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Benshi
were Japanese performers who provided live narration for silent films (both Japanese films and Western films). ''Benshi'' are sometimes called or . Role The earliest films available for public display were produced by Western studios, portraying brief scenes of everyday life, often less than a minute long. The first were thus hired to provide greater value for the high ticket prices charged by theaters relative to other public entertainment, while also giving technical and cultural context to the audience. The operation of the projector itself would be described before the showing, and then explanations of Western culture would accompany the film with the standing to the side of the screen. This commentary was as much part of the theater-going experience as the film itself. In one instance, a was able to avoid government censorship of The Kiss by describing kissing in Western culture to be as casual a greeting as a pat on the back. As film plots became longer and more com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benshi
were Japanese performers who provided live narration for silent films (both Japanese films and Western films). ''Benshi'' are sometimes called or . Role The earliest films available for public display were produced by Western studios, portraying brief scenes of everyday life, often less than a minute long. The first were thus hired to provide greater value for the high ticket prices charged by theaters relative to other public entertainment, while also giving technical and cultural context to the audience. The operation of the projector itself would be described before the showing, and then explanations of Western culture would accompany the film with the standing to the side of the screen. This commentary was as much part of the theater-going experience as the film itself. In one instance, a was able to avoid government censorship of The Kiss by describing kissing in Western culture to be as casual a greeting as a pat on the back. As film plots became longer and more com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Film
The has a history that spans more than 100 years. Japan has one of the oldest and largest film industries in the world; as of 2021, it was the fourth largest by number of feature films produced. In 2011 Japan produced 411 feature films that earned 54.9% of a box office total of US$2.338 billion. Films have been produced in Japan since 1897, when the first foreign cameramen arrived. '' Tokyo Story'' (1953) ranked number three in '' Sight & Sound'' critics' list of the 100 greatest films of all time. ''Tokyo Story'' also topped the 2012 ''Sight & Sound'' directors' poll of The Top 50 Greatest Films of All Time, dethroning ''Citizen Kane'', while Akira Kurosawa's '' Seven Samurai'' (1954) was voted the greatest foreign-language film of all time in BBC's 2018 poll of 209 critics in 43 countries. Japan has won the Academy Award for the Best International Feature Film four times, more than any other Asian country. Japan's Big Four film studios are Toho, Toei, Shochiku and Kad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Benshi
Neo-Benshi is the practice of producing live alternate voice-overs for movies. The art form’s acknowledged starting point is in Korea, Japan, Taiwan and other East Asian nations during the silent film era. ''Benshi'' is a Japanese word referring to the oral "interpreter" who performed a live narrative accompaniment to silent movies, in lieu of showing intertitles with dialogue, etc. In Korean, the practice is known as ''pyônsa''. Currently, it is finding a resurgence among experimental poets in the San Francisco Bay area and Los Angeles. Movietelling Movietelling is a reinstatement, or retelling, of the film narrator practice(s). Long time practitioner and one of the foremost scholars on the subject of live film narration, Walter Lew, coined this phrase with the intention of reviving and revamping what he considers to have been an international practice, finding its roots throughout Europe, Asia, and the United States. In January 2008, Lew, along with several poets and vide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midori Sawato
is a Japanese benshi or katsuben (silent film narrator). Life Originally from Tokyo, Midori Sawato graduated from the Department of Philosophy, Hosei University. She first decided she wanted to become a benshi in 1972, when she saw the silent film ''The Water Magician'' by Kenji Mizoguchi. She was particularly impressed with the performance as benshi of the man who would become her teacher, Shunsui Matsuda. After studying under Matsuda, Sawato made her debut in 1973. She is an active benshi who has garnered high praise through her wide variety of activities and performances in Japan and overseas. Of the ten benshi working in Japan (), Sawato is considered the most famous. Her repertoire of over 500 films includes genres as varied as contemporary cinema, historical movies and western films, for which she provides well-formed interpretations of the work. She has received many awards, including the Award for Excellence in the field of Dramatic Performance at the Agency for Cultura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Taiwan
The cinema of Taiwan ( zh, t=臺灣電影 or ) is deeply rooted in the island's unique history. Since its introduction to Taiwan in 1901 under Japanese rule, cinema has developed in Taiwan under ROC rule through several distinct stages. It has also developed outside the Hong Kong mainstream and the censorship of the People's Republic of China. Characteristics Taiwanese directors In recent years, Taiwan's film industry has received recognition due to a number of internationally respected filmmakers, such as Hou Hsiao-hsien, Edward Yang, and the Malaysian-Chinese Tsai Ming-liang. Important Taiwanese directors from the 1990s include Chen Kuo-fu, Tsui Siu Ming, and independent producer Huang Ming-chuan Lai. Influence of the government From the late Japanese colonial period to martial law in Taiwan, the development of Taiwanese film was dominated by the official camp studio development. The film produced during that stage was mainly news footage taken by the government-run stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toshirō Mifune
was a Japanese actor who appeared in over 150 feature films. He is best known for his 16-film collaboration (1948–1965) with Akira Kurosawa in such works as ''Rashomon'', ''Seven Samurai'', ''The Hidden Fortress'', ''Throne of Blood'', and '' Yojimbo''. He also portrayed Miyamoto Musashi in Hiroshi Inagaki's '' Samurai Trilogy'' and one earlier Inagaki film, Lord Toranaga in the NBC television miniseries ''Shōgun'', and Admiral Isoroku Yamamoto in three different films. Early life Toshiro Mifune was born on April 1, 1920 in Seitō, Japanese-occupied Shandong (present-day Qingdao, China), the eldest son of Tokuzo and Sen Mifune. His father Tokuzo was a trade merchant and photographer who ran a photography business in Qingdao and Yingkou, and was originally the son of a medical doctor from Kawauchi, Akita Prefecture. His mother Sen was the daughter of a ''hatamoto'', a high-ranking samurai official. Toshiro's parents, who were working as Methodist missionaries, were some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picture Bride (film)
''Picture Bride'' is a 1995 American Japanese-language feature-length independent film directed by Kayo Hatta from a screenplay co-written with Mari Hatta, and co-produced by Diane Mei Lin Mark and Lisa Onodera. It follows Riyo, who arrives in Hawaii as a "picture bride" at the turn of the century for a man she has never met before. The story is based on the historical practice, due to U.S. anti-miscegenation laws, of Japanese immigrant laborers in the United States using long-distance matchmakers in their homelands to find wives. Released by Miramax Films, the film stars Youki Kudoh, Akira Takayama, Tamlyn Tomita, and Cary-Hiroyuki Tagawa, with a special appearance by Toshiro Mifune in his penultimate film role. ''Picture Bride'' premiered at the 1995 Sundance Film Festival, where it won the Audience Award for narrative dramatic feature film. Considered a landmark Asian American work, the film was an Official Selection at the 1994 Cannes Film Festival in the Un Certain Regard sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musei Tokugawa
was a Japanese benshi, actor, raconteur, essayist, and radio and television personality. Musei (as he was called) first came to prominence as a benshi, a narrator of films during the silent era in Japan. He was celebrated for his restrained but erudite narration that was popular among intellectual film fans.Dym, Jeffrey A.Tokugawa Musei: A Portrait Sketch of One of Japan's Greatest Narrative Artists" ''In Praise of Film Studies: Essays in Honor of Makino Mamoru''. Eds. Aaron Gerow and Abé Mark Nornes (Kinema Club, 2001). He concentrated on foreign films such as '' The Cabinet of Dr. Caligari'' at high-class theaters like the Aoikan and the Musashinokan, but also performed Japanese works such as Teinosuke Kinugasa's experimental masterpiece ''A Page of Madness'' (1926). As the silent era ended, Musei switched to storytelling on stage and on radio, and also began acting and doing narrations in films. He was also famous for his essays, humorous novels, and autobiographical writings, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musei Tokugawa 1
Musei is a ''comune'' (municipality) in the Province of South Sardinia in the Italian region Sardinia, located about west of Cagliari and about northeast of Carbonia. As of 31 December 2004, it had a population of 1,493 and an area of .All demographics and other statistics: Italian statistical institute Istat. Musei borders the following municipalities: Domusnovas, Iglesias, Siliqua The siliqua (plural ''siliquae'') is the modern name given (without any ancient evidence to confirm the designation) to small, thin, Roman silver coins produced in the 4th century A.D. and later. When the coins were in circulation, the Latin wo ..., Villamassargia. Demographic evolution Colors= id:lightgrey value:gray(0.9) id:darkgrey value:gray(0.8) id:sfondo value:rgb(1,1,1) id:barra value:rgb(0.6,0.7,0.8) ImageSize = width:455 height:303 PlotArea = left:50 bottom:50 top:30 right:30 DateFormat = x.y Period = from:0 till:2000 TimeAxis = orientation:vertical AlignBars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denkikan
The was the first dedicated movie theater in Japan. Originally a hall built in Asakusa's Rokku theater district to present spectacles featuring electricity ("denki" in Japanese), it was converted into a movie theater in October 1903 by Yoshizawa Shōten, the most successful of the film companies at the time. Featuring benshi such as Saburo Somei, it quickly became the symbol of the new phenomenon of the motion pictures and many cinemas around Japan were later created that borrowed the name "Denkikan." It later became a Nikkatsu theater and then a Shochiku theater before finally closing in 1976. A historically accurate model of the theater is currently on display at the Edo-Tokyo Museum in Tokyo. It is also cited in Kaizo Hayashi is a Japanese film director and screenwriter. He made his directorial debut with '' To Sleep so as to Dream'' (1986). He is best known for his neo-noir '' Maiku Hama'' trilogy, ''The Most Terrible Time in My Life'' (1994), '' Stairway to the Dist . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vanilla Yamazaki
is a benshi, katsudō-benshi, seiyū, voice actor, an actress, a choreography, choreographer, and a tarento born January 15, 1978, in Sendai, Miyagi Prefecture, Japan and raised in Ōta, Tokyo, Ōta, Tokyo. References 1978 births Japanese television actresses Living people Voice actresses from Sendai Japanese voice actresses Japanese choreographers 21st-century Japanese actresses {{Japan-tv-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Korea
The term "Cinema of Korea" (or "Korean cinema") encompasses the motion picture industries of North and South Korea. As with all aspects of Korean life during the past century, the film industry has often been at the mercy of political events, from the late Joseon dynasty to the Korean War to domestic governmental interference. While both countries have relatively robust film industries today, only South Korean films have achieved wide international acclaim. North Korean films tend to portray their communist or revolutionary themes. South Korean films enjoyed a "Golden age" during the late 1950s, and 1960s, but by the 1970s had become generally considered to be of low quality. Nonetheless, by 2005 South Korea became a nation that watched more domestic than imported films in theatres due somewhat to laws placing limits on the number of foreign films able to be shown per theatre per year, but mostly due to the growth of the Korean entertainment industry which quadrupled in size ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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