Beatmatch
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Beatmatch
Beatmatching or pitch cue is a disc jockey technique of pitch shifting or timestretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats (and, usually, the bars) are synchronized—e.g. the kicks and snares in two house records hit at the same time when both records are played simultaneously. Beatmatching is a component of beatmixing which employs beatmatching combined with equalization, attention to phrasing and track selection in an attempt to make a single mix that flows together and has a good structure. The technique was developed to keep the people from leaving the dancefloor at the end of the song. These days it is considered basic among disc jockeys (DJs) in electronic dance music genres, and it is standard practice in clubs to keep the constant beat through the night, even if DJs change in the middle. Beatmatching is no longer considered a novelty, and new digital software has made the technique much ...
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Beat-matching
Beatmatching or pitch cue is a disc jockey technique of pitch shifting or timestretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats (and, usually, the bars) are synchronized—e.g. the kicks and snares in two house records hit at the same time when both records are played simultaneously. Beatmatching is a component of beatmixing which employs beatmatching combined with equalization, attention to phrasing and track selection in an attempt to make a single mix that flows together and has a good structure. The technique was developed to keep the people from leaving the dancefloor at the end of the song. These days it is considered basic among disc jockeys (DJs) in electronic dance music genres, and it is standard practice in clubs to keep the constant beat through the night, even if DJs change in the middle. Beatmatching is no longer considered a novelty, and new digital software has made the technique much ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Slip-cueing
Slip-cueing is a turntable-based DJ technique which consists of holding a record still while the platter rotates underneath the slipmat and releasing it at the right moment. In this way the record attains the right speed almost immediately, with no need to wait for the heavy platter to accelerate. Slip-cueing was introduced to the disco scene by Francis Grasso Francis Grasso (March 25, 1949 – March 20, 2001) was an American disco music disc jockey from New York City, best known for inventing the technique of beatmatching (sometimes referred to as mixing or blending) which is the foundation of the mod ..., but the technique had been used for many years in the radio broadcast industry; it was often used by radio stations to match a following song to the preceding song, preserving the beat. Grasso used this method to great effect in order to create a continuous flow of music for a nightclub dance floor. See also * Beatmatching Sources *Jones, Alan and Kantonen, Jussi (1999). ...
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Pitch Control
A variable speed pitch control (or vari-speed) is a control on an audio device such as a turntable, tape recorder, or CD player that allows the operator to deviate from a standard speed (such as 33, 45 or even 78 rpm on a turntable), resulting in adjustments in pitch. The latter term "vari-speed" is more commonly used for tape decks, particularly in the UK. Analog pitch controls vary the voltage being used by the playback device; digital controls use digital signal processing to change the playback speed or pitch. A typical DJ deck allows the pitch to be increased or reduced by up to 8%, which is achieved by increasing or reducing the speed at which the platter rotates. Turntable or CD playing speed may be changed for beatmatching and other DJ techniques, while pitch shift using a pitch control has myriad uses in sound recording. Vari-speed in consumer cassette decks Superscope, Inc. of Sun Valley added vari-speed as a feature of portable cassette decks in 1975. The C-1 ...
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DJ Mixer
A DJ mixer is a type of audio mixing console used by disc jockeys (DJs) to control and manipulate multiple audio signals. Some DJs use the mixer to make seamless transitions from one song to another when they are playing records at a dance club. Hip hop DJs and turntablists use the DJ mixer to play record players like a musical instrument and create new sounds. DJs in the disco, house music, electronic dance music and other dance-oriented genres use the mixer to make smooth transitions between different sound recordings as they are playing. The sources are typically record turntables, compact cassettes, CDJs, or DJ software on a laptop. DJ mixers allow the DJ to use headphones to preview the next song before playing it to the audience. Most low- to mid-priced DJ mixers can only accommodate two turntables or CD players, but some mixers (such as the ones used in larger nightclubs) can accommodate up to four turntables or CD players. DJs and turntablists in hip hop music and nu m ...
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Harmonic Mixing
Harmonic mixing or key mixing (also referred to as mixing in key) is a DJ's continuous mix between two pre-recorded tracks that are most often either in the same key, or their keys are relative or in a subdominant or dominant relationship with one another. The primary goal of harmonic mixing is to create a smooth transition between songs. Songs in the same key do not generate a dissonant tone when mixed. This technique enables DJs to create a harmonious and consonant mashup with any music genre. Traditional methods A commonly known method of using harmonic mixing is to detect the root key of every music file in the DJ collection by using a piano. The root key that fits the track perfectly may be used to create harmonic mash-ups with other tracks in the same key. The root key is also considered compatible with the subdominant, dominant and relative major/minor keys. A more advanced harmonic mixing theory has been proposed which accounts for the various modes as well ( aeoli ...
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Scratching
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously. While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of rap rock, rap metal and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championships and IDA (International DJ Association), formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs. History Precursors A rudimentary form of turntable manipulation that is related to scr ...
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Audio Timescale-pitch Modification
Time stretching is the process of changing the speed or duration of an audio signal without affecting its pitch. Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording. These processes are often used to match the pitches and tempos of two pre-recorded clips for mixing when the clips cannot be reperformed or resampled. Time stretching is often used to adjust radio commercials and the audio of television advertisements to fit exactly into the 30 or 60 seconds available. It can be used to conform longer material to a designated time slot, such as a 1-hour broadcast. Resampling The simplest way to change the duration or pitch of an audio recording is to change the playback speed. For a digital audio recording, this can be accomp ...
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Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ...
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Laptop
A laptop, laptop computer, or notebook computer is a small, portable personal computer (PC) with a screen and alphanumeric keyboard. Laptops typically have a clam shell form factor with the screen mounted on the inside of the upper lid and the keyboard on the inside of the lower lid, although 2-in-1 PCs with a detachable keyboard are often marketed as laptops or as having a "laptop mode". Laptops are folded shut for transportation, and thus are suitable for mobile use. They are so named because they can be practically placed on a person's lap when being used. Today, laptops are used in a variety of settings, such as at work, in education, for playing games, web browsing, for personal multimedia, and for general home computer use. As of 2022, in American English, the terms ''laptop computer'' and ''notebook computer'' are used interchangeably; in other dialects of English, one or the other may be preferred. Although the terms ''notebook computers'' or ''notebooks'' or ...
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Rapid Evolution
Rapid Evolution (also known as RE) is a software tool for DJs, providing filtering and searching features suitable for musicians. It can analyze audio files and automatically determine properties such as the musical key, beats per minute (BPM), beat intensity and ReplayGain. It supports file types MP3, MP4, WAV, FLAC, OGG, AAC and APE. It helps DJs to organize and profile their music, and assists in the process of mixing music by utilizing song metadata to be able to show harmonically compatible songs and songs of a similar style. It allows DJs to save and remember which songs are good matches (like a personal, digital mixing journal) and to plan entire mix sets. One of its uses is to assist in a DJ technique called harmonic mixing. Once the musical key and BPM is known for a set of songs, DJs can use music theory (such as the Circle of Fifths) to identify songs that are harmonically compatible. The act of mixing harmonically can help eliminate dissonant tones while mixing so ...
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Final Scratch
Final Scratch is a DJ tool created by the Dutch company N2IT with input from Richie Hawtin (aka Plastikman) and John Acquaviva that allows manipulation and playback of digital audio sources using traditional vinyl and turntables. It seeks to cross the divide between the versatility of digital audio and the tactile control of vinyl turntablism. Final Scratch uses special vinyl records pressed with a digital timecode, which are then played on normal turntables. The timecode signal is interpreted by a computer, connected to the turntables through an interface called the ScratchAmp. The signal represents where the stylus is on the record, in which direction it is traveling, and at what speed. This information is interpreted by the computer and used to play back a digital audio file which has been 'mapped' to the turntable. In practical terms, this means that any audio file can be manipulated as though it was pressed on vinyl. Features Final Scratch offers the ability to play audio ...
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