it has lost popularity in recent times. The name of the instrument comes from the words ''eleao'' ('swaying of the trees' in Chamorro languag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinicius De Moraes
Marcus Vinícius da Cruz e Mello Moraes (19 October 1913 – 9 July 1980), better known as Vinícius de Moraes () and nicknamed O Poetinha ("The little poet"), was a Brazilian poet, diplomat, lyricist, essayist, musician, singer, and playwright. With his frequent and diverse musical partners, including Antônio Carlos Jobim, his lyrics and compositions were instrumental in the birth and introduction to the world of bossa nova music. He recorded numerous albums, many in collaboration with noted artists, and also served as a successful Brazilian career diplomat. Early life Moraes was born in Gávea, a neighbourhood of Rio de Janeiro, to Clodoaldo da Silva Pereira Moraes, a public servant, and Lidia Cruz, a housewife and amateur pianist. In 1916, his family moved to Botafogo, where he attended Afrânio Peixoto Primary School. Fleeing the 18 of the Copacabana Fort revolt, his parents moved to Governador Island while Moraes remained at his grandfather's home in Botafogo to finis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rollinia Deliciosa
''Annona mucosa'' is a species of flowering plant in the custard-apple family, Annonaceae, that is native to tropical South America. It is cultivated for its edible fruits, commonly known as biribá, lemon meringue pie fruit, or wild sugar-apple, throughout the world's tropics and subtropics. Common names The Brazilian name, ''biribá'' has become somewhat well known. Nonetheless, the fruits are occasionally known by other names, including ''wild sugar apple'' and ''aratiku''. Description Biribá is a fast-growing, flood-tolerant, sun-loving tropical tree, with leaves up to 35 cm long. It can reach a height of , which can bear fruit from seed within 3 years. The fruit is large, conical or round, green when unripe, ripening to yellow. Its surface is covered with soft spines or protuberances which bruise and blacken with handling, giving it an unappealing appearance. This delicacy, together with a shelf life of less than a week, has limited its commercial cultivation. Howe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hn Caxixi Baqueta Vadero
HN or Hn may refer to: Arts and entertainment * Hn., musical score notation for French horn * A numbering system for Royal Doulton Figurines, e..g. HN211 Businesses and organizations *Heavylift Cargo Airlines (IATA airline designator) * Hutchinson and Northern Railway, Kansas, US, reporting mark Media * HN, former alternate name for Headline News * Hacker News Places * Heilbronn, Germany, vehicle registration * Herceg Novi, a town in Montenegro * Honduras (ISO 3166-1 country code) ** .hn, the Internet country code top-level domain (ccTLD) for Honduras * Hunan, a province of China * Thesprotia, regional unit of Greece (vehicle plate code ⟨ΗΝ⟩, for capital Igoumenitsa ) Other uses * Hospitalman, a United States Navy Hospital corpsman rate * , a two-letter combination used in some languages ** Reduction of /hn/ to /n/ in Old/Middle English * Harmonic numbers See also * English horn, "E. hn." in music scores * Saxhorn The saxhorn is a family of valved brass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau Parts
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The assi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A modern interpretation of the instrument, the kalimba, was commercially pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capoeira
Capoeira () is an Afro-Brazilian martial art that combines elements of dance, acrobatics, music and spirituality. Born of the melting pot of enslaved Africans, Indigenous Brazilians and Portuguese influences at the beginning of the 16th century, capoeira is a constantly evolving art form. It is known for its acrobatic and complex maneuvers, often involving hands on the ground and inverted kicks. It emphasizes flowing movements rather than fixed stances; the '' ginga'', a rocking step, is usually the focal point of the technique. Although debated, the most widely accepted origin of the word ''capoeira'' comes from the Tupi words ''ka'a'' ("forest") ''paũ'' ("round"), referring to the areas of low vegetation in the Brazilian interior where fugitive slaves would hide. A practitioner of the art is called a capoeirista (). Though often said to be a martial art disguised as a dance, capoeira served not only as a form of self defence, but also as a way to maintain spirituality and cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian Portuguese
Brazilian Portuguese (' ), also Portuguese of Brazil (', ) or South American Portuguese (') is the set of varieties of the Portuguese language native to Brazil and the most influential form of Portuguese worldwide. It is spoken by almost all of the 214 million inhabitants of Brazil and spoken widely across the Brazilian diaspora, today consisting of about two million Brazilians who have emigrated to other countries. With a population of over 214 million, Brazil is by far the world's largest Portuguese-speaking nation and the only one in the Americas. Brazilian Portuguese differs, particularly in phonology and prosody, from varieties spoken in Portugal and Portuguese-speaking African countries. In these latter countries, the language tends to have a closer connection to contemporary European Portuguese, partly because Portuguese colonial rule ended much more recently there than in Brazil, partly due to the heavy indigenous and African influence on Brazilian Portuguese. Despite t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bantu Language
The Bantu languages (English: , Proto-Bantu: *bantʊ̀) are a large family of languages spoken by the Bantu people of Central, Southern, Eastern africa and Southeast Africa. They form the largest branch of the Southern Bantoid languages. The total number of Bantu languages ranges in the hundreds, depending on the definition of "language" versus "dialect", and is estimated at between 440 and 680 distinct languages."Guthrie (1967-71) names some 440 Bantu 'varieties', Grimes (2000) has 501 (minus a few 'extinct' or 'almost extinct'), Bastin ''et al.'' (1999) have 542, Maho (this volume) has some 660, and Mann ''et al.'' (1987) have ''c.'' 680." Derek Nurse, 2006, "Bantu Languages", in the ''Encyclopedia of Language and Linguistics'', p. 2:Ethnologue report for Southern Bantoid" lists a total of 535 languages. The count includes 13 Mbam languages, which are not always included under "Narrow Bantu". For Bantuic, Linguasphere has 260 outer languages (which are equivalent to languages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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