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Beatbox
Beatboxing (also beat boxing) is a form of vocal percussion primarily involving the art of mimicking drum machines (typically a TR-808), using one's mouth, lips, tongue, and voice.TOWARD A BEATBOXOLOGY
Human Beatbox
It may also involve vocal imitation of , and other s. Beatboxing today is connected with , often referred to as "the fifth element" of hip-hop, although it is not limited to < ...
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Hip-hop Culture
Hip hop or hip-hop is a culture and art movement that was created by African Americans, Latino Americans and Caribbean Americans in the Bronx, New York City. Hip hop culture is characterized by four key elements: rapping, DJing and turntablism, breakdancing, and graffiti. Other elements include historical knowledge of the movement, beatboxing, street entrepreneurship, hip hop language, and hip hop fashion. Some of these are argued to be the “fifth element”. The Bronx hip hop scene emerged in the mid-1970s from neighborhood block parties thrown by the Black Spades, an African American group that has been described as being a gang, a club, and a music group. Brother-sister duo DJ Kool Herc and Cindy Campbell additionally hosted DJ parties in the Bronx and are credited for the rise in the genre. Hip hop culture has spread to both urban and suburban communities throughout the United States and subsequently the world. These elements were adapted and developed considerably, p ...
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Vocal Percussion
Vocal percussion is the art of creating sounds with one's mouth that approximate, imitate, or otherwise serve the same purpose as a percussion instrument, whether in a group of singers, an instrumental ensemble, or solo. In Western music Recent musicological research points at Brazilian songwriter and musician Marcos Valle as a pioneer of vocal percussion. In the track "Mentira" from his 1973 album "Previsao do Tempo", Valle imitates a drum kit with his voice. Beatboxing, an art form pioneered by rapper Doug E. Fresh, is one school of vocal percussion, originating in hip-hop music and often used to accompany rapping. Stylistically, it is more expansive than traditional vocal percussion as it involves mimicking other sound effects and instruments with the voice such as trumpets, scratches, and bass-lines. It is utilized by many musicians spanning over a wide variety of genres. In Indian music Vocal percussion is also an integral part of many world music traditions, most notab ...
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The House Jacks
The House Jacks is a professional a cappella quintet from San Francisco, founded in 1991 by Deke Sharon. The House Jacks describe themselves as a "rock band without instruments", their live shows typically include not only singing but also vocally imitating instruments such as trumpets, guitars, harmonicas and strings as well as taking audience-requests for songs and rendering them in musical styles unlike the original versions. The group primarily performs original material (unlike most contemporary a cappella groups who focus on cover songs) and is considered the first professional a cappella group to have a dedicated vocal percussionist. The group routinely tours the United States, Europe and Asia, has recorded numerous jingles and has garnered numerous recording and community awards (see below). The group was signed to Tommy Boy records (then a part of Warner Brothers) from 1994-1997, and Artilier Records (Germany) from 2000-2005. They can be heard in the background music on ...
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Roland TR-808
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by the Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples (prerecorded sounds). Launched when electronic music had yet to become mainstream, the 808 received mixed reviews for its unrealistic drum sounds and was a commercial failure. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the e ...
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Eefing
Eefing (also written eeephing, eephing, eeefing, eefin, or eefn') is an Appalachian (United States) vocal technique similar to beatboxing, but nearly a century older. NPR's Jennifer Sharpe describes it as "a kind of hiccupping, rhythmic wheeze that started in rural Tennessee more than 100 years ago."Sharpe 2005 An eefing piece called "Swamp Root" was one of the first singles recorded and released by Sam Phillips. Singer Joe Perkins had a minor 1963 hit, "Little Eeefin' Annie" (#76 on the ''Billboard'' chart), featuring eefer Jimmy Riddle, whom Sharpe calls "the acknowledged master of the genre". Riddle later brought eefing to national visibility on the television series ''Hee Haw''. In fall 1963, the same time as Perkins' "Little Eefin' Annie" was released, a group called the Ardells issued a single on Epic called "Eefenanny", a sort of bluegrass/hillbilly spoof on the folk hootenanny movement. It was not as big a hit. Also in 1963, Alvin and the Chipmunks released an original son ...
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Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dr ...
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Snare Drum
The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Snare drums are usually played with drum sticks, but other beaters such as the brush or the rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and responsiveness. The sensitivity of the snare drum allows it to respond audibly to the softest strokes, even with a wire brush. It can be used for complex rhythmic patterns and engaging solos at moderate volumes. Its high dynamic range allows the player to produce po ...
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Hi-hat
A hi-hat (hihat, high-hat, etc.) is a combination of two cymbals and a pedal, all mounted on a metal stand. It is a part of the standard drum kit used by drummers in many styles of music including rock, pop, jazz, and blues. Hi-hats consist of a matching pair of small to medium-sized cymbals mounted on a stand, with the two cymbals facing each other. The bottom cymbal is fixed and the top is mounted on a rod which moves the top cymbal toward the bottom one when the pedal is depressed (a hi-hat that is in this position is said to be "closed" or "closed hi-hats"). The hi-hat evolved from a "sock cymbal", a pair of similar cymbals mounted at ground level on a hinged, spring-loaded foot apparatus. Drummers invented the first sock cymbals to enable one drummer to play multiple percussion instruments at the same time. Over time these became mounted on short stands—also known as "low-boys"—and activated by pedals similar to those used in modern hi-hats. When extended upward roug ...
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Scratching
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously. While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of rap rock, rap metal and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championships and IDA (International DJ Association), formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs. History Precursors A rudimentary form of turntable manipulation that is related to scr ...
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Mosaic (vocal Band)
Mosaic (stylized as MO5AIC) is a five-man vocal band from the United States. An innovative vocal collaboration, Mosaic combines elements of funk, pop, rock, jazz, R&B, and even opera to create a musical experience produced entirely by the human voice. Members The five members of Mosaic are: * Joshua Huslig - founder - bass, baritone * Heath Burgett - tenor * Corwyn Hodge - tenor * Roopak Ahuja - baritone, tenor * Jake Moulton - vocal percussion, bass Biography In 2002, bass vocalist, Josh Huslig, founded Mosaic, which consists of Joshua Huslig, Heath Burgett, Corwyn Hodge, Jake Moulton and Roopak Ahuja. Some of the members performed in various shows at Walt Disney World and Universal Studios in Orlando, FL. Mosaic quickly became a cruise ship headlining act and corporate entertainment favorite. The now Las Vegas-based Mosaic moved rapidly from cruise ships and corporate conventions to venues such as opening act for comedian George Wallace at the Flamingo Las Vegas Hote ...
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Bass Line
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, or classical music for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in popular music often use "riffs" or " grooves", which are usually simple, appealing musical motifs or phrases t ...
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Juba Dance
The Juba dance or hambone, originally known as Pattin' Juba (Giouba, Haiti: Djouba), is an African-American style of dance that involves stomping as well as slapping and patting the arms, legs, chest, and cheeks (clapping). "Pattin' Juba" would be used to keep time for other dances during a walkaround. A Juba dance performance could include: *counter-clockwise turning, often with one leg raised *stomping and slapping *steps such as "the Jubal Jew", " Yaller Cat", "Pigeon Wing" and "Blow That Candle Out". The dance traditionally ends with a step called " the Long Dog Scratch". Modern variations on the dance include Bo Diddley's "Bo Diddley Beat" and the step-shows of African American Greek organizations. History of the dance The Juba dance was originally brought by Kongo slaves to Charleston, South Carolina. It became an African-American plantation dance that was performed by slaves during their gatherings when no rhythm instruments were allowed due to fear of secret codes h ...
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